Excellent but underrated film

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

One of the most dreadful adaptations of a book I've seen in a long time. Disney took the delightful and touching 1929 novel by Erich Kästner and turned it into something utterly ridiculous. In the first half-minute I knew something was going to be off when they revealed straight away who the robber was for certain, thus destroying any sense of mystery and tension the book had. Moreover they made the Grundeis character so grossly unbelievable as a person, it was hardly watchable. And the detectives...all the charm and comradery of the group of boys who help Emil in the book was lost in this film. In the film, they were basically hired for a tenner.

Or even English children, if they wanted, surely.Targeting an American audience, putting English children in the movie would have seemed just as foreign.Without a doubt the biggest loss then would have been Roger Mobley as Gustav. I can't help but think surely a German equivalent for him could have been found, but obviously this wasn't to be.Having watched endless English movies about children (as well as the more mainstream established set from around this same time as Mary Poppins, Bedknobs and Broomsticks and Chitty Chitty Bang Bang, to name but a few) and then the CBS Children's Film Festival with movies, whether dubbed and/or originally recorded in American English or British English (whew!), I don't think Emil and the Detectives would have been any worse with actual German children speaking with a similar accent as Slezak here.Surely Emil could have at best been British so the American youth could relate.Nevertheless, it stands as a loss. An obvious loss, not so much a head-scratcher as Dick Van Dyke in Chitty Chitty Bang Bang (anyone wanting to know about the confusion there was over miscasting, just check out Van Dyke in Chitty Bang Bang and Mary Poppins, tho I've talked online to many English people who say they enjoy his awkward accent now).Perhaps this will be the fate of Emil and the Detectives someday.If nothing else, we have lovely shots of German scenery and a truly delightful story of adventure and suspense (tho I liked Moonspinners, I think Emil and the Detectives was slightly better).I would first see EatD (enough already) on the New Mickey Mouse club with Lisa Welchel, sliced up into mini-segments and shown over quite a period of time. Of course I didn't watch it all straight thru, but I always remembered Mobley and that silly hat.I tracked down a copy off of Ebay, as well as an accompanying comic book.If nothing else, I guess it helps to try to imagine the movie was dubbed into American English (not again).

I saw this movie back in the late 60's and had fond memories of it. I just finished the book and thought a re-watching of the movie was in order. Made in 1964 in Berlin by Disney, the movie bares little resemblance to the 1929 novel by Erich Kastner, other than some of the names and most basic of plot elements. Updated to modern day Berlin of 1964 the film, while still fun, is missing the charming affection between Emil and his widowed mother. The opening chapters of the book are devoted to Emil and his mother and their life. In the book Emil travels by train from Neustadt to Berlin to see his grandmother. He's carrying money, to his grandmother, from his mother. When he falls asleep in the compartment, his pocket is picked by Mr. Grundeis, a fellow passenger. Emil wakes up and discovers his money gone. Out of the window of the train he spots Grundeis and gives chase. Broke, Emil takes a tram ticket from a generous passenger, and follows Grundeis from the train to a café on Kaiser Avenue. It's here while watching Grundeis that Emil meets up with Gustav, the local neighborhood head-boy, the boy the other kids look up to and willingly accept as their leader. It's Gustav who calls the neighborhood boys together to help get the money back. The brains of the neighborhood, the Professor, organizes the boys into a fairly well organized team, each person is given an assignment and the detecting begins. Communication, tactics, and food are arranged. The teams follow and eventually hassle Mr. Grundeis right into jail. It's doesn't even take 24 hours to catch him. It's told in a delightful style, with a nice bunch of characters. There's a sweetness to the book, but it's never saccharine. All through the book Emil's thought's are on his mother and her struggle to keep food on the table and a roof over their heads, the loss of the small amount of money stolen is devastating to their poor family and it's a heavy burden to Emil. He's a good boy, in every traditional sense, and he fights back for what is rightfully his. And he is rewarded for it in many ways.The movie version omits the sentimentality of the novel, skipping the mother son relationship. Emil get's his pocket picked on a bus, after Mr. Grundeis hypnotizes him. Emil wakes and gives chase, literally running into Gustav, knocking him and his packages down. Gustav confronts Emil, who is now spying on Grundeis, and eventually learns Emil's story. And this is where the movie starts to build it's more exciting version of the story. Rather than have the boys organically become detectives, Gustav is already a detective, he has a badge, he rescued a cat recently. He calls together his team and they go to work. The movie moves the off screen bank robbery of the book on screen, and involves Emil in it, creating a higher level of jeopardy that doesn't exist in the book. Mr. Grundeis is involved in the big robbery, he's a regular mole, digging the tunnel into the bank. Walter Slezak plays The Baron, the robber gangs leader. There's also Muller, the grumpy guy, he yells a lot. There's lot of running around, more yelling, and much tomfoolery with girls. Pony, Emil's cousin, is much brasher in the movie and more of a presence. In the book the boys are much more in awe of her, everyone's much more polite, in the movie they're not. "Get rid of her," says Gustav. But Pony is not to be deterred, the plucky school newspaper columnist sticks to it and together with the gang of detectives, and the confused and belatedly involved police they rescue Emil and the mole from a watery death. The Baron and grumpy are captured soon after, and all is well. Emil's mother shows up briefly at the beginning and end of the movie.I enjoyed both versions of this story. They both had a nice take on the story. Both can be enjoyed for different reasons, especially by different people.

I stumbled on this entry and was glad I did! I recall watching this when it was broadcast on "Disney's Wonderful World of Color" in September 1966 when I was five and have never seen it since. I recall the Berlin locations and being fascinated by the entire enterprise. Maybe I would have a different opinion if I saw it now, but I recalled liking it as a kid.