Simply A Masterpiece

A movie that not only functions as a solid scarefest but a razor-sharp satire.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Beautifully photographed and wonderfully atmospheric, 'Middle of Nowhere' is former publicist turned writer/director Ava Duvernay's second feature film, which won the best directing award at Sundance. It's about Ruby, a young African-American woman, who gave up going to medical school to wait for her husband Derek, who's doing an eight year bid in the penitentiary after pleading guilty to gun charges.When we first meet Ruby, she's visiting Derek at the inmate visiting center and appears smitten with him. Cut to four years later and she's still devoted as ever, taking the bus up to visit her bad boy love quite often. But the four years of incarceration have taken its toll on Derek and he hardly seems like the same person when he first went in. The warning signs are there, including a big scar across his neck, which Ruby conveniently ignores but is an obvious sign that he has not adjusted well with his fellow inmates.When Derek comes up for his first parole hearing, Ruby is convinced that his best chance is to have legal representation when he goes before the Board. The same lawyer that they used originally for Derek's defense, is now available for the parole hearing but she's no longer willing to accept Ruby's payment of fees on installment. Ruby is forced to borrow an additional $750 from her mother, who is unhappy about her aloofness and lack of communication. Also in the mix is Ruby's sister, who doesn't care to involve their mother, in the parenting of her young son.The plot thickens when Ruby meets a kindly bus driver, Brian. Most of their initial encounters are more tactile than verbal, and not so convincingly, it takes quite awhile before Ruby reveals information about her marriage and that she's separated from a man who is currently incarcerated. At this point, I'm thinking that Derek will be paroled, he'll come home and they'll be some kind of conflict between him and Brian. But Ms. DuVernay opts to go in another direction. At Derek's parole hearing, it's revealed that he's been recently disciplined for a violent confrontation with other inmates in prison and that he may be associated with various gang members. Worse for Ruby, is the revelation that a female correction officer was fired for having a sexual encounter with Derek. This is the straw that breaks the camel's back. Ruby's obsession with Derek gradually dissipates and she's drawn to Brian. And finally, after much soul searching, she decides to end her relationship with Derek, not before one last visit, when she expresses her affection for him, but makes it clear that he and she are no longer a couple (it becomes obvious that the 'bad boy', will not be leaving prison very soon at all!).The 'Middle of Nowhere' features strong performances from its principals including the talented newcomer Emayatzy Corinealdi as Ruby. The film has tons of wonderful atmosphere and an inviting, folk rock score. Nonetheless, the plot is rather simple and is quite sluggish, focusing on Ruby's gradual moves toward self-actualization. Sacrificed are any real attempts to develop the characters, beyond the distillation of Ruby's crisis of conscience. Brian, in particular, alludes to some early problems with an ex-wife, but we find out hardly anything about him; he's more a plot device to ensure that Ruby doesn't end up stuck in the past, with a husband who's going nowhere.'Middle of Nowhere' might have worked better if it was a little shorter in length. Despite the intensity of Ruby's relationship with the two men, I found myself growing rather tired of Ruby's self-destructive attraction to Derek. After awhile, it doesn't seem to matter why she's so attracted to him--I was just relieved at film's end, that she finally came to her senses, and gave him up. In this respect, 'Nowhere' is a cautionary tale for women who are attracted to 'bad boys'.Some of the more interesting moments in "Middle of Nowhere" occur when we get a peak at how the criminal justice system works (the parole hearing is one such example). These moments add to the film's overall heady verisimilitude.Overall, "Middle of Nowhere' is worth a look. Don't expect any tremendous plot revelations and be prepared for scenes here and there, that drag. Nonetheless, the dialogue and intensity of the performances are a sight to be seen. Overall, the film will impress you, despite the limitations of a weak story line.

This movie has gotten glowing reviews from the critics and a few very positive reviews on IMDb. But the current user rating on this site is 4.9, which should tell you something. On the plus side, the acting is good, particularly in the case of Emayatzy Corinealdi (Ruby) and Omari Hardwick (Derek). Hopefully, we'll be seeing these two in more movies. The script effectively shows the dilemmas facing so many women whose husbands and boyfriends are in jail. But even though the movie has a lot of dramatic tension, it's really slow going. There are way too many pauses in conversations while the camera focuses on a character's face. The conversations between Ruby and Derek and between Ruby and her new boyfriend are painfully slow and awkward. It's as if you took a normal conversation and cut out two-thirds of the words. And there are way too many long musical interludes. You can't get to know characters well enough when there is so little dialog. And musical interludes are no substitute for drama. It also got a little annoying to always see faces in extreme closeup. Still, this is a worthwhile effort about an important subject.

Go and see this film!! Ignore the critics and lame ratings!! This movie unfolds like a blossom and it's a great film for both men and women! It is a powerful and emotionally deep experience - without being heavy handed. The acting is phenomenal and the characters are She's innocent, hopeful, committed, determined and blind. Her husband is cautious, realistic, hanging on, while trying to push her away. This is a movie of incredible dialog and subtle physicality - the twitch of a lip, the pleading or twinkling in the eyes, and the anger/frustration in tightly drawn lips. I love the film's murkiness and incomplete glimpses of the couple's history. There's not a lot of time spent trying to show how they got to where they are.The portrayal of a family as strained, fragmented and individually isolated was stunning and the scenes between the mother and her 2 daughters -- acted as levers that the director used to shift the film's pace. The movie also gently taps at class and socio-economic constructs within the African-American community."Variety" magazine's reckless and inaccurate review (IMHO) completely missed the point of the movie and of the ONE line he quoted - yet misinterpreted. Hint/hint: the line is "an ode to the fact that most men -- even black men 'ie, brothas' lean toward flicks - where you don't have to follow the dialog; that is...you don't really have to pay attention!! It was NOT a statement alluding to actual or perceived reading abilities.The movie feels much longer than it is, but it was a wonderful savoring. At the end, I was satisfied...yet still would have been content with more! Compared to the movie "Blue Valentine" featuring Michelle Williams and Ryan Gosling, this movie is a true 10!

Middle of Nowhere offers a beauty that is almost inarticulate in its depth. Whatever one may think that they are going to get from a story about a couple's struggle to have their relationship survive the husband's incarceration, Ava DuVernay rightly skips over the cliché straight into a story of truth, brokenness, and dignity. The truth that comes like a firestorm for the lead character is immediate and confrontational to her existence. She's a woman who, in trying to do the right thing, embarks on a journey for the real thing. DuVernay is not afraid of ambiguity for her film or her characters. This fearlessness begets the dignity in embracing one's brokenness as the only path to healing and true hope. True hope – not a cookie-cutter version of hope – but a hard won, gritty, and soul-freeing journey to a hope belies an understanding and embracing of the pursuit of purpose as a journey and not a destination. Middle of Nowhere illustrated that peace and redemption is not always pretty. DuVernay takes her time in the telling of this story. This time is a gift given to the viewer – the gift of sitting with the characters and not merely experiencing an emotional drive-by for the sake of a slick, face-paced delivery. I cannot say enough about the performances in the film. Emayatzy E. Corinealdi is a jewel of an actress. David Oyelowo and Omari Hardwick approach their roles with authenticity and clarity. DuVernay and the entire cast and crew create and invite the audience into a beautifully complicated world and then trust the audience to do the "heavy lifting" of interpretation.