Very very predictable, including the post credit scene !!!

Very best movie i ever watch

Absolutely Brilliant!

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

First of all, I apologize for using this space to submit a request about this film's soundtrack, rather than writing a review on the film itself. Nevertheless, I would like to comment briefly on the story and the photography: The story is interesting and even though there is no plot as such, the love relationship developed between the two girls (main characters) in the film is portrayed in a spontaneous and natural fashion that I found particularly appealing. The photography and the scenery settings, especially those shot on very high places (the high voltage pylon and the plane performing acrobatics) are breathtaking. I don't remember having seen any Lithuanian movies before, and watching this film was a very valuable opportunity for me to get a glimpse of the culture in that country. Now, what I found extraordinarily beautiful is the music in the film, most especially, a fragment that I would like to know whether it is part of the original soundtrack or whether it was taken from another composer (Tchaikovsky, perhaps?)'s musical piece. On one of the occasions this brief musical piece is heard, it occurs approximately 15 minutes before the end credits. I would appreciate if somebody could enlighten me on this point.

Every year it never fails. At the end of every year when "Best of" list are being released I will check out what films legendary French film journal Cahiers du Cinema has voted to their top ten. I enjoy Cahiers' top ten, somewhat. Hell, it's always interesting, always some film selections that make you say "hmm?" Sometimes these films pay off brilliantly, case in point #1 on the 2014 list: Bruno Dumont's Li'l Quinquin. Well The Summer of Sangaile was #9…and this isn't contemporary master Bruno Dumont; Toto we're not in Northern France anymore. No, we are in Lithuania for Atlante Kavaite's (Fissures) second film. Just reading the general summary of the film and noting that Cahiers had listed it to their annual top ten, I couldn't help but to think Rohmer. How Roh-ng I was. Here we have a young Lithuanian girl of 17, Sangaile (Julija Steponaityte), an aviation enthusiast vacationing with her parents who is going to learn about the pleasures and travails of young love through the quirky and beguiling (somewhat indie girl stereotype) Auste (Aiste Dirziute). The girls meet at air show. The girls begin to party with each other and hangout regularly. The relationship becomes sexual…I guess Kavaite handled it better than Kechine did Blue is the Warmest Colour. Sangaile who has some serious issues, like cutting, amongst other angst-y teenage problems begins to divulge these facts to Auste who is very supportive. Then the revelation comes that nearly tears them apart. Sangaile the wannabe aviator is afraid of heights…but they persevere through this obstacle in their relationship…sort of. The main problem is caring if they did, and that is asking A LOT! I guess Sangaile comes of age…It is as brutal to write as it was to watch. The only redeeming factors of the film are Atlante Kavaite's impeccable sense of the visual. She definitely has a great gift for taking seemingly normal locales and turning them into places of visual wonder. There are some truly beautiful looking scenes in the film, even if some are a bit too much, i.e. the puffy skirts that are lined with something like Christmas lights as the young girls begin to make love in a field as night falls. When the two main characters are apart, the passion and yearning that the young actresses display is clearly palpable makes for the most beautiful and sensual moments of the entire film. Where the film truly falls flat on its face is that the" transformative moments" of Sangaile's life at this point are so bland that it effectively dilutes the true tribulations that this troubled young lady is trying to deal with, thus detaching the viewer completely from the girls' story, as well as dismantling any importance the narrative had a chance of possessing. Other than the lesbian sex this film could easily be a horrible Hollywood teenage-girl-coming-of-age-drama. There is one scene where both girls are lounging on the shore of the lake and Kavaite uses the camera to isolate different body parts and the opening shot in this sequence last for about seven seconds and is of one of the girls' knee, which sent me to Claire's Knee, and yes, that is the closest we come to Rohmer.All I can say is I hated myself for watching this entire movie. I should have turned it off, no clue why I didn't. The positive thing I can say is that Kavaite has the cinematographic eye for transforming the mundane into beauty and taking nature and elevating its innate aesthetic qualities, now write a damn story. It all comes back to that nefarious Cahiers; you duped me (and I'm sure many other readers of your magazine) again, but hey, maybe your next unusual selection will strike gold. I'll keep playing the Cahiers lottery. I always do. Why stop now?

Beautiful cinematography, beautiful colours and lighting, very pleasing to watch. I also really enjoyed the work with sound, enhanced at exactly the right moments, appreciated the great attention to details and small things -this is also where the sound editing comes in perfectly. Each shot was well-considered. However, the story line isn't very interesting and you can hardly see any character development, the dialogue mostly feels fake and uncomfortable. The main character seems to be reacting to things that the viewer hasn't been introduced to or at least hasn't been motivated enough to feel sympathy for, so the character's actions really annoyed me at times. Overall I really enjoyed the movie, but I would have wanted some more plot development.

One beautiful story narrated with several stand still moments but not in excess. The photography of the film and the landscapes used are simple and a the same time extraordinary. Julija Steponaityte can show us the feelings inside of a troubled young woman, without too much words. Her expressions make us understand what the character is felling and the troubles that goes on her life. Aiste Dirziute plays a much different character but also very emotional and also has the capacity to make one simpatize with her character. This film is a story where a fight for love of one character colides with a lack of willing to live of the other, but the two are important to outcome of the plot. Extraordinary direction and photography of Alante Kavaite, capturing the moments without staying to long in them but also without staying little time in them. Must see