The Black Knight

NR 5.2
1954 1 hr 25 min Adventure , Action

John, a blacksmith and swordsmith, is tutored at Camelot. As a commoner, he can't hope to win the hand of Lady Linet, daughter of the Earl of Yeoniland, so he creates a secret alternate identity as the Black Knight. In this new role, he is now able to help King Arthur when Saracens and Cornish men—disguised as Vikings -- plot to take over the country.

  • Cast:
    Alan Ladd , Patricia Medina , André Morell , Harry Andrews , Peter Cushing , Anthony Bushell , Laurence Naismith

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Reviews

ThiefHott
1954/08/26

Too much of everything

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GrimPrecise
1954/08/27

I'll tell you why so serious

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AutCuddly
1954/08/28

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

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Portia Hilton
1954/08/29

Blistering performances.

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scribe1270
1954/08/30

I 1st saw this movie when I was a kid when it came on TV. I also saw it's contemporary "The Black Shield of Falworth" around the same time, and enjoyed them both. Both take some liberties with history I'm sure but they do something more important than being completely historically accurate. They entertain the viewer. It's the classic tale of the underdog who has to fight against the odds in order to have a chance of achieving what he wants set against the backdrop of the middle ages. The colors and pageantry of the film and it's musical score add to the excitement of watching to see if the hero will triumph or not. Some will claim that Alan Ladd was too short or too old for the part or some such, and I grant he's not a big action hero type like Errol Flynn for example but I think those facts add to rather than take away from his portrayal of the hero. His character of John the Blacksmith is the "everyman" who may not be the likely winner but is willing to fight for what he wants against a world that doesn't say yes easily.

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alsumrall2001
1954/08/31

This may be Alan Ladd's worst film, I have not seen them all, heck, I was named after the guy and he starred in at least two great films and supported others, so you can't call me biased against him. Of course, one could argue that it was just bad casting as his "type" did not match the film, but the film is so terrible on so many levels that it is almost as if it was done for a purpose other than making a film, just thrown together in haste, perhaps to fulfill a contractual obligation but done so in order to perhaps kill a contractual relationship. Obviously money was put into the film, not "Hollywood" money, but where a decent film might have been made with normal across the board talent. Incredibly amateurish, and one wonders the dynamics involved with Tay Garnett, who had done much better in the past. There is no redeeming quality to this bizarrely bad film. It does have some so-bad it can't be serious funny moments, perhaps these moments are "statements" of protest or perhaps deliberate attempts to make this film as badly as possible, perhaps a real inspiration for "The Producers". The film is so badly done on ALL levels which makes it hard to criticize the parts. I've seen low-budget British films that scrimp on props and special effects to the point of absurdity and feature little talented supporting acting, but still deliver fine lead acting performances and scripts that overcome the obvious deficiencies. In this case, it would have taken a masterful over the top enthusiastic lead to overcome the so many flaws in the film (even with the at least three supporting actors in the film with talent), but Alan Ladd's performance wasn't even "dialed in". He apparently just did the"minimum" he was directed to do (or maybe he was ill), or perhaps just horrible casting. Peter Cushing at least tried to be the nefarious bad guy despite the total ridiculousness of his role. I try to find good in films, but it just isn't here. This is not a film that deserves preservation.

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TheLittleSongbird
1954/09/01

I do not think The Black Knight is a terrible film. Mediocre yes, terrible no. It does have its problems I agree, the script is clunky and lacking in wit apart from Cushing's amusing and memorable "please pardon this shameful exhibition" and also suffers from excessive cheesiness, the story is on the misconceived side, the pace sags in the middle I feel and I didn't think much of Alan Ladd who I found too old and perhaps a little unkempt too. However, the costumes and location work are absolutely splendid, John Addsion's score is likable enough, the action is witty and energetic, the direction is passable, and Peter Cushing and Harry Andrews are a joy to behold. All in all, I wasn't wowed over but I did find it watchable thanks to the production values and the supporting cast. 5/10 Bethany Cox

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whpratt1
1954/09/02

It is quite obvious when you see this film that Alan Ladd had dark demon's he was facing in real life, his fight with alcohol which was showing in his face, even though he was getting older and his career was starting to diminish in Hollywood.Alan Ladd plays the role of John, a blacksmith who makes excellent swords and also becomes the Black Knight who fights against threats against King Arthur and his Court. John is in love with Linet, (Patricia Medina) who is the daughter of the Earl of Yeonil, (Peter Cushing), but is impossible for her to marry a Commoner and so John learns the skills of a knight and seeks to become a Knight in King Arthur Court. There is plenty of swords flashing all around and lots of arrows flying through the air. This is an entertaining 1954 film but rather disappointing.

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