The Magic Christian

PG 5.8
1970 1 hr 32 min Comedy

Sir Guy Grand, the richest man in the world, adopts a homeless man, Youngman. Together, they set out to prove that anyone--and anything--can be bought.

  • Cast:
    Peter Sellers , Ringo Starr , Isabel Jeans , Caroline Blakiston , Wilfrid Hyde-White , Spike Milligan , John Cleese

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Reviews

Sexylocher
1970/02/11

Masterful Movie

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SincereFinest
1970/02/12

disgusting, overrated, pointless

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Reptileenbu
1970/02/13

Did you people see the same film I saw?

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Ava-Grace Willis
1970/02/14

Story: It's very simple but honestly that is fine.

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mpan-65792
1970/02/15

Hands down without an other flick coming in 2nd place. I will strive to have either disks or downloads freely available (whatever is the predominant format at such time} for any attendee who is twisted enough to want to see what it was that inspired and sustained me.

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mark.waltz
1970/02/16

For a virtually plot less movie, this is pure genius. It's almost a prequel to the controversial "Myra Breckenridge", complete with a variety of nutty situations involving the extremely wealthy Peter Sellers and his adopted son Ringo Starr, finding adventure in one exotic spot after another as they test the monetary greed of humanity. Cameos by a variety of veteran actors pad out (some pretty surprising for a film of this nature) this delicious black comedy that comments without judgment on the vices of a decadent world.Some surprises here are too worth keeping, but the presence of greed as the theme is mixed with lust, a desire for power and control. There's also an increased usage of gay references, probably shocking and offensive to some in the late 1960's, and perhaps considered homophobic nearly 50 years later, which it isn't. This is a roller-coaster ride of a sexual farce that is delightful as a social commentary and the opening of the door of extreme liberal values. I think this is the type of film that you could watch over and over and pick up new things you didn't notice before and even find new ideals you didn't realize were there the first time around.

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Robert J. Maxwell
1970/02/17

Folks, it's the late 60s encapsulated. If it was being thought about by anyone in 1969, it's in here -- Vietnam, yoga, homosexuality, narcissism, complacency, and mostly greed.Peter Sellers in Guy Grand, a Londoner with so much money that he can buy anything and anyone. He fills an outdoor vat with a vile mixture of pig's blood, urine, and fecal matter, then throws handfuls of "free money" into it, inviting a horde of dapper observers to take as much as they want. They do, wading slowly into the slime with their three-piece suits, bowlers, and brollies. He corrupts the rowing teams of Oxford and Cambridge.The most outrageous episodes take place aboard the luxury liner "The Magic Christian," the passage for which costs a fortune. The genial Wilfred Hyde White is the reassuring and confident captain, who enjoys handling the helm by himself. And the funniest episode aboard "The Magic Christian" has Christopher Lee as a vampire barging onto the bridge, sucking Hyde White's blood and injecting some substance from a large syringe directly into his SKULL.There are multiple cameo parts for easily recognizable stars of the period, but none involves much effort or screen time. It's captivating to watch Yul Brynner as a transvestite -- he makes a passably good-looking woman -- sing a seductive Cole Porter song to an indifferent Roman Polanski.At times it gets a bit frantic and the episode aboard "The Magic Christian" ends in a kaleidoscope of frenzy, as if the writers felt they needed more flash and less filigree to what had come before. The same mistake was made in "Sex and the Single Girl", the 1967 "Casino Royale," and "What's New, Pussycat?" Not even writers like Terry Southern and John Cleese can solve the problem of bringing a successful farce to an even more impressive conclusion. The shot of Christopher Lee plunging the hypodermic into Hyde White's head lasts about two seconds -- not nearly long enough to be appreciated.I hate to say this, but the novel was funnier. The comic incidents were presented in the context of everyday events. That is, the mind-blowing scenes came as a surprise. Here, they're more or less piled on top of one another and the set-ups are done too casually.Terry Southern's brand of satire rarely fits comfortably on the screen, partly because the stories themselves may or may not be comic but Southern's prose style transforms them into humor. "Candy" was a funny book but failed as a movie. "The Loved One" had its moments but was knee-capped by Robert Morse's too-cute protagonist. The exception, of course, was the nearly flawless "Dr. Strangelove," adapted from an entirely serious apocalyptic novel.Let's put it this way. It's a funny movie with incidents that made me laugh out loud. If you liked Monty Python, you'll enjoy this episodic flick. And if you enjoy this movie, try reading Southern's short novel of the same name. Then try "Fear and Loathing in Las Vegas," the book.

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JRogers714
1970/02/18

This film is some piece of work I will give it that. Seldom have I seen such a bizare movie. Somewhere I read that Vincent Price was supposed to make a cameo in this film. But unfortunately (or fortunately, depending on your opinion on Vincent Price as well as The Magic Christian)he was unable. This was supposedly because filming on The Witchfinder General (or The Concoring Worm)went over schedule. So Price was unable to make a cameo appearance like Christopher Lee, Laurence Harvey and Yul Brynner. Has anyone else heard this story? And if you have heard it, where? I cannot find where I read that story. And I cannot recall where I read it. I don't think it was in the book by his daughter though. Thoughts?

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