Cherry Pop
When Zaza, headliner of a weekly drag show, 'CHERRY POP', refuses to come out of her dressing room, all hell breaks loose backstage. A young newcomer, The Cherry, is hiding a huge secret from the girls while getting ready for his debut performance.
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- Cast:
- Lars Berge , Detox , Tempest DuJour , Bob the Drag Queen , Mayhem Miller , Latrice Royale , Toccara Jones
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Reviews
Wow, this is a REALLY bad movie!
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Exactly the movie you think it is, but not the movie you want it to be.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
I whiled away a Sunday afternoon with this movie (it was playing as I did other things)From the casting list, I was expecting greatness as I watched the RuPaul Royalty strut their stuff on the screen, after all, the cast list includes Latrice Royale, Tempest DuJour and Bob the Drag Queen to name just a few, these are Drag Queens that I know are very funny and tremendously talented.So what's wrong with it? Well, dry script, a protagonist that I personally found hard to like - I think the viewer is supposed to sympathise with his dream of being a performer/singer. And a few toilet humour jokes - one queen actually throws up on stage during a song where she's lip-syncing about what she does when she *ahem* soils herself. Actually, can I ask who wrote these songs and how old they were to think the songs were funny? The other songs (all sung by the same voice actress, by the way) include "I can't have this baby right now", "I hate you, white bitch". They pretty much go on in that sort of vein, until the Protagonist does his solo of a straightforward, traditional 'Ave Maria' That said, it had it's entertaining moments. The one that sticks out at the moment is Tempest Dujour as the aging, headlining act of the club, Lady Zaza who, having lost her partner a few months before the film takes place, and now, having "lost the will to tuck", spends her time locked away in her dressing room, playing sad music whilst melodramatically looking in to the mirror, loudly bemoaning her loss to reflection (and the audience) before writing a suicide letter that's 8+ pages long, stating in it that that she doesn't like long goodbyes.The film is 79 minutes long and during that time I was expecting to see some character development, other films have managed it in that time, but instead it just sort of trailed off and didn't seem to have a real ending, unless you count more of the protagonist's dispassionate narration about what everyone got up to after his night at the club was over. Maybe if it'd taken place over several nights, as a series rather than a film, we could have got to know the characters a bit more, as it was, everything felt squashed in.It's honestly not the worst film I've ever seen but it could have been amazing.
I've never written a review before on a movie and I've seen a lot (good and bad). I cannot stress how awful this movie really was. After 5 minutes, I couldn't turn off the train wreck. Like my last relationship, I hung around hoping it would get better; it didn't. I need to re-evaluate my life's choices after this second major mistake. The only redemption this movie has are the bloopers in the credits. That's only because the acting wasn't forced but actually genuine.
Terribly unfunny and filled with extremely sad, misogynistic jokes. Poorly written script with the worst of LGBTQ+ stereotypes. Really sad to see talented queens related to a project like this. Who let the white WeHo gays out?
Where To Begin....I try to be kind to LGBT films, but this one was originally a 30 minute short script, stretched out to a full length film. Some funny bits... mean drag queens, picking on the straight guys, in a drag queen lip-synch nightclub. Lars Berge is "the cherry", a brand new (straight boy) act trying out at the club, where the established acts are catty, as expected. A fun song... "Thanks for sticking it in me!" Although I must say... Waaaaayy too much time spent on Zaza, who does the "Birdcage" bit where she simply can't go on for a myriad of stupid reasons. That got annoying quickly. Some fourth wall stuff... like speaking to the camera, but then suddenly the others can hear it also. It's entertaining, and a fun caper, but the script needed more meat on it. There's a funny bit during the out-takes, which I won't give away, but stick around to the very end... its pretty funny. Directed by Assaad Yacoub, who has written and directed several films. Written by Nick Landa. Currently showing on netflix.