Pretty Good

hyped garbage

Blistering performances.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Admittedly I am not the biggest fan of the Coen brothers. I find their films slightly derivative, particularly their black comedies, that rely too heavily on religious subtext to convey a modern character. This time, they tackle Judaism. A religion more personal to the directors, where their heritage bursts through the screen. But it is too overpowering? A family man has his life crumble within days after his wife files for divorce, his career takes a stumble and his family remain mysterious to him. With both his personal and professional life in turmoil, this leads him to question his own faith. Challenging themes of mortality, misfortunate and Jewish traditions, the Coens have crafted an intimate character study that utilises dark humour for dramatic intentions. The eccentric comedy surprisingly flows well, whether it be self-referencing specific Jewish routines (specifically a "Get") or an older teacher experiencing earphones for the first time. It adds light buoyancy to the subtext heavy screenplay, resulting in a more entertaining film than the title suggests. Stuhlbarg gives a nuanced central performance which is certainly one of his career bests. Quirky yet commanding. Clean direction from the Coens and consistently wonderful cinematography from Deakins. Yet, again, I find myself grasping for more. Maybe I'm too oblivious to some of the more subtle themes, but I find some of the execution rather pretentious and unnecessary. The five minute prologue illustrating a Dybbuk felt out of place, and I'm sure you will all tell me "you're wrong". Aside from Stuhlbarg, no one else stood out which consequently left many other characters distant and cold. Even as a non-fanatical critic, this is not the Coens best. Although, it is undeniably intelligent, aesthetically pleasing and unsurprisingly witty. Stuhlbarg saves this from a complete serious bland bore. Maybe, just maybe, I've come to the realisation that I'm not ever going to truly appreciate the ingenuity of the Coens...

As someone who's gone to a Jewish day school for 13 years, this movie is hysterical, letting me understand a lot of subtle jokes, like when Danny reaches for his head while running in the wind for his Yamaka, and other really true Jewish stereotypes which may be more subtle to those watching the movie who are not Jewish. But seriously, you do not have to be Jewish to appreciate and enjoy this film. The main family is Jewish, but the movie as a whole is making a statement about religion and the concept of God as a whole (I happen to be an atheist by the way even though I've gone to Jewish day school). Anyone who can appreciate the concept of religion and faith will get a lot out of A Serious Man. Being honest, I'm the kind of person who when I hear something is about religion, I go into it thinking it's going to be boring, and it's going to be attempting to hypnotize me or something. Yet this movie is very different. Remember, it's directed by the Coen Brothers. They make movies about crime, and violence, not "Praise the Lord" crazy religious propaganda. The plot of the movie also revolves a lot about the idea of karma, and why do bad things happen to good things. The movie relies on the idea that there is a god, and not just any god, but a god who really couldn't care less about you, and is ready to let you die at a finger snap. The movie is full of quick turns of good and bad in the life of Larry Gopnik (Michael Stuhlbarg), establishing the point that God will just do what he wants, and even the slightest wrongdoing may make him choose it's time for you to die. As a whole, I really enjoyed this movie. I thought it had a really good idea behind it, and love bringing the Coen Brothers style in on a movie about religion. Although the movie could have brought some more explanations to it about why Sy Ableman's name makes everyone gasp, and the ending could have gone a bit more in depth, and parts of it were a bit to vague for my liking. But putting that aside, A Serious Man is definitely a movie I'd recommend.

At first sigh, theirs names annswers to all questions. in reasonable way. because, it is a story about solitude, family crisis, Jewish humor and stereotypes, the need to adapte yourself to a world without meaning. in same ,measure, it is a challenge for viewer. to define himself. to be honest about the perspectivve about small details defining ordinary every day life. and this is the basic motif for see this special film.

The Coen Brothers are masters of their craft. Few filmmakers today can combine genres, produce stunningly original stories, and master every aspect of cinematic technique like they can. "A Serious Man" is among their most recent efforts, and it is also among their greatest.It's a black comedy that relies more on character and situation than actual plot (somewhat like another darkly humorous Coens masterpiece, "Inside Llewyn Davis") that focuses around a middle aged Jewish father and husband whose life transforms into a storm of chaos and really, REALLY bad luck. Here, the Coens wonderfully weave elements of hilarious humor and gut wrenching tragedy all at once. Some scenes are both sad and funny, and the Coens are such masters that these two genres to not clash together in a chaotic way, but, instead, a very natural, effective way. The Coens realize that even when life is at its absolute worse, it can still be hilarious-which is really the essence of dark humor within itself. It makes the worst, most miserable aspects of being funny.There is no real happy ending here, much is left unresolved. It is a mysterious ending, the type that audiences like to groan at. However, for a film as unique and dark as this it works quite well. There is no need for a resolution, the ending itself is powerful enough to conclude the fascinating fable. The final shot of this film is so beautiful, haunting, and indescribably sad it packs a punch for the ages.