Purely Joyful Movie!

hyped garbage

This is a gorgeous movie made by a gorgeous spirit.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Haneke would have a field day with this. He actually already had one - it's called Funny Games. Either the original version or the remake will do. And while this adds "eroticism" and bondage to the mix, it just never works. The movie is out to shock and tell a story about a bad man, trying to send mixed messages too. Shouldn't you obey if someone holds you hostage? Should go with the flow? All this could be interesting things to explore and if you're being nice to the movie, you sort of see them in this too.Those are just a few of the things that could make this even more uneasy to watch! As if the torture and the general humiliation wasn't enough you might ask - the problem with that is that it just never actually makes a point in the end. Especially the ending which sort of alienates the viewer even more (Freedom can be different things and there are layers to that too, none of them explored here, not to mention the reveal and explaining it does with the very last seconds of its running time ... unnecessary)

I liked this, but can think of preferred outcomes.Nice, clear intro. Then good sensuality with oblique gore. I was really liking those knots and expected the tone was set for the rest (despite the underwear prudishness). But it backed off and became a bit sentimental for me. The keyboard music especially got a bit Mills & Boon, although the camera work in a dull house was sexy.I was guessing until late on, but in the end it's a fairy tale with a clear moral, rather than a mysterious reflection on physical desire. Tres Anglo- Saxon.The character in the bathtub was disappointing: "Leksh me oush!". On the one hand, it would be hard for someone not to die in those circumstances; on the other, he didn't change despite all that time for reflection - so he's basically a monster. And I guess that's why the story ends up so blunt.Many UK films are tax-break crud, so this was refreshing.

I saw this film at the Imagine (sf/horror/fantasy) filmfestival Amsterdam 2014. Very good script, continuously unclear where the story was heading. Especially nice was that the couple in the house seemed 100% victims at first, but that changed throughout later developments, particularly after revealing some black spots for the husband. Eventually all loose ends vanished one by one, including the final scene revealing the initially unexplained method how the attacker silently entered the house without ringing the doorbell. You may infer from it that the same can happen to you in the foreseeable future.Believable characters throughout, but cannot tell much more in fear of spoiling. This film ended undeservedly on a lowly 36th place (out of 43) for the audience award with score 6.43. An IMDb score of 5.6 is also not what it should be, in my not-so-humble opinion.

Post-feminist scary and haunting tale. Very well done. The camera becomes an independent character: does not move too much and that is positive. Deadly Virtues: Love Honour Obey has been made for a low budget. The story and making of and way of acting is so special and so good! In the beginning, when the intruder has bound Alison and hanging from the ceiling, we wanted to spit the stranger in his face. But at the end of the movie, we actually did love the stranger a little bit! The stranger practices bondage, a Japanese style of bondage. Because to tie is to hug. Lust and art is combined. During the movie, Alison did change. She became strong.