Great Film overall

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

In truth, there is barely enough story here to make a film.

Blistering performances.

The Cold War and the quest for uranium ore comes into the plot of this Roy Rogers western, The Bells Of Coronado. Roy plays an insurance investigator who is assigned by John Hamilton to investigate the theft of unrefined uranium ore and incidentally the death of the owner of a mine from where it was stolen. Dale Evans co-stars and it would surprise many to learn that Dale was only the leading lady in about a quarter of Roy's films. The films that she did co-star with Roy are elevated an extra notch because of the obvious chemistry between the two.Roy is undercover in this one working at the power company that operates nearby the uranium mine. The mine is owned by Grant Withers who is also Dale's uncle in this film. The usual kittenish banter between Roy and Dale is present which always makes their films interesting.Clifton Young who died much too young plays his usual murderous villain. Film fans will remember him best from the Humphrey Bogart - Lauren Bacall feature Dark Passage. Young is always good in any film he does.Why Republic was so shy in not coming out and mentioning the Russians is beyond me. They are referred to only as 'the other side'. And the chief villain is not one you would suspect, especially coming from a B western.The Bells Of Coronado will have enough singing, riding, and gunplay to satisfy any aged front row kid from the time this was in theaters and younger fans as well.

"Bells of Coronado" is a rarity--a full-color Roy Rogers film. This is probably the case because it's one of Roy's later movies--and his popularity was at its peak and color film a little less costly than it had been in the 1940s. However, aside from the use of color and an absence of the usual sidekicks like Gabby Hayes, Andy Devine or Smiley Burnett (in this case, it's a lesser-known and less goofy Pat Brady), the film is very much like a typical Roy Rogers 'western'. In other words, aside from Roy and the rest riding about on horses out west, the film really is NOT a western but a modern ersatz cowboy film. Think about it--how many westerns have plots about stolen uranium and feature bad guys trying to escape by airplane?! So is everything exactly like his other films? Well, close, but not exactly. Dale appears as usual but she sports brown hair and isn't annoying or stupid (a role they usually had her play). Also, unlike most Rogers films in the public domain, this version has not been trimmed down for a one-hour TV slot and its running time is about 67 minutes.Overall, the film is very ordinary for a Rogers film, though with a little less music and a feeling that you've really seen this sort of thing several times before--which is true if you've seen many Roy Rogers films. It's entertaining but certainly won't tax your brain or leave a lasting impression. Thoroughly adequate with little to distinguish it one way or the other.

The film starts when a mines proprietary shipping a load uranium is attacked .Later the mines passes into a rancher owner named Bennet(Grant Withers,who played for John Ford and appeared over 200 movies until his suicide),he reclaims the company which sends to Roy Rogers(1914-1998) as an undercover insurance agent.Posing as a cowboy looking for employment,he gets a work along with a crew called ¨the riders of the purple sage¨ .Meanwhile happen songs alongside with a secretary(played by his spouse Dale Evans), pursuits and struggles against the uranium smugglers.He must avoid the robbers from taking off an airplane with the stolen load and he gets an exciting final confrontation on high voltage tower.The movie contains action Western,suspense,shoot outs,fighting and is quite entertaining.The film is produced by Republic picture, usual in serials of low budget .The motion picture is well directed by William Witney ,a prolific director of short budget and TV episodes(Daniel Boone, Bonanza,Virginian).The picture is starred by famous Roy Rogers,he played in various musical groups,in 1934 he formed a group called sons of pioneers,they appeared in numerous Westerns(Rhythm on the range,Son of the pioneers,On the Spanish trail among others).Roy was married three times.Arlene Wilkins ,his second wife,died a few day after giving birth to their son,¨Roy Rogers Jr or Dusty¨ and Dale Evans his third spouse,became his four children's mom .Inducted along with his wife Evans into the Hall of great Western performers of the National Cowboy and Western Heritage Museum and also as member of the Sons of pioneers.Their nicknames were,Roy as ¨King of cowboys¨, Dale Evans ¨Queen of the West¨and Trigger ¨Smartest horse in the movies¨. Roy got his horse ¨Trigger¨in 1938 and rode him in every one of his film and TV shows after that.He had appeared in one early movie,being ridden by Olivia de Havilland in ¨¨ The adventures of Robin Hood¨. Trigged died in 1965,aged 33 years.

A criminally unheard-of William Witney has always been underappreciated by western genre fans. Just as influential as John Ford, if not more so, Witney made some of the best early westerns out there creating the modernized, choreographed Western fight scenes we still see today. Witney kept the landscapes in the back where they belong and focused on the pure joy. This film, The Bells of Coronado, was one of Witney's last collaborations with Roy Rogers and Trigger but it is still worth checking out. A little adventure, a little action, a little music. It's all here. For Western genre fans who have never seen a William Witney film, do yourself a favor and check one out. If you liked this one, also check these early greats: On the Old Spanish Trail and Adventures of Red Ryder. While I'm a big fan of John Ford, Anthony Mann and Sergei Leone and appreciate what each of them has brought to the western genre over the years, Witney is still my favorite Western filmmaker. Because there's just a pure unadulterated joy to his pictures you can't find somewhere else. Pictures with no cynicism, a welcome watch in today's cynical world.