Sick Product of a Sick System

Good films always raise compelling questions, whether the format is fiction or documentary fact.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The film may be flawed, but its message is not.

Air Force brat Doug Masters (Jason Gedrick) finds out that his father has been shot down and captured by a brutal Middle Eastern regime and embarks on a crazy plan to rescue him, which involves stealing multi-million dollar jet fighters.I loved this movie as a kid and I still do. That said, from a technical standpoint (which is where my ratings come from) it's just not good.The writing stretches verisimilitude to its limit, the acting is just barely at par and the flow is, to be polite, non-existent. This movie has too much filler. It could be cut down to 45 minutes so it could air in a one hour time slot on television and the essential elements would remain intact.There are some good elements in the movie. There's some good action and chase sequences and the last 20 minutes were fantastic and make this movie worth watching. The overall cinematography and effects were done well, though not outstandingly so.In all, it's a fun movie to watch if you like jet and/or military movies.

as a retired USAF MSG (aircraft maint. spec), this has got to be one of the worst movies i have ever seen. the fact that a teenager could ever get on the flight-line, much less get into an f-16 is ludicrous. the military spends millions on each pilot to make them the best in the world and this movie makes the air force and all its members seem stupid at best. yes, i know it is only a movie but it conveys a message to the younger folks that we are all idiots, and believe me, we are not. the logistics involved in setting up any type of mission are highly involved, even in the eighties, military computers were too secure to hack by any teenager, and the other flaws in this movie make peter pan more believable. sorry, to me, this movie has no entertainment value at all.

OK, the very idea is ludicrous.1. Kids don't own planes 2. Kids don't race planes with dirtbikes 3. It made the Air Force look like total idiots 4. The kids father would not jeopardize his entire career to allow his boy to joyride with him 5. Neither would a reserve colonelThe sequels, I am sure were worse than this tripe. The soundtrack is about the only redeeming quality of this waste of celluloid. I am sorry but I just don't understand why in the world anyone would write direct and produce such unbelevable junk. The Iranian Air Force is lucky to filtch a couple parts for an ageing F-14, and this kid wrangles not 1 but 2 fully loaded and fueled F-16s? Gimme a break.

Ahhh, to be twelve years old again. I'm pretty sure if I was still that age, I would have loved this preposterous medley of bad acting, copious amounts of Queen's "One Vision" and senseless explosions. Sadly (and I do mean that), I've grown up and can recognize IRON EAGLE for what it is... and while it's not god-awful, it's not all that good, either.IRON EAGLE is the story of new high school grad Doug Masters (Jason Gedrick, whom you'd recognize from CROSSING THE BRIDGE and ONE EYED KING had you ever heard of those movies). His fighter pilot dad has been captured by an evil Middle East country for illegally entering its territory (imagine that!). Now papa's gonna be hung and nobody in the US of A is ready to do anything about... 'cept Doug. So our hero steals military intelligence and an F-16 fighter jet (it's quite easy, really... just get your friends to distract army dudes by 'accidentially' spilling juice on their shirts and stuff). With the help of bright spot Louis Gossett Jr., he soars in to save the day.IRON EAGLE actually starts out promising. You might even be willing to forgive its ludicrousness, but it gradually morphs into a meaningless series of fireballs and clichéd dialog. It seems perfectly content to dish out cheap thrills to violence-obsessed boys, and do nothing more. It's also too long and at times borders on the laughable. The film still has a certain charm, but unless your night is slower than molasses, you'll want to skip it.