The Weather Man
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
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- Cast:
- Nicolas Cage , Michael Caine , Hope Davis , Gemmenne de la Peña , Nicholas Hoult , Michael Rispoli , Gil Bellows
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Reviews
The film may be flawed, but its message is not.
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
One of the most extraordinary films you will see this year. Take that as you want.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Unlike most Hollywood films, yet like quite a few -honest or not -rebelious ones, this one is supposed to censure and pull up the modern American way of life and its values. The thing is that this concept has already got a little old fashioned already. And in the "weather man" seems to get over reacting and somehow excessive too. Watching the film i couldn't help wondering what the weather man's problem really was. And all i could see is that the problem was exclusively his. He was not any specially intelligent or gifted person, yet he had a good job, the "system" seemed to be anything but against him, he had no debts, he had not cheated anyone or stolen anything, he was a decent person. OK, he was separated and his teen-aged children had a few problems but that's not anything most people do not have to deal with all over the world, so all the fuss was more or less about his own unstable character and had nothing to do with problems coming from any "bad system" or any "evil society". Not that a man's internal instability is not a problem itself, and not that the world around us is always as ideal as we would like it to be, yet i don't think that in the case of this film's main character's occasion it's the system to blame for the troubles he faces or better thinks he does.The fact that the film does not see it this way trying to convince us that the situation it illustrates is similar to the one we were acquainted with in the "american beauty" is its main weakness i am afraid, that's why i find it a little irrelevant. Not bad but a little overblown.
This is an old school dramedy with lots of family references (separation, teenage kids, dying father etc.). It revolves around a mid-town TV weatherman who made some mistakes in his personal life that led him to lose control of his life.Its tone is far from uplifting and the funny moments are dark somehow.Cage gives a good performance but his character isn't that likable and at some point his presence looks one-dimensional and might bore you when you realize that, through-out the movie, he hasn't evolved.Anyway. If you catch it on TV you might want to check it out. Otherwise not to many reasons to search for it.
The Weather Man is a low key movie about a boring person who is deluded about life in a clueless manner. He had a great award winning dad, he became a fairly inept dad, and he's trying to change that.The film is pretty monotone in term of story and visual to underline exactly how bland the guy and his job are. Nicolas Cage doesn't have a great acting range, but this role fits him pretty well, and he did a great job. Michael Cain plays a good counter point, and makes Cage's character more bearable.The piece is funny, in a chuckle kind of way, with lots of sad undertone. It's quietly entertaining, but won't really make you notice.If you want to see something different, you might want to try this.
This film has it all! A pancake-laden Cage pulling lemon-face for two hours! Existential angst oozing from every pore! Morose youth, their vivacity subsumed in a clumsy counterpoint of the mid life crises of the protagonists! Yes, there is is, the dignified terminal illness! Aaah, a rapid flash of bouncing tit-flesh, a brief moment of joie de vivre, rapidly and permanently stifled by the crushing burden of first world ennui.Let's be clear, if you want stylish French verite, watch a French film.The Hollywood version is a painfully clumsy pastiche, stumbling from cliché to cliché in a rote, barely aware fashion.This is a dire, dreadful, awful, miserable, grind of a film, with no redeeming features. A critics' dream, the doyen of the Eurphophile intelligentsia: you absolutely must watch this movie if your predilection is for fronting a pretence that the pedestrian can become profound through frenzied beard stroking and expostulation.