I like the storyline of this show,it attract me so much

Admirable film.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Subtle and understated,an excellent film. Sometimes about the missed opportunities in life,those right in front of us that we have no idea of their significance. Sometimes about fame and celebrity,and the distance between the illusion and reality.And about just being human,about "Life",such a witty title with double meaning...This film will not beat you over the head,but if you pay attention,it is beautiful in it's message.

The glimpse into old Hollywood was the only redeeming feature of this film. Dane DeHaan appears to be doing an imitation of Edward Furlong if he were doing an imitation of James Dean. Pretending you are a rebel by not having the energy to open you mouth when you speak is not acting, Dean was withdrawn but could enunciate. Dean had a look and a vibe, that DeHaan is far too dumpy looking to pull off. They say Dean was "bi", but, DeHaan had "gaydars" on blast from his seen. As always, Robert Pattinson is one dimensional, a card board cutout may have had more depth. This could have been a much better film with better casting of the two main rolls. I be surprised if Ben Kingsley isn't embarrassed by the this stinker. I want my 111 minutes back!

The problem with this movie is that neither DeHaan, nor Pattinson hold the attention of the audience. The script is nondescript, and the directing cannot make up for the lack of a compelling story and characterization.DeHaan looks like a childish version of Dean with his unlined face, rounded cheeks, feathered, rubbable hair and those full, pink lips.Dean was young, but had an old soul reflected in his lined face, sunken eyes, and impossibly attractive visage. Even James Franco -- much as I detest that actor -- was better than DeHaan. The story had no real climax... its twin journeys (of the co-protagonists) made shallow and dull via the absence of any real conflict or urgency of mission.I'm sure Corbijn had good intentions.I gave this one a four.

Greetings again from the darkness. The film's title has multiple meanings: "Life" Magazine as the source for the famous photographs we have seen so many times; the crossroads in "Life" of both rising star James Dean and photographer Dennis Stock; and a philosophical look at "Life" - how quickly things can change, and how we should appreciate the moments.Director Anton Corbijn (A Most Wanted Man, The American) and screenwriter Luke Davies offer up a snapshot of 1955 as the not-quite-yet-famous James Dean (Dane DeHaan) traveled cross-country with photographer Dennis Stock (Robert Pattinson) from Los Angeles to New York to Indiana. Each man was searching for their true self as Stock's professional ambition and personal stress are palpable, while 24 year old Dean's ambivalence about his pending superstardom borders on self-destructive.DeHaan and Pattinson both underplay their roles, and it's certainly more than a little confusing to see Pattinson in a movie about James Dean where he is not the actor playing the icon. DeHaan captures the low key, soft-spoken side of Dean but only teases at the "rebel" studio head Jack Warner (Sir Ben Kingsley) wanted so badly to control. We get a feel for Dean's vision of challenging roles in quality productions … a commitment to the art of acting he no doubt sharpened in his time with acting guru Lee Strasberg. The story leans more heavily to the tale of photographer Stock, which is unfortunate, because he is significantly more awkward than interesting. Pattinson plays him as a social misfit who broods nearly as much as the "moody" young actor he is stalking through the streets.The period look is well appointed, and we are privy to some of the moments of Dean's life just prior to the release of East of Eden and his being cast in Rebel Without a Cause. His relationship with Pier Angelli (Alessandra Mastronardi), friendship with Eartha Kitt (Kelly McCreary), and his bond to the family and farm of his childhood in Indiana are all captured. In fact, it's the clumsy relationship with Stock that comes across as the least realistic portion … though it may very well have happened this way. Even the manner in which the famous photographs were taken is underplayed … although it makes for a terrific tie-in with the closing credits where the real Stock/Life Magazine photographs are displayed.It's now been 60 years that James Dean has exemplified Hollywood "cool", a label that can never be removed due to his tragic death in 1955 after making only three films. Capturing the essence of what made Dean cool is unnecessary because it's present in every scene of those three films, as well as the photographs taken by Dennis Stock. That's all the legacy either man needs.