That was an excellent one.

Terrible acting, screenplay and direction.

If you don't like this, we can't be friends.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

These filmmakers will go places. What a remarkable film. Created in the closing chapter of Rose Marie's life, the Wises unobtrusively mine the memories and memorabilia of this remarkable performer. A singer, a comedian, an actor on radio, stage and screen, Rose Marie's career pretty much covered every aspect of 20th Century entertainment. The film also has the intrigue of the mob, the hilarity of her comedy roles, the tragedy of her husband's death, the pathos of her struggle to keep working as she ages. She is the one who got Morey Amsterdam on the Dick Van Dyke Show. She is the one who launched Tim Conway's career. The movie is obviously about Rose Marie, but also about so much more-how well do we live our lives? How do we reflect back on them from the perspective of old age? How do we cope with struggle and success? Rose Marie believed in her talent. She was a person who forged her own path and followed her gut. I am so glad she did. She deserved far more accolades than she ever got in life. This film is a gorgeously made tribute.Also, be sure to watch the extras.

Rose Marie, a child star famous before Shirley Temple was born and who outlived her as well, had a surprisingly compelling life and this well-crafted documentary presents it beautifully. What with grabbing the spotlight at 2 years, nine months in a style that knocked audiences on their behinds and being granted her initial moniker of "Baby Rose Marie" by none other than the notorious Evelyn Nesbit to doing voiceover work in her late-eighties and so much in-between she was like a living Rolodex of show business experiences and relationships.Her early life and the key people in it are represented frequently by re-enactors and while I have never been fond of this practice (somehow it tends to give things an "Unsolved Mysteries" or "Rescue 911" vibe...!), they are generally well-handled here and even clever at times with the actors' lips moving to the voices of Rose Marie as she relays the tales in question. Fortunately, as she grows up (and the accessibility of actual footage becomes more available) the reenactments taper off. We see her grow from a dazzling child singer to a charming young vocalist who works steadily in Las Vegas and elsewhere. The presence of gangsters in Las Vegas and in her life is not ignored. She is also called to Broadway, though her shot at the movies is marred by the salacious greed and pettiness of a producer.She meets THE love of her life, the husky but beautiful trumpet player Bobby Guy and her father will have none of it, causing complications that are only partly addressed in this film. Love wins out, though, and they share a glorious couple of decades together until fate steps in. It's telling of her deep adoration for her husband that even after more than fifty years had gone by she could not speak of his passing without becoming touchingly emotional.She put on a brave face for audiences of her sitcoms and games shows and kept on plugging along. Then, she and several other ladies who were considered "washed up" by the pups then in vogue got together and proved them all wrong with a staggeringly successful group act, "4 Girls 4." Seeing that Miss Rose Marie could barely stand to be idle, even when work on TV and the stage sometimes yielded a barrage of headaches from unreliable producers or irritating costars, clues you in to what kept her alive until she was 94, even with her body failing her. She just NEEDED to perform and to win over an audience. This documentary contains beautiful visuals, a compelling format, priceless home movies (including color footage of the cast of "The Dick Van Dyke Show") and entertaining clips, but the real jewel of it is the up close and personal interview footage. It could have been an hour longer and still held attention, she was so heartfelt, charming, poignant and hilarious. Rest in Peace, dear lady.

I was a bit familiar with Rose Marie from Hollywood Squares and Dick Van Dyke reruns. But she had a much longer and very interesting career. She started very young singing on stage and on the radio. The Mob took an interest in her ("as a daughter, not a girlfriend" she says) so she knew Al Capone as a child. As an adult she was part of the opening line-up for the Flamingo Hotel (with Xavier Cougat and Jimmy Durante) so she knew Bugsy Seigel. The film covers he career with commentary from Rose herself, many co-stars and friends. Her husband died relatively young leaving her as a single working mother. There are many enjoyable stories told - and I'm sure there are many more that didn't make it, especially about Las Vegas in it's first booming years. I enjoyed this film very much.

Greetings again from the darkness. Rose Marie. There is a fear that her name and legacy are unknown to many these days, and director Jason Wise (SOMM, 2012) sets out to ensure that this giant of entertainment receives her due. Not many are famous at age 4 and go on to have an 87 year career singing and making people laugh. In fact, she's likely the only one.A big chunk of the film has 94 year old Rose Marie in the place where she is most comfortable – under the lights, looking directly into the camera. She shares some remarkable stories of her life, and walks us through a time line of the history of entertainment. It's a history in which she played a significant role. We learn about her singing Sophie Tucker songs on stage in 1923 at age 4, and we hear her final credit as a voice actor on "Garfield" in 2013. In between, she received an NBC radio contract at age 5, and proceeded to star in Vaudeville, Radio, Broadway, Las Vegas, the nightclub circuit, and of course, Television. She was often referred to as "one of the boys", but the reality is, she was a trailblazer for women performers.In addition to Rose Marie's own words, there is insight from Dick Van Dyke, Carl Reiner, Peter Marshall, her daughter Georgana Rodrigues, a long-time close friend, and many others. We learn that her "Uncle Al" was actually what Al Capone suggested she call him, and the other mobsters of the era were just "the boys", all whom "were wonderful" to her. In 1944, during WWII, she met the love of her life. Bobby Guy was the lead trumpet for "The Bing Crosby Show", and an extremely successful musician who played live in big bands, as well as on albums and film soundtracks. The fascinating stories come fast and furious, and director Wise uses reenactments for some segments and actual photos and clips for others. Rose Marie working opening night with Jimmy Durante at Bugsy Siegel's Flamingo in Las Vegas is particularly compelling, as Mr. Siegel's career and life didn't last much longer than opening weekend. Familiarity strikes once we reach the 1950's boom era for television. A rare clip of Rose Marie's first episode of "Gunsmoke" transitions into her wildly popular run on "The Dick Van Dyke Show" (1961-66). On the movie side, should you find yourself watching Gus Van Sant's PSYCHO, you'll now impress your friends with the knowledge that Rose Marie voiced Norman's mother in that remake.If this sounds like a recap of her career, you should know this barely scratches the surface, and half the fun is in feeling like she is telling her story directly to us. A 14 year run on "Hollywood Squares" is further testament to her comedic skills and quick wit. Rose Marie is comparable to Lucille Ball and Carol Burnett in both talent and impact, and deserves to be respected as such. This is a well-made and important documentary about the history of entertainment, one remarkable woman's career, her wonderful and tragic love story, and above all, a lesson in perseverance. At age 94, Rose Marie's mind is razor-sharp despite the failings of her physical body. As she waits for her next job, she proves she can still tell a joke … and that even today, she never has to wait long for the laugh.