Frontier(s)
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
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- Cast:
- Karina Testa , Aurélien Wiik , Patrick Ligardes , David Saracino , Maud Forget , Samuel Le Bihan , Chems Dahmani
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Reviews
People are voting emotionally.
One of my all time favorites.
best movie i've ever seen.
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
I gave this title 5 stars only, because it was bloody and violent (witch are expected from a horror movie by my standards) but to be frank it was rather a 2-3.What made me watch were the highly panegyric reviews it got. Sadly, after the firs hour or so made me realize I was badly thrown off.The script is a mess, almost as the writer was just putting it together without proof-reading it. The start and the middle act is poorly connecting with the rest of the material, and the time jump right before the final scenes is just baffling. But my main problem was the totally unrelated first 20 minutes, all that could have been solved in 5 minutes or less. And also the many time-robbing and often tedious scenes just made it too long and lumpish. At least 1/3 of the film should have never made it out of the editing room.I don't mind the stupid mistakes on anyone's side, as this is the way it works in many horror flicks. But this film does not deserve the attention and appreciation people grant it. This is not even as cruel as I hoped so, most of the killings, and deaths were seen at least a thousand times and there is not any surprise or new edge, it feels rather like some mixture of Hostel, The Devil's Rejects, The Texas Chainsaw Massacre and Død snø.Comparing this film to The Martyrs, À l'intérieur, Eden Lake, Salo or any deeply cutting flick is just a simple insult. Sadly this film lacks the element of 'wit' the other examples have.This may be one of the better French horrors but it is simply not a remarkable one. And I guess I won't be remembering it in about a week...
I don't think this movie is worth reviewing but I wish the note on IMDb was lower (in no way is this worth 6.3), so here goes my two bits; As many of the negative reviews point out, there is not a single idea in this film that I haven't seen in better movies. The "plot" is a carbon copy of TCSM, used as an excuse to paste scenes ripped off from here and there. Pros : the settings are not too bad, but the film is structured like a (terrible) video game, the environments keep changing so you never get to delve into/care about them. Half of the time they are ruined by very poor lighting anyway. SOME of the actors were OK (talking about the 3 main bad guys), but they were overdoing it in every single scene (+the dialog was ridiculous, it sounded fake, rehashed and written by an 18 year old). LeBihan almost looks embarrassed in some scenes, seeming like he's wondering what the hell he's doing here. Cons : the plot was a mess, and boringly predictable from beginning to end. The editing (especially during the action scene) was obscure and random. Not a single cast member (apart from the aforementioned 3) could act. To an annoying extent. Most of them, especially the protagonists, rake on your nerves by constantly trying too hard. For 1 hour and 40 long, loooong minutes. Exhausting. The director was clearly aiming for "gritty realism" but the numerous flaws and inconsistencies of this film and it's general immature feel keep pulling you out of the movie. During the final scenes (which are ludicrous), it seems like the whole cast just gives up in a big "hell, why not" and then stupidly shoot at furniture for 5 minutes. That's what I call an FX budget well spent, exploding onions and plates are so interesting to look at. And don't even get me started on the spastic antics and retarded overacting from the lead during the last final half hour.Add a mindless idiotic "social/politic subtext" implied in a total of three minutes in the whole film you get a and you get a piece of amateurish crap that takes itself way too seriously.A bland, by the numbers, done-a-thousand-times cringe fest that lacks talent and ideas overall.
One of a new wave of ultra-explicit French horror/thrillers, FRONTIERS is everything a gore-drenched thriller should be. Set in the near future, it sees the usual bunch of unsuspecting victims holing up in a remote hotel, where they find themselves at the mercy of a hillbilly family who make the Texas Chainsaw clan look like the Brady Bunch. What follows is an odyssey of bloody murder, torture and revenge, expertly directed by Xavier Gans.I'm not really a fan of gore films per se. A lot of the horror films I love were made by Universal and Hammer, and of course these are considered tame by modern standards. But I don't mind gore when it's done right, as in the likes of HOSTEL, and it's certainly done right here too. We see brutal violence and punishment meted out to innocent victims before the tables are finally turned and the bad guys get their comeuppance, and that's just the kind of bloodshed I love watching. The film can hardly be applauded for originality but it certainly makes up for it in execution.This is a taut, tense and extremely gruelling affair which barely lets you catch your breath from beginning to end. Gans' direction is adroit and the spare script allows the story to be told mostly through action rather than needless dialogue. The performances are decent for what is clearly a low budget film, and the special effects are, of course, grisly and spectacular, especially that saw scene. FRONTIERS is a film for movie-goers who like their horror full-blooded and gritty and it beats any Saw movie hands down.
I think many of these reviews are rather harsh. It wasn't worth spending money on, but the movie wasn't terrible. I think the premise wasn't necessarily bad, and while the backdrop of riots in Paris was reminiscent of 28 Days Later, it was a good way to start the movie. To be honest, I would've considered it good had they persisted with present day, real world issues instead of changing directions towards some depraved, ritualistic neo-Nazi sect in the countryside. The violence could have been used far more effectively as a depiction of real world struggles. Instead, it ended up being a French synthesis of two movies I can't help but despise: The Hills Have Eyes meets Texas Chainsaw Massacre.