Crappy film

Absolutely Brilliant!

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It's entirely possible that sending the audience out feeling lousy was intentional

A Paramount Picture, relased 23 May 1941. Director: Lesley Selander. Players include William Boyd, Russell Hayden, Andy Clyde, Eleanor Stewart, Morris Ankrum, William Haade, Dennis Moore, Henry Hall, Britt Wood. 69 minutes. (Available on an excellent Platinum Disc DVD). This one starts off with a bang, but unfortunately that initial promise is slowly whittled away when Hoppy and his comrades make their belated entrance. True, it still has its moments (thanks mostly to villainous Morris Ankrum and the lovely Eleanor Stewart), and its real locations are superbly photographed. Unfortunately scriptwriters Ethel La Blanche and J. Benton Cheney obviously decided to pander to the Saturday matinee audience by making our genial Hoppy helpful enough, but rather slow on the uptake. A ten-year-old could work out the clue to the gold mine right from the very moment it's presented. On the other hand, it takes the slow-witted Hoppy almost the entire movie - and even then he achieves the solution only by accident. Naturally, Russell Hayden is too bewitched by Eleanor to be of much help (we don't blame him!), while garrulous Andy Clyde of course is both too stupid and too self-absorbed.

By the time this Hopalong Cassidy film came out, Britt Wood had already appeared in a few of them as Speedy McGuiness, one of Hoppy's sidekicks along with Russell Hayden as Lucky Jenkins. There was "The Showdown" and "Stagecoach War", both from 1940, so it was interesting to see him show up here as an unrelated character, only to have him take a bullet at the hands of the outlaws after being a bit too loose lipped about discovering a gold mine. That was kind of curious actually, because it was referred to as the mythical El Dorado Mine that no one knew the location of, but later when California (Andy Clyde) mentions he found some nuggets, there's a virtual stampede to the exact location. All for naught though, the 'Golden Nuggets' were a brand of giant mushrooms!Well never let it be said that these old time oaters had to make any sense. Another case in point would have been California's claim that he was Ben Pendleton's (Wood) forty-second cousin. How do you go about figuring that out? All in good fun though, as Andy Clyde had this believable quality about him even when he was making it up as he went.Another frequent player in Hoppy's films was the villain of the piece here, Morris Ankrum as Hawkeye Bar owner and Rim Rock town boss Ace Gibson. Normally creepy enough as an outlaw, as another reviewer points out, he outdoes himself as a potential suitor for Pendleton's legitimate heir, niece Trudy (Eleanor Stewart). He's so dastardly that for a brief time, he's got Hoppy and the boys on the outs with the heroine. It doesn't last long however, especially after Ace makes a take it or leave it offer of five grand to Trudy for the gold mine.With a clue left by Ben Pendleton before he died - 'Eagle will show way to mine but only at sundown' - the cowboy heroes eventually figure out that a shadow cast by a rock formation points to the location of the hidden gold. Battling the bad guys, Hoppy and his crew save the day for Miss Trudy, and in one of those rare instances in a Hoppy flick that I've managed to catch so far, this time Lucky Jenkins actually winds up with the girl!

Aces all around except for the rather tame climax. Credit producer Harry Sherman for the general superiority of the Hoppy matinees. Here, he pops for scenic Lone Pine locations, expertly filmed by Harry Stradling— hard to beat that desert-mountain-big rock combination. Hoppy and the boys are trying to find a lost gold mine before the baddies led by the sneaky Ace Gibson (Ankrum) do. Note the movie's many extra touches—the well-staffed barroom, the busy street, the detailed shack interior. These show attention to background unusual for programmers. Also, catch that expensive line of gold-rushers heading for the mine, though the scene appears shot in the cost-saving LA area.For me, the scariest part is when the oily Ace looks like he's getting romantic with the winsome heroine (Stewart). Now, in his stellar career, the lordly Ankrum defeated A-bomb mutants, aliens from outer space, commanded armies, advised presidents, and also made a convincing baddie. But for some reason, the thought of his snuggling up to the girl ran a shudder right through me.Hard to say enough about Bill Boyd in his Hoppy role. He's easily the most charming and affable of the matinée heroes, but can also do the hard-eyed stare when necessary-- as he does here. He, Clyde, and Hayden make a winning team, as their amusing fireside byplay shows. Anyway, there's enough hard- riding, straight-shooting, and story interest to make this a generally superior Hoppy entry.

Producer Harry "Pop" Sherman, originator of the Hopalong Cassidy film series that stars William Boyd, is responsible for this well-devised work, released through Paramount, that recounts of gold miner Ben Pendleton, viciously gunned down by henchmen of gambler Ace Gibson (Morris Ankrum) during an unsuccessful endeavour to force Ben into revealing the location of his newly found rich strike. Since Cassidy's friend California Carlson (Andy Clyde) is a distant cousin of Pendleton, he, Hoppy, and their sidekick Lucky Jenkins (Russell Hayden) attempt to locate the concealed lode while simultaneously seeking Ben's killers, but when the trio comes to the cabin of the deceased, they find it occupied by his niece Trudy (Eleanor Stewart). When the evil Ace succours the young woman, in the process turning her head against Hoppy and his friends while planning to defraud her of her legacy, Hopalong and his pals face tough sledding and many anxious, danger fraught moments. Shot in the rugged high country of eastern California's Inyo County, the brief (69 minutes on VHS) film is replete with finely wrought detail and naturalistic dialogue, trademarks of director Lesley Selander who had benefited from his close friendship with Buck Jones, gradually developing into a top drawer helmsman of low-budget Westerns. Additionally apparent is the hand of assistant director Glenn Cook, one of the best at deployment of extras. The work showcases humour as often as it does action and melodrama, all smoothly blended by Selander, while crisp editing and effective sound mixing, especially of the scoring, are noteworthy, and skillful cinematographer Russell Harlan is consistently inventive. All of the featured players perform capably, the beautiful Stewart a nifty rider to boot, with brief but effective turns from Dick Simmons, as a cheated gambler, and lanky Wen Wright as a Gibson lackey; acting laurels go to Dennis Moore, cast as Gibson's principal henchman, who eventually joined cinema's Forces of Good as a Range Buster but still frequently fulfilled roles as a member of the Forces of Evil.