Touches You

How sad is this?

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Exactly the movie you think it is, but not the movie you want it to be.

My advice is to avoid this film and try and see a stage version instead.It is highly unfair, I think, to criticise Marlowe's writing capabilities based on this rather terrible rendition of his play Edward II, as another user has commented on. In this film lines are swapped between characters, scenes are drastically changed, new scenes are added in and key scenes and characters are omitted. The whole film stands as a rather disfigured version of the original play.Of course perhaps it could be said also to be unfair to criticise it's lack of loyalty to Marlowe's script, after all it is an adaptation. Looking at it simply as a movie it still creates rather laughable viewing. The actors talents are wasted on the directors odd obsession with the surreal and abstract, which is just simply random and out of place. And an odd musical cameo from Annie Lennox just adds to the madness.To look at the positives yes there are some imaginative shots and several scenes are performed and presented well but as a whole it appears as a rather flimsy and hastily put together film that would be more suited as a three part drama on ITV.

Edward II makes a brilliant hodge-podge of history by vaulting a sixteenth century play about a fourteenth century English king onto a dark, abstract twentieth century stage. Iconoclastic, yes; anachronistic, yes; imbecilic, no. While on the page Marlowe's poetry speaks for itself, in director Derek Jarman's hands it provides a counterpoint to the film's daring, elegant, eloquent visuals. King Edward and his lover, Piers Gaveston, are attacked by the raving heteronormative toffs for their homosexuality and Gaveston's less-than-aristocratic background. Great moments include a cameo by Annie Lennox and a bull's-eye by Tilda Swinton.

I think a couple of cinema school students have met to create this film, trying to make something "different". It makes a strange mixture of present and past, not 100% convincing. They seems to me more concentrated in the costumes, than in the film itself, it was like a mode parade. Symbology too pretentious.

I love Elizabethan drama. I had been on a Kenneth Branagh and William Shakespeare kick(and I guess I still am)when on a whim I bought this film based on the play of the same name by Shakespeare-contemporary Christopher Marlowe. I am very glad I did. Edward II(Steven Waddington of SLEEPY HOLLOW) ditches one icey, repressed Queen Isabella(Tilda Swinton) for another hot and uninhibited queen, gay lover Gaveston. But the romance is doomed when the nobility rises up with Isabella to end the affair. Director Derek Jarman's adaptation is one of those rare films that succeeds set in a time other than in its original setting. He moves the setting and action of the movie to the modern era, and this serves as a more timely backdrop for the movie's pro-gay stance, which seems to me to be its central theme. I really liked Steven Waddington, who was very, very good. And an unexpected surprise came from Tilda Swinton, an actress with whom I am not familiar but whose other work I'd like to see, based on the quality of her performance here. Strongly recommended!!!