Too much of everything

So much average

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Jack Whitman (Jason Schwartzman) is alone in a comfortable European hotel room. He gets a call from a woman (Natalie Portman) who insists on joining him. She tells him that she doesn't want to lose his friendship but he tells her that he will never be her friend. They make love and afterward, they go out on the balcony.Director Wes Anderson makes this short as a prologue to 'The Darjeeling Limited'. I love Wes Anderson but Darjeeling is not one of my favorites. This short definitely has the Wes Anderson touch. Schwartzman and Portman are fine. They're not doing anything really deep but there are snippets of interesting insights into their relationship. The one thing I love above it all is the song 'Where Do You Go To (My Lovely)'. It's classic Wes Anderson.

The Darjeeling Limited is about three brothers who take a spiritual journey to India to become better brothers. Francis (Owen Wilson), spurred by his survival in a motorcycle crash, calls the journey together on the train. Peter (Adrien Brody) has left his very pregnant wife to go on this journey. He is not happy about the kid. He always figured they'd divorce. And not because he doesn't love her, he just always expected it. Jack (Jason Schwartzman) hasn't been in the United States in a long time, and has been living in hotels, trying to get over his girlfriend, or get with her, or do something in his post-break up period of life."Hotel Chevalier" is a short film (to be shown before the movie). It tells the story of Jack and his girlfriend (Natalie Portman). He had been hiding from her in a hotel in Paris, but she comes and visits him.Separating these parts into two separate ones is a brilliant decision. There is no way "Hotel Chevalier" could be put into The Darjeeling Limited, and The Darjeeling Limited can be seen without "Hotel Chevalier," but it completes it and makes it into one continuous and brilliant piece of art. Natalie Portman, like always, is spectacular alongside Jason Schwartzman.

Good question.I haven't been so confused since watching Mulholland Dr. (which by the way is an excellent movie, unlike this one). Are we really supposed to take Jason Schwartzman seriously with that comical American-French accent (see: 14ème Arrondissement in Paris, je t'aime) and the stupid thick moustache? Natalie Portman fares no better, unconvincing as a seductive vamp with a tomboyish haircut. Both actors are too young and horribly miscast here.The dialogue is awkward beyond belief and makes no sense whatsoever. I don't understand how anyone can praise this short film since it offers pretentious "mysteries" yet explains nothing to satisfy our reluctant suspense. Until The Darjeeling Limited is released one can't really say it's good at all except stylistically. I suppose if Anderson's intention was to create hype then fine, he did his job, I will watch The Darjeeling Limited just out of curiosity to see whether he will redeem himself.The background music is far too loud and distracting. Now is that more arty-farty symbolism, an homage to Paul Thomas Anderson or did Wes just forget to turn the sound down on his PC whilst editing? I know the exaggerated use of yellow was an intentional decision he made, but it turned out that he made a bad decision. The one shot that was beautiful and near perfect was the memorable balcony scene, in which the colours really does take your breath away. Promising, shame about the other 12 minutes.Oh, and for the overzealous horny fanboys (for which I am one), Ms. Portman does not go nude for this film. Disappointing and unsatisfying, perhaps that's why I feel so bitter and cheated. Ah well.

One of the things i've always liked about Wes Anderson is how well he can subtly imply certain characteristics or histories in a dry sort of humor. This film accomplishes that in a more pronounced scale than a longer film might have.Jason Schwartzman is great, perhaps the stronger of the two performances, although Natalie Portman is not to be dismissed here.Without giving anything away, the film accomplishes its goal of setting a mood and not forcing itself to tell the entire history - something too many other directors might have tried in a 13 minute time span and thus sacrificed most if not all of the actual feeling behind the couple's reunion.I rate this a ten out of ten - a great short, and even though i'm a big fan of Wes Anderson's, i'm glad he didn't over-stylize it. It's simplistic, humorous, and yet bitter-sweet and thoroughly enjoyable.