The Return of the Tall Blond Man with One Black Shoe

6.7
1974 1 hr 21 min Comedy

With 'little captain' Cambrai raising serious doubts about the reality of the so-called "super spy", Colonel Toulouse kidnaps Christine and forces Francois to play again the character of "The Tall Blond Man with One Black Shoe" in some fake adventures. All this to stop the investigation into the death of Colonel Milan.

  • Cast:
    Pierre Richard , Jean Carmet , Jean Rochefort , Mireille Darc , Jean Bouise , Colette Castel , Henri Guybet

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Reviews

CommentsXp
1974/12/18

Best movie ever!

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Portia Hilton
1974/12/19

Blistering performances.

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Kamila Bell
1974/12/20

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Janis
1974/12/21

One of the most extraordinary films you will see this year. Take that as you want.

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FilmCriticLalitRao
1974/12/22

The fun which audiences had due to Yves Robert's ingenuous story telling methods in "The Tall Blond Man with One Black Shoe" continues without any break in "The Return of the Tall Blond Man". Much of the action concentrates its focus on the notion that if a spy is created for some specific targets to be met, this person can also be allowed to die once those targets are achieved. French actors Pierre Richard as a spy and Mireille Darc as the spy's girl friend travel to Brazil as love birds where they are able to escape danger by being vigilant during all times. A key aspect of this film is about how a bureaucrat would try to do anything possible in order to please a minister ? This sub plot brings a fresh twist to the story wherein direct political involvement in matters of spies are brought to the fore. This situation gives rise to a minor yet decisive conflict between a secret agent and his contemporary.The fun does not seem to end as a lot of comic situations are added in the film to depict the futility of espionage.

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Galina
1974/12/23

"The Return Of The Tall Blond Man" (1974) directed by Yves Robert is one of the most incredible things that could happen in the world of movies - it is a sequel that works, that is as funny (and sometimes funnier) as the original and is almost as clever and bright as the first movie. The soundtrack is simply unbelievable. Pierre Richard, who once again is expected to be a naive pawn, fights back with his own plan which involves so many hilarious acts of physical comedy that they may fill the movie twice as long as this brilliant Return of one of the best comedies ever made. This is the movie to rewatch and enjoy over and over again.

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writers_reign
1974/12/24

Between them the other two posters seem to have got it just about right. In other words this IS a sequel that works as well as if not better than the original. Those who missed the original are quickly brought up to speed with a particularly brilliant precis which concludes with a natural link that enables us to zoom straight into THIS film, picking up 'Blondie' and Christine in Brazil even as back in Paris a colleague of the late Milan is preparing the ground to discredit Toulouse (Jean Rochefort) again utilising Perrin as an unwitting pawn. The stage is now set for more assassination attempts that go comedically wrong and allow the excellent cast to turn in standout performances - Mirielle Darc gets a 'with the participation of' credit and is off-screen for the bulk of the action suggesting problems behind-the-scenes - as they did the first time around. The two films are now available as a DVD package and are highly recommended.

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artzau
1974/12/25

I can agree with the other review only that this is a hilarious. I do not at all share the view that this excellent remake pales the original. No way. Now, let me say this: I generally detest remakes and sequels. They are generally only bland rehashes of the original and add nothing new. There are exceptions: The Godfather, Part II comes to mind, largely because of the introduction of Robert De Niro and making it a prequel. But, this film is great. The story line shifts as the bumbling Richard engages in some clever antics, again fraught with the comedy of errors approach and perfectly timed slapstick. The script is great and departs from the original, giving it a fresh, exciting approach. I don't think it is as hilarious as the original but the beauty of that is, this film is different enough to make it thoroughly enjoyable. Une fois plus, s.v.p.!

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