White Wall
In the near future, everything has changed. Basic human rights have become the rarest of luxuries. No one knows when this started but everyone knows how. The VXII, the deadliest virus ever created, spread like wildfire and decimated the majority of the world's population. The non-infected survivors now cling to life in four quarantined cities behind a wall. Shawn Kors and his brother, Jude, survived the VXII only to grow up in a squalid internment camp for orphaned children. Under the care of the militia, they were pitted against other children in backwoods death matches. Shawn, Jude, and the few who escaped became notorious for their incredible fighting skills. They have since parted ways. Shawn now makes a comfortable living as a janitor at the local medic station. He spends his days dreaming of curing the VXII. When Shawn discovers the discarded body of a fellow internment camp friend, he is forced out of hiding and pulled into a rabbit hole of conspiracy and violence.
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- Cast:
- Gary Kohn , Michael Teh , Eddie Kaulukukui , Nevin Millan , Christopher Guyton , Gabriel Womack , Albert Marrero Jr.
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Reviews
The Worst Film Ever
Such a frustrating disappointment
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
I often find there to be two kinds of movie watchers; those that see the bad and judge based on it, or those that see the good and enjoy it. If you are the former, do not watch this movie. If, however, you like a less than glowing movie for being more than 'enjoyably bad', keep reading.This movie is NOT 'enjoyably bad', but rather shows a growth in film production skill significant enough to surpass enjoyably bad movies in quality (not enjoyability). That is ironically this movie's downfall. While the unique story and setting may draw some critical fire, they are well done if you are willing to accept a slightly unusual post- apocalyptic stage for the story. So too is the movie's music and cinematography (its highest point). Acting, however, is flat and in a movie that visibly takes itself seriously, it makes for a notable distraction. The problem is that the acting is ALMOST passable, meaning that instead of laughing at a poorly delivered line and enjoying it for the laughs you get, you will instead just mind yourself annoyed at what could almost have been a solidly good film. The script also could have been much sharper, making the already stilted acting even stiffer.Pacing is slower than one might expect from the way the movie presents itself. For what looks to be a low budget action movie, there are remarkably few action scenes, and shots linger long enough that story feels slowed to a crawl at times. What this looses in classical attention grabbing it gains in artistic value and atmosphere (due largely to the previously mentioned gorgeous cinematography of the film). This lingering camera trades out for an odd combination of long fixed shots and short hand-held close ups during action sequences. This makes for an interesting blend that feels strange at first, but by the movie's final fight scene beautifully ties everything together into a final, brilliantly shot finale.It's hard to know what to expect from this movie. Even in classifying its genre, it tackles so much that its hard to place. It is a futuristic/modern post-apocalypse woven with elements of kung-fu, western, and film noir mystery style aspects and an oddly atmospheric meandering storyline that pretty much guarantees that this movie is NOT what you are expecting. So my final bit of advice; go in without expectations. Let this movie be what it is and try not to judge it for anything else. If acting is a major issue to you, I may recommend you skip out on this one, but if mediocre scripting and delivery won't get in the way of a decent and unusual story, good musical score, and beautiful camera-work, this movie may be worth your time.
James Boss, an unknown director knows what he wants to do and how to do it so well that even though White Wall is his first project, he does a brilliant job. White Wall is an action, drama, fantasy with a story taking place in a post-apocalyptic world. A virus, VXII decimates the human kind and there are few people left on earth. These people live in a place surrounded by a white wall and the remaining people rot in corruption, violence and betrayal; it is every man for himself. To survive in this world, the main character Shawn Kors (James Boss) has to be the same way but he is sick of this life and he finds a way to escape that place. Determined to find a cure for the virus VXII, he hits the road. With his ambition to find a cure for the virus, he gains respect of people he meets and he finds the love of his life: Elsa Lei, a medic. Unfortunately there are terrorist groups in this area as well and there is a war between the military and these groups threatening to draw Shawn back in to the city behind the White Wall leaving the hope to find the cure, behind. The cinematography, the sets, the scenes, the choreography are all wonderful. The martial arts providing a huge amount of action is thrilling and the story is engaging. This young director really knows how to create an impressive action sci-fi with post-apocalyptic elements, with chaos and questions. The music choices are well put and also thrilling, the crew had apparently thought all this project in details. The actors seem very comfortable and natural, there is not a thing sizzling, everything flows naturally. The fans of the genre must be looking forward to this movie. It will be worth waiting.
This movie started out strong, and it kinda threw me off for a second, but once I got back on track I actually enjoyed it. The mood and style of White Wall was refreshing, and I still have a hard time believing that this was a mini budget indie??. Pros - some loked out knife fighting scenes, and an interesting concept made it worthwhile. Cons - it's too artsy for it's genre, I normally appreciate this kinda stuff, but It was a little too avant-garde at times and it's great that there are people out there actually trying to break a few molds, but I wasn't expecting it. This isn't for everyone, but if you like dark movies with some action and a very Yoshiaki Kawajiri jap anime style to it then I say go for it or else don't bother. To sum it up, if you go in watching this in the right mood, you should thoroughly enjoy this.
The movie is an interesting take on the whole post apocalyptic genre. It isn't anything new or particularly original, but it does deliver its own spin on a movie done a lot of times. I liked that the world wasn't such a ridiculous deviation from life prior to the disaster. The gangs weren't leather clad freaks like a Mad Max movie. People weren't all crazy and roaming around robbing each other. They had their normal jobs and lives. There was just an somewhat oppressive government trying to maintain control, and small cells of people rebelling against that system.The movie looked good and had a decent idea, but the acting was very flat. Not one of the characters delivers a convincing performance. So none of the scenes have any emotional impact. This is probably due in large part to the stilted dialogue in the script. In the hands of a better write and director, I could see a big time Hollywood blockbuster. As it stands, it probably isn't worth much of your attention.