Sadly Over-hyped

It is a performances centric movie

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Real easy to critic it. for the not examplary respect for accuracy of story, for dialogues and for too obvious fight between Church and science. but it has a small significant virtue - it is the right film for the child inside us from the early history lessons, when the teacher spoke about Altamira and Lascaux. for this child, recognosible in the traits of the girl, "Finding Altamira" has virtues of magic. or late answer. the film is far to be great. but it is a decent one, with a good job of Antonio Banderas and Rupert Everett in a surprising role. sure, it could be better. but , maybe, another director and scriptwriter are more inspired.

Beyond some controversy in the history behind the story, Finding Altamira is, in its own right, a find worthy of celebration.The cinematography of Jose Luis Alcaine is amazing. One could take almost any frame in this film and hang it on a wall as a work of art. I could have watched this film in mute and enjoyed just the visual majesty of every scene.After doing work in films like the Spy Kids franchise, Antonio Banderas is developing a reputation, in my mind, as a recognizable actor who brings attention to otherwise obscure movies, not to drive up the budget, but to elevate attention to the art. I would have never watched Automata, had I not been wondering what Antonio Banderas was doing in that movie; only to be wonderfully surprised again. In this movie, I would say that his acting was adequate, but once again, after the Automata experience, I decided to give the movie a chance. I am so glad I did.My favorite scenes were those involving Rupert Everett (Monsinor) and Golshifteh Farahani (Conchita). The cinematography was almost like watching an oil painting, with barely any movement, yet the tension and intensity of every scene was incredible. Was it sexual? Was it a power struggle? Was is a tug-of-war of morality? I could have watched them all day.The little girl in the film, Allegra Allen (Maria), as most child actors tend to be, is just too precocious in this movie and the character almost did not work for me. In my opinion, the point of view of the story shifted too much from the child in the beginning, the father in the middle, and the mother at the end. I believe the story would have been better served if the arc of Conchita's story would have remained the focus throughout.There was an "affair of the heart" storyline which was totally unnecessary, in my opinion, and only included to generate more scenes and conflict for secondary actors. I believe the movie would have been just fine without diving into that part of the story and leaving it as wistful glances between two characters.The story, whether parts are true or fictionalized, is simple enough and I would suggest, secondary to this film.You should watch this movie if only for watching how beautiful the craft of movie making can be.

I give this movie full marks. It may not be Lawrence of Arabia or a block buster but it is fine cinema nevertheless. For what the producers did with their budget and the location and interior shots - they did very well. One reviewer remarked that the movie did not credit the true discoverer of the cave. However if you watch carefully it is clear that credit is given to the huntsman who actually did find the entrance in 1858. I enjoyed the production thoroughly. this is the perfect movie for those who enjoy historical drama. Well paced with great photography and great location sets. I have family in the film industry living in Hollywood and it is often a great battle between the corporate financiers who want as much sex and nudity with blond bimbos to boost sales and are constantly ruining potentially good cinema by inserting complete dross into otherwise good scripts. Good cinema is becoming rare. Someone has taken a punt on this movie and my bet is that it won't rake in millions - but it gets my vote and I loved it. In May 2017 I will be visiting Altamira and will remember this movie and certainly want to read more about its discovery. Chris Lachman, Adelaide, Australia

Pablo Picasso wrote that "after Altamira, all is decadence - we have invented nothing." This fascinating and aesthetically splendid film tells the story of the discovery of one of the earliest works of art of mankind, the famous Paleolithic cave paintings of animals, the so-called Cave of Altamira near the town of Santillana del Mar and west of Santander in Cantabria, Spain.Antonio Banderas is outstanding as the impassioned "amateur" scientist responsible for alerting the world to the transcendent discovery of the caves, initially found by a dog and a shepherd who stumbled across the opening. Banderas plays the role of Marcelino Sanz de Sautuola y de la Pedrueca, who, along with his eight-year-old daughter, Maria, first recognized the significance of the mysterious wall paintings. The film starts in 1878 in Cantabria and ends in 1902, the date when the wall paintings were formally acknowledged as authentic.The film tells the story of the struggle and humiliation of Sautuola, who faced hostility from both the church and the recidivist scientists, who refused to believe that the magnificent paintings could have been executed by artists around the year 10,000 B.C.E.It turns out that paintings may have belonged to the Aurignacian culture, 35,600 years ago. Sautuola carefully analyzed the evidence and came to realize the significance of the find. The film effectively develops the family drama, focusing on the resistance of Sautuola's wife, Conchita, who finally comes around to believing in the theory of her husband. Conchita also takes a strong stand against the local Monsignor, who nearly invokes the Spanish Inquisition in his attempt to consign Sautuola to hell for his scientific views."Altamira" was directed by Hugh Hudson, the filmmaker who produced one of the most beautifully shot films of the previous century, "Chariots of Fire." "Altamira" has the same polished look with breathtaking scenes of the countryside in Northern Spain.This film could have been a dry "history channel" dramatization. Instead, it is a superbly crafted and aesthetically brilliant feature film, one that is not to be missed for lovers of art and culture.