Son of Saul
In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son.
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- Cast:
- Géza Röhrig , Levente Molnár , Urs Rechn , Todd Charmont , Jerzy Walczak , Balázs Farkas , Gergö Farkas
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Reviews
Good concept, poorly executed.
Although it has its amusing moments, in eneral the plot does not convince.
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
Son of Saul blew me away in so many respects. This is quite an unusual film in so many ways, from the direction to the unique and successful way it delivers emotions. It tells a simple story, but anyone will realize how powerful it is by simply reading the synopsis.The one thing that first struck me about this film is Géza Röhrig 's performance as Saul. Given that this story unfolds in Auschwitz and all the horrors that are being depicted, emotions are delivered in quite a subtle manner, on one hand picturing the main character as a man carrying heavy emotional baggage, and on the other showing some surprising inner strength, fostered by his newfound quest of morally surviving by burying the body of a dead boy. László Nemes' direction is quite unique, as it consists of pretty close shots of the protagonist with everything surrounding him out of focus, leaving some of the horrors to the imagination at times, and creating a tense, hellish atmosphere in other scenes - always maintaining this emotional intimacy between the audience and Saul. Had Röhrig not been as stellar as he was, this could have been quite heavy - and borderline unwatchable. Honestly, this was quite a gamble - but the audacity paid off.You will not hear any music throughout the entire film. Again, I felt like it added to the subtlety in the delivery of emotions, as it never dictates how the viewer should feel - leaving Saul as the only true vehicle of emotion. Instead, with everything but the protagonist out of focus, the sound (which is very well executed) complements the blurry background and brings it to life in all its chaos, tension and horror. You don't always clearly see what is happening around Saul, but you certainly hear and feel it with him.The ending alone makes it worth watching the entire film. It is brilliant and it brought me to tears - not because it's sad, but because I was brought there emotionally through this entire experience, which culminates with a truly moving and beautiful moment. Very highly recommended.
It made me think of "Schindler's List"(1993) but this "Son of Saul"(2015) is different. It's as good as Spielberg's film, maybe even better. Love for your own child, even dead, makes you do unusual things, to defy death that awaits for you anyway, inside or off the concentration camp. A film excellently played, filmed, directed.
As the title says, do not fall for the apparently high rating of this movie.I'm sorry to say it but this movie is boring from the beginning to the end, and I'm not talking about art or cinema techniques or whatever, I am just giving my opinion on what the movie meant for me.The story makes no sense at all since the task Saul is performing doesn't correspond to the human nature. Who in a similar situation would prevail the correct disposal of a dead body over his/her own survival? Nobody, that is simple.Another kind of "annoying" detail is the visual perspective of the movie, it is uncomfortable to follow the story in that way because almost everything (except the main character) is out of focus.I wouldn't recommend to watch it.
I had heard loosely of Sonderkommandos before watching László Nemes's "Saul fia" ("Son of Saul" in English), but the movie takes an unusual approach to it. This is one of the only movies that I've seen in which almost all the focus is literally on one person, with the background blurred. This serves to emphasize the desperation of the protagonist, a Sonderkommando in 1944 Auschwitz, who wishes to give his son a proper burial. Indeed, we see murdered bodies, as well as the atrocities getting committed by the Nazis, but Saul himself is essentially the window into this horrible setting.It's an outstanding movie in every way. While much of the movie may seem slow, it's like this so that the characters can develop. It grows especially intense during the final fifteen to twenty minutes. But the truth is that the whole movie is excellent. It deserved the awards that it won.Another Hungarian movie dealing with the experience of the Jews during this period is 1983's "Jób lázadása" ("The Revolt of Job" in English), about a Hungarian boy adopted by a Jewish couple.