Simply Perfect

Plenty to Like, Plenty to Dislike

good back-story, and good acting

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Claude Lelouch was at the top of his career when he conceived this immensely satisfying thriller. Not having seen it, we caught with it recently thanks to finding it in DVD format. The only bad aspect of the disc we watched was the poor sound track it had, we had to keep pumping up the volume during the dialogs and lowering it whenever the musical number of the film-within-the-film was shown. As with most of his movies, Mr. Lelouch relied on Francis Lai to create the score. The most amusing scene happens when Simon is being interrogated by the police and the inspector tells Simon about a "man and a woman" and Simon, without missing a beat begins to sing the music from the real "A Man and a Woman", a film by Mr. Lelouch, where the same actor, Jean-Louis Trintignant appeared.The film will probably confuse some viewers because there is no clear indication that after Simon meets Jeanine and goes to see Martine at the park and his subsequent escape to either Spain, Switzerland, or Genoa, the narrative will go back to tell the real story in flashbacks. Other than that minor incident, "Le Voyou" is a perfect movie about a caper and the people that planned it.Jean-Louis Trintignant was also at one of his best moments in the French cinema. He is a joy to watch as the slick Simon, who is always a step ahead of everyone else. Danielle Delorme, Christine Lelouch, Charles Gerard, Yves Robert and Charles Denner, do excellent work for the director.Another interesting fact is that Claude Lelouch did the interesting cinematography in the film. His camera angles, especially when the inspector is interrogating the Galloises after their son has been kidnapped, he shows the couple on both sides of the police, of whom we only see the back of his head. The chase scenes are cleverly done, showing cars speeding through the Parisian streets.This is a highly recommended film for fans of the genre and Mr. Lelouch.

On the loose again after escaping from prison, Tritignant, known as "the Swiss" for his precision and his habit of working alone (?) is a suave criminal who avoids capture and carries out a successful kidnapping (in which he does not at all work alone but has three or four accomplices). The film has a bright look and a pleasing sense of watching a smooth, gentlemanly crook at work, though there is never any sense of danger, and comparisons with Tarantino seem very wide of the mark. The action has momentum and charm, but things become a bit confusing due to oddly placed flashbacks. There is a focus on the role of publicity and media involvement in kidnappings, which allows the "crook" to successfully blackmail a bank for a million dollars, and features a gullible couple who give up their small boy because they think they've won a Simca car. We're suckered by ads, Lelouch is saying, and look what it can come to. Charles Denner of Elevator to the Scaffold and Life Inside Out/La vie à l'envers is effective and strange, if not real, as a minor bank official. A typical Lelouch touch is bookending the film with a musical film-within-the-film called "The Crook"/"Le Voyou" and it is all very amusing,stylish, and light. But somehow it leaves you flat, and the main event, the kidnapping, cheats the audience: we aren't told the setup.

Thanks to other reviewers on IMDb. I picked up this pleasant surprise. The opening musical had me worried a little. But soon the clever plot revealed itself. This movie is witty and funny, several steps above a lot of Hollywood movies in the same genre today. It still looks incredibly fresh today.The flashback is so seamlessly inserted that I watched the movie again just to find out exactly where it begins. There are moments that make you smile or laugh out loud: the movie-in-movie poking fun at the genre, the mentioning of LeLouch's another film – "un home et une femme", the kidnapping plot, the little details about the characters,etc. LeLouch's direction is fluid and stylish. The naturalistic acting is great and spot-on from the top down. I didn't know that Trintignant could be funny!!! In this movie, he is charismatic, charming, and ruthless all at once and never once goes over the top or shows any movie star self-awareness we usually see today.This is a fantastic movie that can be watched again and again.

I watched lately this movie and enjoyed a lot. I love old French movies anyway. But this one had kind of nice storyline in it also. It was directed quite well. Picture didn't jump around and kept in line with story. It had even some musical touch and it was nice to hear old French songs. It didn't to become boredom though. It stopped singing fast enough. Movie was filmed around cities in different European countries and scenes were pretty. Also acting work was professional level and much more robust than Hollywood acting. Less sugar coating! I would recommend this movie to any Francophile and also crime movie liker! It is really fun to watch and something different from nowadays.