Delusion

R 4.5
1981 1 hr 22 min Horror

Meredith Stone, a home care nurse, has been assigned the duty of looking after a wealthy invalid named Ivar Langrock. Cooped up in Langrock's stately country mansion, Meredith quickly suspects that someone sinister is lurking in the manor's dark halls only to discover that Ivar's demented and violent son has been locked away in a hidden room. Shortly thereafter, Ivar's grandson Gabriel also moves into the house and with his arrival a mysterious killer soon begins murdering members of the Langrock family along with their live-in staff.

  • Cast:
    Patricia Pearcy , Joseph Cotten , David Hayward , John Dukakis , Alice Nunn , Patrick Pankhurst , Abraham Alvarez

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Reviews

FeistyUpper
1981/01/23

If you don't like this, we can't be friends.

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Intcatinfo
1981/01/24

A Masterpiece!

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ThedevilChoose
1981/01/25

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

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BelSports
1981/01/26

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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MartinHafer
1981/01/27

"Delusion" is a slasher film...and I rarely choose this sort of movie to watch. It's not totally mindless, keeps you guessing and isn't altogether awful!When the film begins, Meredith (Patricia Pearcy) arrives at a mansion to become the new nurse for an elderly invalid (Joseph Cotten). The job seems pretty easy and she fits in well. However, when the old man's weird grandson arrives, things start dying...starting with the family dog but not stopping there! Who's behind all this...and are the confusing plot elements going to make sense by the end of the picture?The film suffers a bit from Pearcy's zombie-like performance during much of the film. It also occasionally makes little sense...such as why the police aren't more alarmed with all these deaths. But it does offer plenty of false leads, dead ends and twists and so if you like this sort of film, it will fit the bill. I respect what they did with this picture, though I wasn't especially thrilled with seeing it.

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Rich Wright
1981/01/28

You know, despite my general low ratings of them, there's something strangely addictive about early 80's slasher flicks. You know... people potter around aimlessly for ages, before the soundtrack stops and you just KNOW they're about to be incapacitated with a knife/hook/chair leg (Delete where applicable). Even here, where it seems to take FOREVER till the first death (And that's a dog), most of the victims are taken care of by a simple WHACK to the temple (Not very scary, that) and there's an implausible TWIST at the end (Which gets more stupid the more you think about it) it's all rather endearing.It was made with love and affection, by a director who shoots far too many scenes in the dark and doesn't have a clue about building suspense, and a writer who, apart from the pretty leading lady, writes dull characters and sets out the most boring set-pieces for murder imaginable, before that incomprehensible conclusion. If this movie was a child, I would give him a pat on the back for effort, then stick a D cap on his head before sending him to the back of the class. AND make him stay for extra homework... 3/10

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Coventry
1981/01/29

Slow-moving and pseudo-intellectual horror/thriller that never at one point measures up to its glorious title – the alternate VHS box title that is – "The House Where Death Lives". I honestly hesitated to stop watching the film several times during the first half hour already because it's so boring and absolutely nothing indicates that it might get better anytime soon. The story handles about a young and attractive nurse who moves into the mansion of a wealthy but crippled elderly man (one of the final roles of horror legend Joseph Cotton of "Baron Blood" and "The Abominable Dr. Phibes") to look after him. The man recently lost his son and unwillingly obtained custody over his estranged 16-year-old suspiciously behaving grandson Gabriel. Then there's also three other servants living in the mansion and one mentally unbalanced son that lives locked away in a remote bedroom. One giant big happy family, in other words! The mishmash of personalities soon causes tensions in the house and people start turning up dead. Seriously, the title ought to be changed to "The house where you are bored to death" or something, as this is really one of the most uninteresting and substantially void horror movies I've seen in my entire life. The nurse character is dull and damp (even her sexual hallucinations are tedious) whilst all the other characters are plain and simply irritating. You possibly can't bring yourself to feel sympathy for any of them and you actually just hope they all die quick and gruesomely. There's not a trace of suspense, the supposedly ingenious twist-ending is hugely derivative and the murders are uninspired and bloodless. Bloodless, damned! What's the point of an early 80's horror movie when the set up is dull and the deaths are gore-free? I've seen episodes of my mother's daily soap opera that were more exciting than this turkey. One to avoid at all costs, unless of course you suffers from a bad case of insomnia. Where all medication fails, this movie is guaranteed to put you asleep.

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RareSlashersReviewed
1981/01/30

A young nurse named Meredith accepts a job looking after an ageing millionaire in his secluded country home. Almost as soon as she arrives strange events begin occuring. It then becomes apparent that someone is murdering all the occupants of the house and making their deaths look like bizarre accidents. It's left up to Meredith to try and reveal the killer's identity before she ends up next on his list. Firstly don't be disillusioned by the back of the video blurb that would lead you to believe that DELUSION is 'a chiller in the mould of THE OMEN or REPULSION.' This is pure whodunit? owing more of a knowing nod towards Christie than Carpenter. Although saying that, slasher fans will find the odd thrill here, including one or two decent edge of your seat jolts and a couple of brutal slayings. It looks pretty well budgeted, cleverly shot and the cast do their jobs efficiently. The flicks main problem lies in the fact that it seems to drag far too much in between murders and it began to get a little too tedious towards the end. It's nicely directed and genuinely well acted but lacks the cheese that made most of it's hack and slash counterparts from that era so loveable. Smart in places, but hardly memorable enough to ever be watched more than once. HOUSE ON SORORITY ROW is a much better effort, rent that instead.

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