Excellent, Without a doubt!!

Boring

Good films always raise compelling questions, whether the format is fiction or documentary fact.

One of the worst ways to make a cult movie is to set out to make a cult movie.

"Hello I Must Be Going" is one of those little independent movies that you must see it's heartfelt and it shows how one little lady can struggle and after once again finding passion set back out on her own. I must also say that Melanie Lynskey really shined here she's an underrated actress she has great sex appeal and range give her more roles! Anyway Melanie("Two and One Half Men")is Amy a recent divorcée who after bouts of depression seeks comfort and shelter by moving back in with her cultured and well to do parents(Blythe Danner and John Rubinstein)in their suburban Connecticut home. The only hope for Amy comes in an unexpected gift just like the way it happens in many lives. After meeting family friends she begins an affair with their son named Jeremy(Chris Abbott)a caught in the cookie jar 19 year old actor. And this rediscovery of passion and intimacy starts life all over for Amy again she's a new lady! Overall this film has it's highs and lows as you watch Amy go thru tragic and funny crossroads of her life as even though she's caught up in a magical love story this girl has reached a point in her life of raw emotional honesty so she can go her own way. Again overall nice feel good film that shows life's a journey with many up's and down's as a rediscovery of passion can show you who you are. Plus it was a nice treat seeing Melanie at work.

By this point in time, everybody is drooling over Melanie Lynskey's performance in "Hello I Must Be Going." I am too. But my admiration does not end strictly with her work in this ambitious little movie; there is a lot of due credit owed to her co-stars, particularly newcomer Christopher Abbott, who plays her much-younger lover, and the insistently reliable Blythe Danner as Miss Lynskey's mother. I guess Miss Lynskey is collecting most of the praise because ever since "Heavenly Creatures" in 1994 and her last appearance in "Two and a Half Men" (one of my favorite shows) everybody wants to see her become a big star. But she and everybody else in "Hello I Must Be Going" is in good form. My only wish was that they were encapsulated by a screenplay worthy of their energy and panache.I cannot adequately describe how much I wanted to love this movie. Stories about nonconformist relationships interest me, in real life as well as in the movies. And this premise—a woman completely drained over her recent divorce discovering the true meaning of love and of live in her affair with a younger man—sounds like an absolute winner. Unfortunately, most of the fun and all of the really tender moments are collected in the first 25 minutes and the final 10; these wonderful bits, where I felt my heart strings being yanked on, sandwich a lot of padded-out detritus. And a lot of genuinely unfunny jokes. For instance: when will the romantic comedy genre ever give up on the gag where an elderly woman walks in upon a couple while they are skinny dipping? It wasn't funny when it happened to Campbell Scott and Julia Roberts in "Dying Young" 21 years ago, and it certainly is not funny here.I cannot deny that the movie has great ambitions: it doesn't want to be just a love story; it wants to make some subtle yet true observations about life. Both Miss Lynskey and Mr. Abbott, in the course of their on-screen relationship, embark on an emotional journey, guiding them to realizing the emptiness surrounding them. A key moment in the picture is when they are having dinner with each other's families, and both are indirectly being put on the hot spot: Miss Lynskey's divorce keeps getting brought up, and Mr. Abbott's self-hated career in stage acting is the only dinner conversation his mother can think of. And then there is the final ten minutes, including a wonderful and entirely honest sequence about marriage, set in a New York diner. And I must commend screenwriter Sarah Koskoff for having the guts to write an ending in which not all of the bows are tied, not every character makes their amends.The remarkable thing, however, is that Miss Lynskey and Mr. Abbott do not spend nearly as much time together as you would imagine. And many of their moments are punctuated by sex scenes—oh, boy, am I getting sick and tired of those as well! Thankfully, they are photographed very quick, but they do not seem to register an erotic or emotional effect. I suppose the idea was that the two characters used the sex to fill the voids in their own lives, but surely there are better ways for characters to bond. I personally am more interested in movie-couples who do not jump into bed (or into the backseat of a car, in this case) two days after they first lay eyes on one another. And after a while, good as they are, Miss Lynskey and Mr. Abbott run out of interesting things to talk about; they just start screaming at one another. And, closer to the end of the movie, just when we think we are about to get a truly beautiful moment—a reconciliation—the movie has to pull the dumb, somebody-opens-the-door gag which completely stops the scene. Then there's the excess characters: Julie White exists for no purpose other than to drive Melanie Lynskey home from the bar one night; Jimmi Simpson plays a drip so mawkishly pathetic that I found myself looking to my watch. I understand the point of the character: he's supposed to represent to Miss Lynskey what might eventually become of her. It's not the intentions or the acting, it's the writing.Then there's the other thing that rubbed me raw. Laura Veirs is credited for writing the original score for this movie, but it's hard to appreciate her instrumental work since most of the soundtrack is riddled with about six or seven too many songs. Maybe it's a personal problem; I'm one of the few people of my generation (adult males under 30) who is not particularly interested in contemporary music. But if I saw one more walking scene with a bunch of overblown lyrics thumping away in the background, I was going to start pounding my forehead.Believe me when I tell you, I really regret having to stomp all over "Hello I Must Be Going." There is so much ambition in this movie and so many really talented people involved. And even though I've faulted screenwriter Koskoff's work, she does show promise: a bold story and some bursts of really good dialogue. As somebody who has been on the set of an independent movie, I know how much hard work goes into making one. I know script changes are constantly being made; there's pressure to get everything done on schedule. And above all, I hate to put it down for the same reason I always hate giving negative reviews in general: I have to admit to a storyteller that I did not like the story they were telling. But I have to be absolutely honest: "Hello I Must Be Going" did not register very much emotional impact with me. Again, in the beginning and at the end, there is a lot of punch, the middle of the movie really drags for me.

For me the choice was simple; either pretend to work while in the office or watch a movie while at work. I was expecting this film to be a 5 at best but I was surprised at how funny & real it felt. After watching this movie I can no longer trust the IMDb ratings b/c if they only gave this gem a 5 & had the audacity to give "killer Joe" & "killing them softly a 6.9, both horrible films deserving of a 0, no longer can I put up with such insanity. I always find it funny that anytime an older person dates a younger person the older person ends up behaving younger than the person they're dating, why is that? Is that the girl from 2 & a half men?

i'm not use to writing reviews but hey, this is a really good watch, interesting movie, great cast, i loved it. @ least it's a story we can all relate to, i think Melanie Lynskey Killed it, best role i have ever seen her in. as the movie progress you get captured in the story telling and you can't just wait to see what happens in the next scene, not the kind of movie you'll fall asleep watching. very good acting, and don't expect to see some wild "sex scenes" when i read the plot initially my mind went straight to seeing Melanie Lynskey "wildin out" i know, i know .. but overall the movie is great, I loved it, go see it.