Strong and Moving!

Fantastic!

Admirable film.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

I love this movie ok too much drugs but this real the actors play so well that we think it is happening in reality some people can not like it because of the exageration of drugs taking for me it is a kind of movie i like

I get it. This is Elizabeth Woods' first feature film. Making movies is really hard. Let alone a good one. But that doesn't excuse the fact that this movie has some of the most boring characters I've seen in a long time. There's no depth to them at all. Our main protagonist (Leah) basically only cares about getting her boyfriend out of jail (whom she just met by the way, so I have no idea why she's putting herself into all this trouble to get her retard boyfriend out of prison).. and that's it. That's the whole plot. This movie brings nothing new to the table and the same story has been told numerous times before. I don't even get why she went out of her way to prevent her boyfriend from getting jail time, if she's just out screwing other guys anyways. It makes no sense. It's hard to sympathize with any of the characters, because they're all just really boring a**holes. I don't know how to end this review.. watch it if you've already seen every other movie that's ever existed ever and you feel like wasting 90 minutes of your life you'll never get back

During the publicity blitz for this movie director and writer Elizabeth Wood made a big deal about how this was based on her real life experiences, how unshocking it was (while simultaneously playing up that their were tons of sex scenes and nudity to play up the shock factor) and how unfair it was that white women like herself were able to dabble in drugs for fun in college, while their Latino and black peers were treated like criminals for far lesser offences. Now all these things led me to expect a much different movie, but watching White Girl I was almost bored by how tame and basic it was and how little it had to say beyond that one message. Morgan Saylor plays Wood's alter ego Leah. Moving into a cheap apartment in a bad (i.e. predominately Latino) neighbourhood with her friend Katie, Leah is immediately attracted to some young Latino men she sees hanging around her street corner. One night, bored and out of weed she introduces herself to them. When they refuse to sell to her she later meets one of them, named Blue, and invites him up to her apartment. They quickly fall in love and Leah helps him upsell his cocaine at exorbitant prices to her wealthy white friends. Of course this all predictably goes bad and Leah lands in a dangerous situation where she feels compelled to save Blue, who has landed in prison. The strange thing is how boring and formulaic this all feels. I watched a scene with Morgan Saylor bouncing around in a rave with her top off and all I wondered was when the movie would be over. We watch Leah make manic decision after ridiculous decision always protected by the fact that she is young, middle class and white. But it's hard to feel for a character when she's her own worst enemy and you can see her mistakes coming a million miles away. Another thing is, if Wood was so hell bent on showing how white people have the privilege of getting away with things that their black and brown peers can't telling the story from the perspective of the white girlfriend was a huge mistake. It's too bad, I really had high hopes for this, but it fell short. A more interesting take on millennial hedonism and race and class in America is Spring Breakers which is over the top and ridiculous in a way that packs more punch than White Girl.

Thematically, White Girl is exactly what it says on the tin, it's about race, and about gender. It's an attempt at outlining the main character's naivety and her ability to come out of it unscathed as a result of her privilege. An idea that, if it wasn't already obvious enough, Elizabeth Wood beats us over the head with in the scene where Leah has dinner with the lawyer.White Girl is unapologetically feminist, and being directed by a woman, it gets a lot of this right, Leah isn't a trope, she's not a stereotype, she's a naive young girl who makes a lot of really, really terrible decisions. But while this is the basis of her character, the protagonist, as well as the rest of the people in this film, are only explored on a surface level. Meaning that it's difficult to care about what they do, or what happens to them. Especially Leah, who knows that as a pretty white girl, there's a lot that she can get away with, and come out unharmed. And we know that too.Not only is White Girl difficult to get pulled in to as a result of its lack of a real sense of consequence, it also seems to push us away with its sloppy attempt at shock cinema. Every other scene is someone snorting coke, getting their tits out, or puking their guts up (is there anyone in this movie who doesn't do drugs?) Some of the comments on sexuality, especially female sexuality are interesting, and there's clearly a lot to say here about the male gaze and the danger of that towards young women, but then the gratuitous sex scenes never stop in an attempt to shock us, and we lose interest.As a drug dealer drama, and a comment on race, Wood hits all of the tropes that we'd expect. Many of the characters are stereotypes, and the writing for the male drug dealers sounds like it was written by my dad, guessing how he things a drug dealer probably talks. The attempts at making the love interest more of a love interest and less of a sex interest were hilarious at times, this movie just couldn't get the dialogue right for those characters at all, it was awkward as hell.White Girl was summed up for me when Doug from The Hangover got cocaine snorted off his dick.4.5/10