The Inspector General

NR 6.7
1949 1 hr 41 min Comedy , Music , Romance

An illiterate stooge in a traveling medicine show wanders into a strange town and is picked up on a vagrancy charge. The town's corrupt officials mistake him for the inspector general whom they think is traveling in disguise. Fearing he will discover they've been pocketing tax money, they make several bungled attempts to kill him.

  • Cast:
    Danny Kaye , Walter Slezak , Barbara Bates , Elsa Lanchester , Gene Lockhart , Alan Hale , Walter Catlett

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Reviews

Ehirerapp
1949/12/31

Waste of time

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GamerTab
1950/01/01

That was an excellent one.

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Crwthod
1950/01/02

A lot more amusing than I thought it would be.

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Nicole
1950/01/03

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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tombancroft2
1950/01/04

I am a fan of Danny Kaye, but I have to say that this is one of his poorest films. Too many silly songs which don't do justice to his fine voice and a weak plot line. "The Court Jester" and "Walter Mitty" are far superior. However, the finest Danny Kaye film in my humble view is "Hans Christian Anderson". The stories of Anderson are timeless and the songs in the film were big hits at the time and have since become classics (Inch Worm, Ugly Duckling, Thumbellina, I'm Hans Christian Anderson, etc.). Danny Kaye was a crooner almost in the Crosby class and his talents are wasted in the "Inspector General". The odd silly song is o.k, but there are too many in this film.

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drystyx
1950/01/05

This is a movie! Danny Kaye is one of the lost gems. His movies are almost all classics. Whatever they lacked on the drawing board, he added to. This one was a classic story line guaranteed to be great. Some scripts are just great. "Arsenic and Old Lace", "The Front Page", movies like these are destined to be entertaining no matter how badly done. When done well, they are spectacular and spectacular! Kaye is a poor slob who thinks he is going to be hanged by a corrupt town, but then events take place which I won't spoil in this review. Trust me, you won't stop laughing. The voting for this movie indicates men like it slightly more than women. Danny Kaye was a man's man, and his heroines were always men's women, the kind so perfectly beautiful that female viewers can't help but get jealous. Female viewers like the plain Jane as female leads, like in the movies of the last twenty years. In this movie, the lead female is one of the most gorgeous you'll ever see. Kaye always managed to get paired with the most beautiful girl in the show. Then there's Danny Kaye's pure talent. He sings not only with talent, but with affection and timing. Perfect comic genius makes him a delight to watch. And the rest of the cast is splendid. Not just one of the best comedies, but one of the best movies of all time.

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darkwing_karnage
1950/01/06

Watching this was enjoyable. The movie started off somewhat slowly, and took its time picking up the pace. However, the pace quickly picked up speed when Danny Kaye came on screen. This is partly because his partner shows up at the same time. Walter Slezak does a fantastic job of contrasting Kaye throughout the movie, but more of that later.Danny Kaye's performance here is not quite as seamless as many. He does not seem to have the same audacity he displays in later movies, such as The Secret Life of Walter Mitty and The Court Jester. It is also different in that, although it includes the usual confusion, plot twists, and multiplicity of plans going on at once, these elements are not executed as beautifully as in, for example, The Court Jester. Thus these scenes become comedic background, still enjoyable to watch, but not the masterpiece one may have become accustomed to. However, the movie was far from terrible. There were moments which, as I watched them, made me think, "That's so Danny Kaye." He has many of the same mannerisms and little twitches that make him so much fun to watch, along with an array of songs that would tie a normal tongue in knots. He looks quite dashing in his military uniform, and his character's innocence is just so much fun to see in Danny Kaye's brilliant blue eyes. His character (Georgi) is also contrasted masterfully with Slezak's (Yakov), making this movie a success. Yakov is so mean to poor Georgi (as well as everyone else) that the viewer simply must fall in love with the poor boy. Kaye plays a young man, very nearly a boy, while Yakov is so jaded and immoral. It is Yakov's cruelty to Georgi that endears Kaye's character to the viewer.To sum up, The Inspector General is a lighthearted movie involving superb writing, excellent juxtaposition, and a wonderful star and supporting villain.

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theowinthrop
1950/01/07

Danny Kaye's films with Samuel Goldwyn established him as a leading movie comedian - singer from 1944 through the late 1940s. For a number of years after he continued his popularity without Goldwyn in films like "Knock on Wood", "The Court Jester" and "Merry Andrew". It is likely that "The Court Jester" is his best film, but "The Inspector General" is close to the top. Based on a 19th Century satiric play by Nicolai Gogol, Kaye plays Georgi, a decent fellow who works for the bullying Yakov (Walter Slezak). Yakov and Georgi travel around the countryside selling "Yakov's elixir" which is supposed to cure all kinds of illnesses (that Kaye sings in a tongue-twisting song by Sylvia Fine, his wife). But they are forced to flee when Georgi tries to stop an elderly woman from wasting her money on the elixir. Naturally Yakov is upset, and sends Georgi away until he learns to be crooked. Yakov has been using a fake official document signed by Napoleon as a come on in his sales pitch. Georgi is carrying it. He is arrested by the town constable (Alan Hale Sr.) for vagrancy, but the latter reads the letter. As the Mayor (Gene Lockhart) and his cohorts are awaiting (with dread) a visit by Napoleon's Inspector General to check their records (they have been feathering their nests), they think that Georgi is this Inspector General. When Yakov comes to town he quickly grasps the situation, and pretends he is the "Inspector's" servant. Slezak knows that there are real opportunities here.The funny thing is that Gogol's play is not quite like the film. First of all, Gogol was writing a critique of government corruption in the Russian Empire under Tsar Nicholas I (1825-1855). Gogol was a religious mystic and satirist (best recalled for his unfinished novel about serfdom, "Dead Souls", and his novellas "The Diary of a Madman" and "The Overcoat"). Normally Nicholas was a humorless despot, who hated intellectuals. But he liked THE INSPECTOR GENERAL, which attacked the worst aspects of Russian local government corruptions that the Tsar did want to see eradicated. Because he approved, the play was a great success, and became one of the few 19th Century plays that became part of the permanent world repertory.But Gogol's targets were Russian, not French. Napoleon is not a background figure in the play. The Inspector General (actually the title is "The Government Inspector" in Russian) is from the Tsar. They have heard rumors of the corrupt practices, and are checking them. Georgi's character is not such a well-intentioned type in the play as he is in the movie. He is as willing to feather his nest as Yakob is, and they prove to be a highly successful team.This is because the Mayor and his cohorts are quite willing to bribe their way out of the current investigation. This includes selling the Mayor's wife for sex, and paying out much in bribes and "gifts". And in the end, after "Georgi" and Yakob leave with their loot, the Mayor thinks he will be called to St. Petersburg for some really important post. But months later they hear of a letter circulating in the capital from "Georgi" boasting of how he fooled the Mayor and his cohorts. Then, just as things couldn't get worse, a servant announces the arrival of "a Government Inspector" to review the books. Everyone freezes in terror as the curtain falls. The film softens "Georgi's" character, leaving Yakov as the greedy one (although Slezak does redeem himself at the end). The Mayor and his cohorts (who do things like collecting for a church bell but pocketing the money themselves) do try to kill off the Inspector General - there is a funny sequence at a party where "Georgi" sings a song about "sing Gypsy, dance Gypsy", and keeps on just avoiding drinking his doctored drink during the song. Georgi's guardian angel protects him. He also meets Leza, a servant (Barbara Bates) and falls for her. He debates how to appear before her as a General - should he be elegant like an Englishman, arrogant like a Russian, or smart like a German. In some ways "Soliloquy for Three heads" may be the best of the numbers in the film. Although watered down from Gogol's stunning comic play, enough entertainment value remains in the film to make it worthwhile viewing, and a highpoint in appreciating Kaye's movie career.

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