Simply A Masterpiece

A Masterpiece!

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Right lets get down to it then, this is basically the Bottom movie end of story, yeah sure there are the odd changes and snips around the edges but its quite simply Bottom on the big screen. Rik and Ade have played the same type of characters for their entire careers undoubtedly but these two fellas are clearly 'Richie' and 'Eddie' of Hammersmith, I think all the fans can agree on that despite what the guys say.This works for and against the movie in my opinion. Basically we see the many of the same gags, pratfalls and violent slapstick from the TV show...and when I say the same I mean pretty much identical. The only difference is of course its been fleshed out on the silver screen with a better budget so everything looks slicker. Again this is not a problem essentially, I am very happy to see Rik and Ade knock seven shades of poo out of each other with the use of bigger and better effects...to a degree. But at times during the film I did find myself thinking they are rehashing too many old classic sight gags, verbal gags and violent gags and somehow it doesn't actually look as good!How is this possible you might ask, well personally I think its down to the fact the TV show was actually more adult than the film and much more grittier. The constraints of the TV show elevate the material because it feels more anarchic and wild yet at the same time restricted, the stunts and effects are slapped together and seem really dangerous and realistic, plus the lack of any swearing somehow made it feel even ruder and filthier which I can't workout, the tempting hints I guess. In this film everything just seems a bit slow and tired, the guys are obviously not as young anymore but the fights and pratfalls just feel weaker and less inventive. 'Pheeb...One boiled egg.'The sets in the film are nice and have that classic typically dated British seaside B&B visual atmosphere and vibe going on. Watching carefully I loved all the old set decorations strewn around the hotel like the old paintings and historic furniture. The kind of stuff your gran had when you were a kid back in the day, or even your parents back in the late 70's and 80's (if you're around my age). I also really liked all the little nooks, crannies and secret passage ways throughout the hotel which are used by Richie to spy on people and pinch things. It all adds more scope and depth to the setting plus adds inventive ways to create more laughs...which it does nicely in one sequence.So the films visuals around the hotel do look good n grimy as you'd expect, certain props are used disgustingly well used for various painful moments and the sets are well designed reflecting that classic Bottom feel from the Hammersmith flat. The extra cast members are a solid oddball bunch that back at the time were relatively unknown but have now gone on to bigger things, most notably Bill Nighy and Simon Pegg. Neither of the pair actually have massive parts in the film of course as it all revolves around Richie and Eddie, but they add a much needed boost to the overall quality. Nighy probably gets the best of it with his face-off against Mayall in some classic Fawlty Towers-esque scenes at breakfast. Never really liked the character or performance from Cassel as it just felt way out of place really, other than that I still don't get why they didn't cast all their old school mates from previous shows, we get 'Spudgun' so what about the rest?'Mmm Lady Diana Princess of Wales...slap me up you b*tch'Despite some great looking bits n pieces and some decent scenes of Mayall madness and campness, at the end of the day I couldn't help but feel slightly underwhelmed by the whole thing. I think like most folk I went into this with really really seriously high expectations from the pairs glittering TV career and basically the film could never live up to that. Don't get me wrong the guys have a bloody good go and the movie definitely delivers what you want from the duo in terms of crude crass vomit inducing toilet humour. I just really think this should of been a much stronger blend of their live stage show and the TV show, it should of been an all out adult comedy really. They try their best but it really feels like the laughs are being forced out after a bad spell of comical constipation. Was never too sure on that film title either.6/10

I Think That IMDb Has To Be Split Up Because Not Every Movie Can Be Judged On The Same Level(Compare This To Tinker Tailor Soldier Spy...You Can't Can You?), This Film Was Always Going To Be Stupid(Explain How Richard Blew Up In An Oven And Still Survived), Since Adrian Edmondson And Rick Mayall Asked Each other "What If Bottom Became A Movie?" This Is Another One Of Those "Plot Doesn't Matter" Movies Where You Only Watch It For The Laughs, The Funniest Part Is The Entire Sequence When Richard Was In Womens Underwear Running Around The Hotel, Name Any Part Out Of Those 10 Minutes; The Italian Love Goddess Movie Star Seeing Him In That State(Of Course He Hides), How He Explains To Eddie What The Hell He's Doing Yet Trying To Make Him Believe He Is Hereto Sexual(He Doesn't Succeed, If He Did I WOULD Compare It To Shakespeare.), Richard Blowing Up In An Oven, Eddie Blowing Up Richards Pantes, Its All Hysterical.Overall I Suggest A Viewing If You Want To See A Really Dumb Comedy.(Or If You Want To See Bill Nighy And Simon Pegg In The Same Movie But Not On Screen Together.)

This is the FIRST movie that has made me feel completely SICK to the bottom of my mind, soul and body.I just saw it on DVD at home, & saw it to the end because it was recommended and I have liked all Rick Mayall's other work including the Young Ones and Bottom (though more the last Season of that.) It's quite clear Edmonson & Mayall wanted to take certain themes (like vomit, and extreme balls & head crunching) to the limit. But that is about IT. There were some vague sexual references and some crawling through crawl spaces, but the only really funny thing I found was right at the start with Eddy sleep motorcycling. From there it was all downhill. And ALL THE SAME, over and frickin over.That I have to warn about "may contain spoilers" after so few words says something about the movie.That's about IT….Oh, plus, I am expected to find the prospect of a dozen or so perfectly innocent men women and children dying in the unutterable agony of extreme radiation poisoning, while the poisoners jet off to the Caribbean with "a million pounds and gorgeous crumpet"… hilarious...? It wasn't the vomit, it was THAT I found just too SICK after so much wasted time and repetitively brainless slapstick.I haven't had dinner, I am hungry, but I am literally too ill to eat after this. Not even the later Hellraiser movies did this to me, either from horror or lack of detectable story line! I WANT MY 89 MINUTES BACK PLUS THE DVD RENTAL! Those amateur reviewers pushing this film so hard I have to suspect are having a little sadistic fun themselves... "'Ere eat this luvly shellfish with the extra hot sauce added, you'll feel LUVLY!!!" Eeerrgaghhhhhhhhhh..............Rick Mayall is one of the greatest comedians of our time - whether in slapstick (Bottom) or high satire (The New Statesman, Believe Nothing). I think that's what made this one stink bomb so hard to take in the end.

"Guesthouse Paradiso" is a typical low-budget British movie. You've seen most of the cast on TV dozens of times and everything about it screams that no expense has been spent in its production. There are dozens of movies like this languishing on the shelves at BlockBusters so why pick up "Guesthouse Paradiso"?Only because it's pretty much the last hurrah of anarchic comedy duo Adrian Edmondson and Rik Mayall, who have spent the best part of 2 decades getting laughs out of bodily functions and cartoon violence. Anyone who is a fan of their "Bottom" TV series will know just what to expect. "Guesthouse Paradiso" is as deep and complex as a puddle of vomit but has a high content of laughs, wince-making fight scenes and stunts. Ignore the thin plot and concentrate on Mayall and Edmondson as they have a laugh and try not to injure each other too seriously.