Slow pace in the most part of the movie.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

If you saw the trailer and thought it was interesting then don't bother; you'll hate this film. I mean it. Don't even think about watching.If, on the other hand, you saw the trailer and thought "oh great, another forgettable thriller about a creepy guy and clueless chick. When will anyone try anything new for chrissake??" then hold your horses because this movie might be just for you."The Letter" marks the 2nd pairing of the phenomenal acting/directing team of James Franco and his professor Jay Anania (the first being the excellent film "Vincent" aka "Shadows & Lies"). This time Winona Ryder joins the group and adds her own perfect eccentricity to the mix. Ryder plays the part of "Martine" a playwright who is putting on a production with 5 actors including a shadowy newcomer "Tyrone" (Franco).As the play progresses, reality begins to wrap itself around imagination and vice versa. Some have compared this to other recent mindbenders like "Black Swan" and "Memento", but I would say this film outshines them all due to Anania's fierce, stylistic approach which really gets into your head. There aren't really any shocks, thrills, chills, gore or other cheapshots to make you spill your popcorn. Instead, it's a very insidious, unsettling visual approach, as well as disjoint audio, that draws you into the mounting tension and confusion of Martine's mentally unbalanced psyche. No monsters or broken mirror shards required. That's one thing to remember about this film: it doesn't stoop to cheap thrills but instead stands by its somber, anti-Hollywood approach.Something else to know about this film; it moves at the speed of reality, that is "slowly" by movie standards. So if you get bored easily, you might want to look elsewhere. There are scenes of dialogue with actual pauses between people speaking, like in real life, how about that? Sometimes there are periods of silence that might make the audience feel uncomfortable if they're expecting some sort of rapid fire, scripted tit-for-tat. But if you're prepared for a voyeuristic experience of watching other people's lives, this nails it. Don't get me wrong; not a single scene is wasted and there's no fluff or filler. It's just that Anania allows the scenes to breathe a little. The pacing is similar to something you might get in from a European director (Kieslowsky, Tarkovsky, maybe Bela Tarr after a few cups of coffee) and the visual poetry is reminiscent of the Japanese masters Kurosawa & Teshigahara with a distinct, hip, modern look (extreme saturation, contrast and exposure) as you might see in Aronofsky or Paul Thomas Anderson. The overall package is distinctly Anania.And how can I end this without a word about Franco. Although his role may strike you as being smaller than you'd expect (Winona Ryder is the star), each time he graces the camera it's done with so much poise and confidence you find yourself wondering who would win in a cool-off between Franco & Bogart. Hate to admit it, but I think Franco would win by a hair.

This movie is most certainly not trash. You must, however, be willing to give it your undivided attention. There is a plot and if you pay attention you will pick up on the subtle contributors to the plot. All of the performances are excellent and raw. Though the movie is very artsy I think it is for good reason and not just for the sake of being artsy. I believe all of the elements of the film are crucial to the storyline. I am a huge fan of James Franco and of course he delivers, as does Winona Ryder. For fans of either actors this is certainly a film to add to your must sees. Movies that are thought provoking may not be as exciting as some but they are worthwhile. This is one such film and should be recognized for its merit. I recommend it for film buffs everywhere!

I watched the entire film waiting for a payoff. Through the discordant piano key jangling that was the soundtrack, through the dreary, dreary set, repetitive dialogue, artsy camera cuts and through it all, I was thinking of something we joke about at my book club. When a book is self important, draggy and boring, we always tell someone to google the writer to see if it was written by a college professor....it almost always is.At the end of this film, I was feeling cheated out of two hours of my life and I couldn't wait to get to IMDb to check the writer. College professor...and not just any professor, James Franco's professor. Ryder and Franco were irrelevant in this film as it was all about the dialogue. Ryder's role as play-write allowed the dialogue to be repeated over and over ad nauseum. It would have been an effective device had the dialogue been worth listening to once, let alone over again. Good actors were unnecessary in this film as their major contribution was to flash looks at each other. The camera went from one to the next for an hour like a stale SNL sketch...worried look glancing at another actor, horrified look, puzzled look, knowing look, insane look... Culminating in the big payoff...Spoiler!Ryder's character totally breaks down, weeping on a stranger and seeing him as someone else, then screaming and wondering why he was touching her. Jangling discordant piano reaches a crescendo and we cut to a doctor explaining that dumdumdummmmmb she's not insane, she's had poison powder from South America that makes you tell the truth. They blow the powder into the victims face...she's been exposed over a long period and the effect of long term exposure causes neurological problems. Ryder, looking startled and wide eyed looks out through gauzy curtains, daydreams a beach walk as dialogue happens ...fade to black and the viewer shaking their heads in disgust that this "horror" movie was just a poorly written attempt at art....we know it when we see it and this isn't it. "And I heard now, for the first time, the silver breath of wind in the ash tree whispering above me as I saw the shadows of the slender leaves tremble against the skin on my leg" A whole movie of dialogue just like that...save yourself two hours and rent anything else with any of these actors in it.

This was by far the worst movie I have ever seen. I can't believe that I wasted 5 dollars on this movie. I kept waiting for the movie to get better and it never did. Absolutely nothing went on in the movie. Rider just talks in a depressing voice about I don't what, because she was too depressing for me to continue listening. The only interesting part of the movie was the few seconds when the viewers found out that she was drugged and that was the end of the movie. All I know is that the main character, Winona, was the director of a play with 4 characters, one of which is her boyfriend. At one point, the main character accuses her boyfriend of putting copper in his gym bag, he denies it and they go back and forth about it for a few seconds and the whole thing is dropped. And it's never followed up, unless, of course, I missed it. There are so many scenes like this that are never followed up, but I had to keep watching because I was hoping that it would get better.