Touches You

People are voting emotionally.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I picked this film out because I tend to find Denzel Washington films to be of high quality. I saw the fairly average score but thought I would give it the benefit of the doubt.I was definitely not let down! At points it may seem a little unrealistic but it real enough (taking into account the story teller's right to stretch reality) to be believed. Denzel is brilliant as usual with his economic style of acting. He does not over dramatize which is something I find intriguing. There were tense moments that were very well played out and comic moments that were carefully inserted. The comic scenes mostly come from John Billingsley who is one of my favorite actors from Star Trek.I am surprised that it has gained such a low score because I found the quality exceptionally good. I am trying to find fault in it to justify why people would rate it so low but I cannot think of many. Maybe some of the comic scenes were a bit cheesy!? This was a gem of a movie and well worth my time.

What really stands out for me about "Out of Time" is just how nicely it captures the hot and steamy locale of coastal Florida in the Summer, right down the sex scenes (with a score that perfectly suits). You can just feel the humidity. But aside from the stunning Eva Mendez, that's about it. The movie does kick into moderate gear with Denzel running interference between police and the mounting evidence of his involvement in the double homicide - which becomes preposterous at times, but solid direction keeps things moving. Still, the coincidences are absurd, and rob the movie of any depth. Plus, it's Dean Cain as the villain; a recent graduate of the Hasselhoff School of Goateed Bad Guy Acting.6/10

"Out Of Time" is full of excitement, danger and suspense and although its rather intricate plot is very familiar in nature, it's totally gripping from start to finish. Inspiration for the story was obviously drawn from all those film noirs about a guy who makes a bad decision which gets him into a fix and then has to race against time to prove his innocence. The significance to the story of a life insurance policy is reminiscent of "Double Indemnity" (1944) and the presence of a hapless man who's involved in an investigation where he knows that all the evidence is certain to point to his guilt, brings to mind "The Big Clock" (1948). There's even a scene in a hotel where Denzel Washington is unable to leave by the main exit because of all the activity in the foyer and this replicates a very similar situation in "The Big Clock" where Ray Milland is confronted by the same type of problem.This movie very successfully combines its themes of adultery, larceny and murder with action sequences, amusing plot twists and a good deal of humour to produce some terrific entertainment. The photography and direction are top class and the locations used contribute greatly to the sultry atmosphere of the whole piece.Matt Whitlock (Denzel Washington) is the Chief of Police in the small town of Banyan Key, Florida. His wife is in the process of divorcing him and he's involved in a passionate affair with Ann Merai Harrison (Sanaa Lathan) who used to be his childhood sweetheart. She's married to Chris (Dean Cain) a violent ex-pro football player who frequently beats her but also conveniently works in the evenings as a security guard.Ann asks Matt to accompany her when she visits her doctor who tells her that she's terminally ill with cancer and only has a few months to live. The only possibility of a better outcome is if she's able to undergo some expensive experimental therapies which are only available in Switzerland. As Ann is in no position to afford this option, Matt decides to let her have $485,000 of drugs money which is kept in his office safe to be used at some future date as evidence in a trial and in return, Ann makes Matt the sole beneficiary of a life insurance policy which is due to pay out $1,000,000 in the event of her death.A little while later, Ann's house burns down, two charred bodies are found inside and the money's gone. Tests indicate that the fire was started deliberately and so an investigation is set up to discover who was responsible for the double homicide. This puts Matt in a real tight spot because he knows that he'll become the main suspect if it comes to light that he is the sole beneficiary of her insurance policy. Just to make matters worse, there's a neighbour who reports that she saw him outside Ann's house on the night of the fire, his estranged wife Alex (Eva Mendes) is the homicide detective assigned to the case and the DEA suddenly demand the drugs money which is needed urgently to be entered as evidence in an important trial that they're prosecuting.Denzel Washington is excellent as the fall guy who has to suppress the evidence he doesn't want to be uncovered whilst also trying to hunt down the real culprits before it's too late. This involves him in some exciting chases, a dangerous struggle on a hotel balcony and some tense situations such as when he intercepts the records of Ann's telephone calls so that he can delete the entries that relate to his calls before Alex scrutinizes the documents. Despite the things that he does wrong, Matt remains a sympathetic character throughout. Washington is naturally charismatic and handles all the aspects of his role with supreme skill and conviction.There are also some good supporting performances with Dean Cain being impressively menacing and John Billingsley providing both charm and humour as Matt's sidekick.

Out of Time is directed by Carl Franklin and written by David Collard. It stars Denzel Washington, Eva Mendes, Sanaa Lathan, Dean Cain and John Billingsley. Music is by Graeme Revell and cinematography by Theo Van de Sande.Matthias Whitlock (Washington) is chief of police in little Banyan Key, Florida. Respected for his work and basically honest in the line of duty. Away from work, however, his marriage to Alex (Mendes) has failed, he's having an affair with an abused wife and he likes a little drink on duty. So when his lover Anne Harrison (Lathan) springs on him the shocking news that she has been diagnosed with terminal cancer, it naturally shakes his world. But this news is merely the start of something bigger, for pretty soon Matt will be in the unusual situation of having to stay one step of his own kind or face dire consequences.It's a film proudly wearing a badge of homage to film noir of the 40s. In fact it very much plays out as a contemporary riff on John Farrow's excellent Ray Milland starrer of 1948, The Big Clock. But that's fine, especially when you have some knowing craft in front and behind the camera in the shape of Franklin (Devil in a Blue Dress) and Washington (take your pick here really!). Yet as great as Franklin and Washington's work is, they all owe a debt to Collard's screenplay. Inventive in how it plays out as a plot, with it's many tight situations laid down for Washington's duped law enforcer to try and get out of, the screenplay has a knack for deft humour, often sly, which is something that even some of the hardest of noirs from the golden era are tinted with. The secret is being able to blend the humour with quality moments of suspense, and this picture manages to do that with some interest.Film also benefits greatly from the tight atmosphere created by photographer de Sande. Sweaty Florida in daylight doesn't cry out as being a good starting point for an offshoot of film noir (real Florida locations were thankfully used), but the scenic beauty is never realised during the drama sequences, colours are toned down, even for a stunning red sky, and this perfectly becomes at one with a near frantic Washington as the tricksters of Banyan Key start to close in on him. It's nice too see, also, interracial couples forming the core of the story, while the dominance of sexuality is firmly given a shrewd work over by director and writer. There's good thought gone in to making this, enough to steer it away from charges of just being a faux neo-noir production.Problems? Yes, a few. Inevitability of outcome is hard to shake off whilst viewing it, especially for those well versed in the genre (sub-genre). Clichés and contrivances are stacked up like a pile of cop thriller 101 books, and Franklin goes smug (daft) by dropping in a couple of slow frame sequences that the film clearly didn't need. While the big showdown in the finale lacks a gut punch. But this is a good viewing, sexy at times and always eye catching, it also pleasingly chooses perky dialogue over action to make its dramatic point. The cast around Washington enhance the quality: Lathan in the tricky role shows a number of layered gears, Cain is imposing as a bully boy husband (where did this Cain go?) and Billingsley almost sneaks in and steals the movie as the loyal and stoic comedy side-kick.So pesky flaws aside, this is a good recommendation as a night in movie for those with a kink for contemporary neo-noir. 7/10