I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Did you people see the same film I saw?

As Good As It Gets

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

I recently re-watched this movie and found the story tends to grow on you with a second viewing. Sissy is always good. William Petersen is such a charmer; even when playing a cad. How many of us have known Joey, unable to move beyond his short-term fame in high school (or college), still wanting the sound and thrill of teenage girls around him. One day, he looks around and realizes his own child is on the threshold of being a teenager and his faithful, sweetheart from high school has grown into an adult and is leaving him behind. That's the story set in a beautiful place with typical neighbors and friends. Watch it for the ending and decide where you fit into this story!

"Hard Promises" is a bit like a doing a rural remake of "A Tree Grows In Brooklyn" into which you incorporate the basic premise of "Sweet Home Alabama". While not in the same league as the former, it is considerably less offensive than the latter-which it may have inspired.Billed as a romantic "comedy", the film contains little humor (unless you are still amused by small town stock characters) and nothing profound in the romance department. But like "A Tree Grows In Brooklyn" it is about the interplay of love, freedom, and caring among people who have allowed a considerable distance to grow up between each other.It features a nice performance by Sissy Spacek (who looks unexpectedly sexy and beautiful) and a nice portrayal of a charismatic character by William Peterson. Yet they are both upstaged by Olivia Burnette who plays the film's Francie character (handled so well by Peggy Ann Garner in "A Tree Grows In Brooklyn").Joey Coalter (Peterson) is an aimless free-spirit who neglects his wife and daughter while drifting around the country. Like Johnny in "A Tree Grows in Brooklyn" he is full of unfulfilled promises and pipe dreams. He returns on the eve of his wife Christine's (Spacek) wedding; having been alerted by his daughter that Christine has obtained a divorce during his latest absence. About all Joey has going for him with viewers is that he loves both his daughter and his wife. About all he still has going for him with Christine is the charisma of a free- spirit and a continuing physical attraction.His daughter Beth (Burnette) is his ally in his attempts to salvage their family, as she is not particularly fond of her mother's fiancée (Brian Kerwin). Kerwin's stable but boring character is the polar opposite of Joey and she thinks her mother is overcompensating for Joey's historical unreliability."Hard Promises" is mostly dedicated to exploring Joey's inherent and impossible to change aimlessness. This gets a little oppressive if you are looking for a dynamic story but the film is a successful exercise in unity and style. The score and the editing reinforce this theme and provide a surprising number of really beautiful and moving film moments. The climax is unconventional and they go out on a nice scene between father and daughter. It is an unexpectedly slick production, a triumph of style over substance-but in a good way. Then again, what do I know? I'm only a child.

One can always count on the IMDb - no matter how bad, how awful a film is, there will be four or five people who invariably give it ten stars and say it's a great film. I mean, I have yet to find the film listed where this does not happen.Hard Promises does not have one laugh, one real moment, one near-touching scene (even the young daughter's scenes - and I'm a sucker for emotional scenes between parents and children) - the dialog is terrible, the film has not one iota of charm, the direction is blander than bland. The actors all do what they can, but there is nothing to do but work hard to try and make something out of nothing.Of course, when one does a little further research, one finds that the film was universally panned by just about everyone, and, in its one week engagement at actual movie theaters, it became one of the lowest grossing films in history - a whopping $360,000 or thereabouts. Not many films achieve THAT kind of gross. Great film? No. Good film? No. Bad film? Yes. But, there are obviously four or five people for whom this worked - so, that's something.

The movie was about a woman's ex-husband coming to town the day before her second wedding to stop the wedding. Similar stories have been filmed many times but the acting made all the characters believable and likeable. Sissy Spacek and William Peterson were very effective in the lead roles and all the supporting players were right on the mark. People addicted to a lot of non-stop action, rather than talk, should look elsewhere.