Drowning by Numbers

R 7.1
1988 1 hr 59 min Comedy , Crime

Three generations of women who seek to murder their husbands share a solidarity for one another which brings about three copy-cat drownings.

  • Cast:
    Joan Plowright , Juliet Stevenson , Joely Richardson , Bernard Hill , Bryan Pringle , Trevor Cooper , David Morrissey

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Reviews

UnowPriceless
1988/09/10

hyped garbage

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Intcatinfo
1988/09/11

A Masterpiece!

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ChanFamous
1988/09/12

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

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Jonah Abbott
1988/09/13

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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gavin6942
1988/09/14

Tired of her husband's philanderous ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner, the murder is obscured. Her daughters are having similar problems with relationships, and tend to follow their mother's example.I really thought I would like this movie, with its clever counting scheme and dark sense of humor. I love black comedy as much or more than I love horror. But for whatever reason, I took no joy at all from this movie.The How I Met Your Mother episode "Bad News" uses a numbering device inspired by the film, with the numbers counting down to the titular "Bad News," when character Marshall learns that his father has died. Now, that is a show I greatly enjoyed, and now that I know the connection would be interested in seeing the episode again.

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soulurge7
1988/09/15

This is a very irrational and difficult movie to follow. When I first saw it on a large theater screen, the nudity and sex kept my attention. But most of all, the vibrant colors in the film were very prominent in the screen version. Sadly, that is not the case in the video tape version I watched recently. I could not find it on DVD.So I used the nudity and sex to keep my attention while I tried to detach from it at the same time and be objective. That helped me find the deeper story. And although this is a very irrational story, the characters display very normal behaviour in that they continue to repeat their same folly over and over. The men are all playing trivial games with each other and with the women in their lives. In order to get them to break out of their banality, the women try their best to get them to wake up.When they collaborate with the main male character, who is a coroner, the three main females try to use logic to justify their actions. But he just doesn't catch on. He uses the women and their circumstances to gain sexual favors from them. He, like the murdered men he buries, seems oblivious to what these females are trying to bring to him.In order to get a sense of what this story is about, it helped me to use some symbolism. In the title, "drowning" represents the belief that one is imprisoned or suppressed. All the males in the film drown. The other symbol I looked at was "swimming" which is the desire to be accepted or loved. All three female main characters are strong swimmers and all have the same name.In the end, you can moralize about the actions of the women, but that is not what this story is about. If you look objectively at the behaviour of the men, they are caught up in their lack of belief in themselves. So they waste time trivializing their lives. This lack of responsibility on the part of the men affects not only them but their families and the whole community.The women are so tired of not getting love and strength from the men in their lives that they are willing to risk their own futures by murdering those men. Not a very rational choice, but very poignant one. One almost has to laugh at the men who just don't seem to get it.

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hausrathman
1988/09/16

A small-town coroner, who has a young son obsessed with death, helps three women get away with drowning their husbands in this dreadful, pretentious film. While it cannot be denied that director Peter Greenaway has unique vision, the question remains whether his vision is worthy seeing. I appreciate his films in theory, but not in practice. There are a few interesting moments scattered about, but what's the point? What is this film about? And why should we care about the characters and the story? Those are questions Greenaway left me unmotivated to answer.

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Martin-259
1988/09/17

Despite the misanthropy, this is the only Peter Greenaway movie that I actually enjoyed. (Admittedly, this may have something to do with the ratio of female to male genitalia in this film as compared to some of Greenaway's others.) The bit with the numbers is original and clever. It's all sensuously and beautifully shot. Joely Richardson is really quite attractive here. The games are sort of neat.

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