Brilliant and touching

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Slow moving with a ending that was unexpected.Holliday Grainger was good, but underused in the film.

I was looking forward to Daphne Du Maurier Rachel come to life on the big screen. I am a fan of Rachel Weiz and her work and I thought she was a great choice for the role but though their were some key elemants from the book there was nothing added in its place and the film just left me wanting more and not in a good way.

I'm not sure if I have rated this correctly because I have only watched half of this and I already needed a break. I'll watch the rest later.Rachel Weisz is pretty good, but I still prefer Olivia de Havilland. Olivia didn't seem to have as much emotion and she came across, to me anyway, more of an enigma that Rachel. Comparing the two Phillip's. What can I say? Richard Burton, in my opinion, was pretty much of a overacting scenery chewer. I don't think that is was all that, but many people. Sam Claflin is very non descript. And, really, when is the stubble look going to finally end for men? Either grow it out or shave it. This movie is set in about the 1850's. Stubble was not a fashion then. It was huge sideburns, a moustache or a beard. Usually, it as all three. Whoever directed this, did not get that detail right. The women rock, the men don't.

A deception that's wrong to be loyal to itself is a sincerity that's right to be loyal to itself.A sincerity that's right to be self-loyal is an honesty that's wrong to be loyal.An honesty that's wrong to be loyal is a power that's wrong to be loyal.A power that's wrong to be loyal is a power that's right to be deceptiveA power that's right to lie is a power that doesn't lieA power that doesn't lie is a power that's trueA power that's true is a power that's powerA power that's power is the identification of power after power. The identity of power after power is the non-identity of weakness before weakness - the secret of deception before deceptionThe secret of deception is the secret of ill-intent. The secret of ill-intent is an evil plan that's not known.An evil plan that's not known before an evil plan is a good plan that's known after a good plan.A good plan is an insincere plan. An insincere plan is a sincere lack of plan - a sincere disorganisation A sincere disorganisation that's known after a sincere disorganisation is a sincere chaos that's exposed after a sincere chaosA sincere chaos is a pure chaos. A pure chaos is a chaos that's not created - a free chaosA free chaos is the chaos of freedom.The chaos of freedom is the elegance of oppressionThe elegance of oppression is the illusion of oppressionInnocent oppression that's exposed after innocent oppression is innocent violence that's exposed after innocent violenceInnocent violence is the danger of innocenceBeing exposed after is exposed beforeThe danger of innocence before exposed danger of innocence is the danger of innocence before known danger of innocenceBefore known is not beforeDanger of innocence after danger of innocenceDanger of innocence is illusion of innocenceIllusion of innocence after illusion of innocenceInnocence of illusion after innocence of illusionInnocence of innocence after innocence of innocenceInnocence is freedomFreedom of freedom is life of freedomLife of freedom after life of freedomAfter life of freedom is life of oppressionLife of freedom life of oppressionFree life oppressive lifeA free reality is an oppressed realityAn oppressed reality is an oppressed realityAn oppressed reality is the illusion of oppressionThe illusion of oppression is an oppressed realityAn abusive illusion is not an oppressionAn abusive illusion is a freedomA privilege is a bad disappointmentA privilege is a disappointed disappointmentA privilege is when a disappointment is disappointedA privilege is when an impossibility is impossibleA privilege is to experience the impossibility of an impossibilityThe Roger Michell adaptation, My Cousin Rachel, is about something being made impossible because it's been experienced