Simple and well acted, it has tension enough to knot the stomach.

Exactly the movie you think it is, but not the movie you want it to be.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Joseph Losey directed this handsome but rather ponderous adaptation of Barry England's book about two British soldiers escaping imprisonment in a Latin America country, doggedly pursued by a helicopter armed with a sniper. Screenwriter and co-star Robert Shaw reportedly completed the final draft of the script while the film was in mid-production (he receives sole on-screen credit). Shaw omits the military backgrounds of the characters, instead making the exhausted, griping men an anonymous duo, which has led some to believe this an existential adventure. It certainly has more aerial and explosive action than any other Losey film (the helicopter stunts are often hair-raising), but the men (Shaw and a young Malcolm McDowell) are angry blanks--and this seems entirely deliberate. The dazzling on-location work in Spain of the three cinematographers, Henri Alekan, Peter Suschitzky and Guy Tabary, is worth-seeing, and the picture's puzzling, downbeat finale is intriguing, but this trek from the jungles to the mountains is mostly an unrewarding journey. ** from ****

Alternately baffling, shocking and irritating, this film is remarkable in a lot of ways. It shows that Malcolm McDowell is a really talented actor who went to waste after being typecast as a sleazebag; he never got any decent roles after that.What's unusual about this film is that we are never given more than scant information about who these guys are, why they are running and from whom, or where on earth this is all supposed to be taking place.You might think that all this, plus the almost nonexistent plot would make this film supremely forgettable, but this is far from the case. My only complaints were that Robert Shaw's character kept bursting into screaming and cackling fits at inappropriate times and the ending, for me, almost ruined the whole thing. Why did Mac feel he had to try to finish off the helicopter just when he had finally reached safety? Other than that, this is an extraordinary film. I would have given it a 9 except for the above issues.

Inspired by the minimalist theater-driven film-making of the period, Figures in a Landscape is much more interesting than its competition (Tomorrow, Losey's own "The Servant). Why? Because of the helicopter, of course!Robert Shaw, always inspired, is here particularly so, all but frothing at the mouth as he drags his weary carcass over the mountains, from nowhere, to nowhere, until the endless desert itself seems more and more like a stage for their mad performance.An inversion of the often static fare of the period that still displays serious acting chops. Recommended.

FIGURES IN A LANDSCAPE is interesting for a lot of reasons: it was directed by Joseph Losey,it stars a very young Malcolm McDowell and it boasts a script by co-star Robert Shaw.The set-up is very existential: 2 men are pursued by a mysterious black helicopter over a rough, desert terrain. We never learn the reasons for any of this or even where it is taking place.The atmosphere of dread is kept at a high level thru-out.Everything about the film is as stripped to the basics as the title suggests. The men are never given much more than the briefest of backgrounds. But it is precisely this quality of mystery that gives the film its main points of interest. I would certainly like to be able to see it on a larger screen. The helicopter photography is very impressive and the shots of the two figures traversing the inhospitable terrain are striking.Robert Shaw gives a ferocious performance. Malcolm McDowell's part requires him to be more subdued but he is capable and provides the film's main sympathetic character.