So much average

Although it has its amusing moments, in eneral the plot does not convince.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

I expected this to be crass, outrageous, and disgusting. It was. However, I did not expect it to be so genuinely giddy, self-aware, and downright hilarious. This has got to be one of the most quotable films I've seen in a long time. The writing is great, and the conviction through which the dialogue is delivered by the performers totally sells it; elevates it, even. Divine in particular commands every scene she's in and manages to be outlandish in a way that is both repulsive and hypnotic. No, it isn't perfect. The pacing is a bit odd, the camerawork is beyond basic and the colors are drab. However, these shortcomings lend an endearing quality that only adds to the trashiness that the film gleefully revels in. Had it been more competently made, I don't think it would've had the same effect. I couldn't call it a favorite, but it is certainly memorable and its best moments are pure gold.Strong 3.5/5

I watched a small portion of this film in Film Studies in college, and it features in the book 1001 Movies You Must See Before You Die, I knew the most disgusting moment at the end, I was prepared for whatever else was in store, from the aptly named "Prince of Puke", cult writer and director John Waters. Basically on the outskirts of Phoenix, Maryland, in a pink and green caravan, with a pair of eponymous plastic pink flamingos, lives underground criminal Divine (Divine, real name Harris Glenn Milstead), with her mentally ill, egg-loving mother Edie (Edith Massey), hippie delinquent son Crackers (Danny Mills), and travelling companion Cotton (Mary Vivian Pearce). Divine has gained herself the reputation of "the filthiest person alive" by a tabloid paper, jealous rivals the Marbles, Connie (Mink Stole) and Raymond (David Lochary), set out to destroy her career and take this title for themselves. The Marbles run an "adoption clinic", a black market baby ring, where they kidnap young women, their manservant Channing (Channing Wilroy) impregnates them with artificial insemination, they sell the babies to local lesbian couples, and the money they make they invest in heroin to sell in schools. The Marbles send their spy Cookie (Cookie Mueller) to search for Divine, there is a scene where Connie and Raymond have sex, while crushing a live chicken between them, Cookie looks through the window, before coming in to tell them he has found Divine, living under the pseudonym "Babs Johnson". Divine is celebrating her birthday, she is shocked to find a box containing human feces sent to her as a present, with a card calling her "Fatso", and the writers proclaiming themselves "The Filthiest People Alive", worried her title has been seized, Divine vows revenge, and to kill whoever sent the package. The birthday party continues, with the Marbles spying, Divine receives an assortment of gifts she is happy with, including live shampoo, a pig's head, and an axe, they also have a topless woman dancing with a snake, and a contortionist who "sings" with his anus to the rhythm of "Surfin' Bird". One of the guests, the Egg Man (Paul Swift), who delivers eggs to Edie daily, confesses his love and proposes to her, she accepts and he carries her away in a wheelbarrow for a honeymoon around the egg industry. The Marbles attempt to get Divine and the other arrested, but this proves unsuccessful as they kill the officers, their bodies are hacked up with the axe, and the party- goers goers eat them. Divine finds out the Marbles' address from local gossip, Patty Hitler (Pat Moran), she and Crackers go to their house, they lick and rub everything to spread their "filthiness", excited they also engage in oral sex, they find Channing locked away, but do not free him, the free two captive women from the basement, off-screen they punish Channing. Connie and Raymond burn down Divine's beloved trailer to the ground, when they return home they find their furniture, having been "cursed" by the licking and rubbing, "rejects" them, they also find the two girls escaped and Channing has bled to death from castration. Divine is furious finding her home has been destroyed, so they return to the Mables' house, holding them hostage at gunpoint, and the local tabloid press are called to witness their trial and execution. Divine holds the "kangaroo court", asking Cotton and Crackers for their biased testimony, the Marbles are found guilty "first-degree stupidity" and "assholism", and sentenced to death, bound and gagged they are tied to a tree, covered with tar and feathers, Divine shoots them in the head, the media leave satisfied, having seen a live homicide. In the end, Divine, Crackers and Cotton relocate to Boise, Idaho, the end shot sees them stop excited to see a dog defecating on the sidewalk, Divine takes the feces in her hand and puts them in her mouth, proving she is not only the filthiest person in the world, but also the world's filthiest actress, she gags twice, before apparently swallowing and grinning at the camera. Also starring Susan Walsh as Suzie and Linda Olgeirson as Linda, with narration from John Waters. Drag queen Divine proves herself the ultimate sleaze superstar, the rest of the actors are obviously amateurs, the film is the lowest of low budgets, and does absolutely everything it can to cause disgust and outrage: obscenity, chicken sex (or animal cruelty), real sexual acts, a performing rectum, and of course the final coprophagia (the consumption of feces). But this unashamed, notorious, gross-out movie does kind of work, aside from the vulgar stuff it does make you laugh, because it is so stupid, it's good because it's bad, a surprisingly funny cult satirical melodrama. Very good!

An exercise in bad taste, indeed. This filthy trash movie is worthy of a glimpse, though it will not be a movie that is good for digestion, it's like an exotic dish of weirdness. The story is actually dumb but funny, a couple is trying to dethrone Divine in her status in being the "filthiest person alive," the story is enough to tell how filthy this movie is. It's funny not because it's a comedy, it doesn't try to be funny, the situation and the performance of the actors were already hilarious, naturally. The script is another plus for its absurdity. The characters, especially Divine and her mother Edie are unforgettable; you can't forget the Marbles too, with their unusual hair color. The oddest things are in placed here; the notorious last scene will make you sick. I want to watch more of this kind of movies, this is what I love about the journey of cinema, there are many things you'll discover, and there are a lot that I still haven't.

Trying to not "overanalyze" it…the film seemed to be trying to "shock" the audience, but in today's "Two Girls, One Cup" world it was anything but shocking. I guess in 1972 (pre-internet days) we were not as de- sensitized. Anyway if you take away the shock value, I'm not sure what is left. The one really funny bit (to me) was the second flashing incident where the "girl" flashed him back and the flasher fled in panic. I don't know why but that was just plain funny to me. The BJ scene was pretty good but was edited out during the theatrical run. Also, I'm trying to remember when Deep Throat came out. It seems like around that time people were trying to push the borders of what a "legitimate" theater might show (remember "Fritz the Cat?"). I'm glad they pushed, but even so, have we made progress in showing nudity in mainstream theaters? I don't think so. Even today, I don't think the DVD BJ scene could be shown in a legit theater. Again, thank god for the internet. Nowadays anyone with a cell phone and a computer can be a filmmaker as good as this film (and they frequently are).