Very Cool!!!

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

An old-fashioned movie made with new-fashioned finesse.

Le President is, first of all, a political film. Politics is really my thing, of course together with economics, since any work will have to be paid. Having written this, we live in an imperfect world. That is, probing my familiarity with the French intricacies yields one word: poor. Still it is sufficient (assez!) to review at least the contents of the film. I guess that I must begin with a brief sketch of the story, so that we know what we are talking about. You may call this a spoiler, but honestly who likes surprises? I bet that when you take a book in hand you alway secretly peep at the final pages. So: the main theme is political integrity - as far as I can see, while knowing that it is nothing but an illusion. Emil Beaufort was once the president of France, and consequently the chairman of the Conseil (council) of ministers. When we first meet him, he is already retired and writing his memoirs. Consequently the film uses one long flashback to narrate the events during his active political career, a kind of re-switching. The then government and Beaufort decide in secret to devalue the franc, the currency of the time. Imprudently or cunningly (who knows?) his personal assistant Philippe Chalamont leaks the information to his wife. And not surprisingly she leaks to her father, a stinkingly rich business man, who takes advantage of the information. From then on Beaufort is convinced that Chalamont is a ne'er-do-well. This opinion reflects his own character, which in spite of his king-like position is supposed to have remained essentially modest. Typical is his vow: "La France has been my only mistress". Reflect on that. Of course Jean Gabins coarse features underline this message. Nevertheless the ne'er-do-well turns out to be extremely talented, and his star rises quickly on the firmament of French politics. Finally Chalamont is nominated as the new French president. In order to get the necessary backing, he visits the castle, where Beaufort spends his final simple years. At first Beaufort is sympathetic. But when Chalamont, trying to be nice, promises to consult him with regard to important future decisions, Beaufort is completely turned off. He blocks the nomination by threatening to disclose the past lapse of Chalamont. End of story. Is this brilliant? You tell me. However beware, because since my knowledge of French is in its infancy, I grasp only about 20% of the tale. Undoubtedly the versatility of the film partly surpasses my view. I can yet follow the interesting speech of Beaufort in favour of a European federation - a French ideal, which never really materialized. But then there is the process of aging, the abdication of power, the political integrity, his attitude towards women ("She shows respect by lying about her absence. It would have been disrespectful to admit that she was simply being laid"). I don't know. And why is Beaufort also a gifted oboist? Apart from this, the film was obviously amazing and recommendable. If you fancy political stories, consider seeing my other reviews.

This movie is based on the book, the President, written by Georges Simenon. But, the end is so different from the book. Emile Beaufort, the President, that means, former Prime Minister, lives his retirement in his house... Built with flashbacks, we see him 20 years before, trying to govern France, between political pressures from his majority, specially when he need to devalue the Franc or start building Europe. He has to fire his assistant who became a political leader. But, The president has information that could end his career. That's the dominant point of the movie, and the difference with the book stands with Beaufort decision and capacity to act. Michel Audiard, the best French writer, wrote several wonderful sentences that could be used in Parliament.

The tirade of The President in front of the French Parliament during the film, is, in my opinion, one of the most powerful scenes I know.By the strength of the actors, by the strong political message delivered (and more than 40 years after, still up to date), and of course by the 'straight to the point' lines of the dialogues, written by Michel Audiard, this scene is just fascinating. It's just a speech every liberal politician must dream of.And it is served by a camera moving both with the solemnity due to the place and the historical circumstances, while keeping at the same time a focus on the underlining of passions and reactions of the main characters.So, definitely, I'm a fan!"L'important n'est pas de sonner juste, mais de sonner à l'heure"

An old statesman reminisces his carrier, highlighted by a decision to devaluate the Franc, the building of Europe and a betrayal of confidence by an ambitious politician. Masterful creation by Jean Gabin with the help of an excellent dialogue by M. Audiard.