Undescribable Perfection

good back-story, and good acting

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Whilst on a trip to Wales, Adèlle and James's teenaged daughter goes missing and is presumed to have drowned. In her place another teenaged girl named Ebrill appears, who apparently died fifty years earlier. Through the process of trying to discover what happened to her daughter, Adèlle uncovers a disturbing secret involving the town.Most reviewers already point out that the main problem with this film is its lack of originality. I think that at its core, the film actually has a reasonably unique concept concerning an alternate reality (Anwyn - which is a sort of afterlife), but the film mostly resorts to clichéd scare tactics and fails to really make good use of its subject matter. This kicks in right from the start of the film, which opens with the main character experiencing the loss of her daughter before she is woken up suddenly and we realize that it was simply a dream (as well as a premonition of what will happen later).Unfortunately for its stars, the film gives them little to work with. With the exception of establishing for no apparent reason that Adèlle is a smoker (which is odd, considering smoking can lead to higher certificates and therefore lower box office intake), there is virtually no character development. Sean Bean is wasted, as his character James has no personality whatsoever and might as well have been played by a cardboard cut-out. Furthermore, while an oddly placed flashback suggests that Adèlle and James may have had some complicated relationship problems, they get along suspiciously well. They don't dislike each other and they don't show any affection for each other. You'd think that the fact they have a daughter together might make their relationship a little more interesting, but the two of them only have about as much chemistry as I have with my postman.One thing that the film offers that sets it out from many ordinary horror films is its setting of the Welsh countryside. Most of the film takes place by the sea and surprisingly for a film with such a title, it is a very bright horror film. The day time scenes tend to be the more interesting ones, including a scene in which a character standing dangerously close to the edge of a cliff must dodge a horde of sheep racing towards them. I can't say that I've seen that before. However, when it gets dark, we're forced to watch the standard horror scene in which a person walks around a dark place with a torch until they uncover something scary. While comedies at least have to come up with new jokes, it seems to me that there is no end to the number of times a horror film can reuse what is essentially exactly the same scene as we've already seen in countless other films.The film then makes use of another plot device I didn't need to see yet again, as Adèlle must uncover the dark and somewhat supernatural history of the town. But all the characters around her think that she's crazy and only try to get in her way. Luckily it doesn't last too long and this is another one of the film's strengths – it progresses at a nice fast pace instead of ever dwelling on the same subject for too long.My main problem with this film's first scene, in which we establish that Adèlle has a tendency to see things that turn out not to be real, is that it means that for the remainder of the film we cannot take anything at face value. So when a girl comes back from the dead, it's difficult to feel as moved by it as we perhaps should because we already know that Adèlle might have made the whole thing up in her mind. And then when James meets the girl and doesn't seem to think that this strange girl who has appeared in an otherwise fairly deserted town is a big deal (because his character is made out of cardboard), it's also hard to feel that her resurrection is in any way significant.And that for me is what weakened the film the most. It sets out to be a supernatural horror, but none of its supernatural moments pack any punch (It's far from Pinhead's entrances in the Hellraiser films). It would have been nice to be fascinated when Ebrill returns from the dead.Deep beneath the clichés is an interesting myth and a creepy story concerning a mass suicide that was encouraged by a pastor. Unfortunately while it provides some of the setup for the events of the film, it does not make up for much of the film's runtime and is mostly told through some brief flashbacks whilst a Welshman tells the story to Adèlle. It's a shame, because it was easily the most interesting part of the film for me and I would much rather have seen a film set in the mid 20th century about a mass suicide in a small Welsh town.I think that the most important thing for a filmmaker to keep in mind when making a film that deals with characters crossing between the real world and an alternate reality, is that the more real the real-life scenes feel, the more surreal and interesting the fantasy scenes will feel. Thanks to a lack of character development and its useless dream sequences, this film fails to create a clear distinction between the two realities and they just sort of blend together. Neither world is established enough to create a contrast.I don't think that the writers or the director have managed to make much out of their initial ideas here, but at least they tried and at least the film is not a sequel.

I liked it. Average score of 5.3 is really low for this one. It's not a classic or a masterpiece, but it's well directed, spooky and I even found it quite consistent. I really like these psychological sort of horror movies rather than splatter gore stuff. The cast is mostly adults here and of course the children, but this movie is clearly not aimed at young audience, but rather for people a bit older, parents of children will probably feel it the most as it is about loss of a child.I was a bit bummed to read that the author didn't like this (if the review really was his), but then again, I don't know if original authors ever do like adaptations. I think the movie works pretty well, even tho there are a few twists that might confuse. I think they were handled quite well actually.Only downside I could figure out is the sound editing and fx. They did go where the fence is lowest and add cheap fx where appropriate. You really wouldn't have needed an fx every time something a bit scary hits the screen. Maybe I'll try to watch this without sound later.Give it a shot if you like spooky horror. The scenery is really nice to look at if nothing else.

If you are a horror movie fan, and you want a horror film without any explicit stuff, then this film can be watched.Story is about a mother and daughter visiting the father in Wales, when the daughter goes missing and in her place comes a girl presumed to be from the dead. The rest is about how it all happened and whether the couple's child is able to return or not.The storyline is weak and unimpressive. But the locales of shooting are good, the acting is fine, there aren't many thrills, and no vulgarity at all. The ending is something I did not understand.You can watch this, but whether you like it or not depends...

The Dark.I'm not usually a fan of this type of movie, preferring romantic comedies and character-based movies, but it really is a faultless piece. The cinematography and art direction are subtle but remarkably beautiful, with alchemical hues and some noir-ish moments reminiscent of Nostalgia. There are moments of homage – Don't Look Now, for example, with the child in red. Scare-mares I can usually forgo but this film takes the viewer on a loop-within-loop journey that is intriguing and whirls, dervishly with the mind. The cast are sterling stuff, too. A big shout to Christian Sebaldt, the cinematographer, to John Fawcett the director and to Stephen Massicotte and Simon Maginn the two screenwriters. Scary daughters……….or in this case scary ghost-daughters of rugged-coastline sheepfarmers, are another familiar element, but there is nothing predictable about this state-of-the-art thriller/horror/shocker. Maybe I'm coming around to becoming a fan of this genre………..gonna put some cocoa on now and listen to a friendly album.