Petey Wheatstraw

6
1977 1 hr 39 min Fantasy , Horror , Action , Comedy

Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil's son-in-law. The storyline is a scaffolding on which Rudy Ray Moore's standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians' victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to give him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil's henchmen.

  • Cast:
    Rudy Ray Moore , Sy Richardson , Leroy Daniels , Ernest Mayhand , Ebony Wright , G. Tito Shaw , Lady Reed

Reviews

Hellen
1977/11/01

I like the storyline of this show,it attract me so much

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Platicsco
1977/11/02

Good story, Not enough for a whole film

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ShangLuda
1977/11/03

Admirable film.

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Deanna
1977/11/04

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Michael_Elliott
1977/11/05

Petey Wheatstraw (1977) ** (out of 4) Rudy Ray Moore is back, this time playing the title character, a comedian who is doubled crossed by a couple jerks. Petey is shot dead in the streets and his spirit is visited by Lucifer who offers him a deal. If Petey agrees to marry his daughter and have a son, Petey can continue life and be given a magical pimp stick. Petey takes the deal and enjoys the powers that the stick gives him but when it comes time to pay he wants no part of Lucifer's daughter.After DOLEMITE and its sequel THE HUMAN TORPEDO, Moore found himself playing a new character and while it's not nearly as entertaining as the earlier movies, if you're a fan of the comic then there's plenty to enjoy here. If you're coming to this film expecting to see anything like THE HUMAN TORPEDO then you had better check yourself because this film is something completely different. As wild as the story sounds, the film is actually pretty straight-forward without too many campy or over-the-top moments.The direction they took this film is somewhat shocking because it barely registers a R-rating until the final fifteen-minutes when we finally get some exploitation moments including a weird orgy sequence and some nudity. Everything before that is pretty much a straight but bizarre drama dealing with Petey being murdered but then given a chance to seek revenge on the men behind it. All of this is played rather straight and it is entertaining but I'm just not sure the blaxploitation crowd are going to enjoy something straight when it comes to Moore.The film finally reaches some high marks at the end when Lucifer and his servants come for revenge. The make up on the devils is quite generic but it makes for some fun. As usual Moore doesn't give a great performance but he's certainly quite the character and he manages to make the role fun and keep the viewer interested in what's going on. The supporting cast is nice and for the most part fans of Moore should enjoy this one.

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Golgo-13
1977/11/06

As another review once said, "The written word cannot do justice to the comedic stylings and kung-fu antics of Rudy Ray Moore movies." I agree. Petey Wheatstraw is a movie that must (and should) be seen to be believed. The opening is the birth of Petey. After his mother first passes a watermelon(!), the child is born and the good doctor gives him a few smacks on the butt to get him started. However, Petey is no infant, he's an eleven year old boy, even born with underwear. He proceeds to give the doc a beating until his dad steps in. Young Petey lips off to his father about "disturbing" him for the past nine months (get it?) and then goes after him! Such is Petey Wheatstraw: The Devil's Son-In-Law, and it only gets worse (or better?) from here. Full of offensive comedy, horrible kung fu, Moore's rhymes (the original rapper!), and cheap, crazy scenes (Satan's demons have glued on horns, wear red tights, and move like robots), this is a great cult flick not to be missed. FYI, the movie was actually influenced by the real blues artist, Peetie Wheatstraw.

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Kelly
1977/11/07

This was my first Rudy Ray Moore movie, and it may be my last. I read all of the comments and reviews and figured this would be a fun bad movie, and it has its moments. Overall, however, it's a dud. The 90+ minutes to view it seemed to last forever, and it's really ludicrous. How could the cane given by Satan to Petey be more powerful than Satan himself? And why would Petey break the powerful cane since it was what had saved him time and time again? And how could merely breaking the cane in two render it useless? Why would Petey get into a limo, thinking it's one of his posse's car? There's only so much suspension of disbelief I'm willing to grant. As I mentioned, the film has its moments, like when Petey combs the nappy-headed boy's hair, and the little boy's t-shirt that said 'I'm a little devil' was a nice touch. I also give credit for putting in politically incorrect stuff like watermelon and fat jokes. I did laughed when Petey's mom delivered a watermelon, when the bomb blew up a truck full of watermelons, and when the heavy chick struggled to fit into a lawn chair.The biggest laugh for me came when the club singer's wig flew off. Wig's coming off are always good for a laugh with me. And there are a few hot brothers in polyester suits that show off their fine butts. Props for that.But the parts are much greater than the sum. Rudy Ray seems to have done alright for himself, being ambitious and being in the right place at the right time. I'm happy for him, but I'm just not a fan of this movie.

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Roddy95
1977/11/08

A true film classic. Rudy Ray Moore stars as Petey Wheatstraw, a man who makes a deal with the devil and agrees to marry his daughter (the ugliest woman alive) in exchange for his life. The only film that rivals Petey Wheatstraw as best blaxploitation film is Black Belt Jones. Moore, as well as all of the other regular Dolemite regulars, are superb... their best work yet. A certain must see for anyone interested in fine black cinema.

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