If you don't like this, we can't be friends.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

The assumption is that back in the old films, American Indians were always on the warpath and were basically evil. While that might be true in a few films, most westerns (especially the B- westerns) made a much worse mistake--they acted as if the West was completely independent of these indigenous people. In other words, they were mostly absent from the films. Because of this, it was great to see "The Cowboy and the Indians"---a highly unusual film for its time due to its focus on the natives as well as its sensitive portrayal of them. Because of this, this film manages to rise above the humble roots as a B-movie.When the film begins, Gene (Gene Autry) has just bought a ranch and he is angry. After all, the local tribe has their sheep grazing on the land and they are clearly trespassing. In a huff, Gene goes to confront them. However, his anger quickly dissipates when he sees the sorry state that they are in--with malnutrition and illness wracking these people. Soon, he's determined to investigate why they are so poor and hungry. It seems that a scum-bag named Martin and his cronies are exploiting the natives and are stealing from these already destitute people. Gene's anger has been aroused and with a nice doctor and a war hero member of the tribe (Jay Silverheels), he's determined to bring justice to the west.Like most of Autry's westerns, this is set in the present day and the film goes way out of its way to present the Indians far better than they'd been shown in the past. They are seen as heroes, patriots and all-around decent folk. Additionally, while they need help, they are not helpless nor are they stupid--as the two leading American Indians in the film are extremely well- educated and do NOT talk in broken English (this must have been a relief for Silverheels who OFTEN was forces to utter lines that made him sound a bit like Charlie Chan--with very few objects in sentences!). Overall, a wonderful change from the typical western of the day and a film well worth seeing.By the way, if you do see the film look for Hank Peterson as one of Gene's friends--he later played Mr. Zipfel on "Green Acres". Also, at the end, Gene croons one of his biggest hits from earlier in his career, "Here Comes Santa Claus"--and it's a classic.

I have to admit, I was a bit shocked to hear Gene utter the line in my summary above, but that was before he learned why the local Indian tribe was using his property for grazing land and occasionally taking some of his stock. Apparently they were malnourished and starving, victims of a thieving trading post owner and his band of henchmen. Gene has a quick change of heart and teams up with Jay Silverheels to take down Smiley Martin (Frank Richards) and the rest of his bunch by the time the story's over.For TV and movie Western fans there's a gold nugget of trivia offered here by the casting for the picture. Not only do Silverheels and Clayton Moore both appear in the story, but their own long running series 'The Lone Ranger' debuted on the very same day as this picture's release - September 15th, 1949. For Silverheels, this is not a Tonto style characterization; he portrays a college educated Indian who's also performed military service for his country. Fair to say that Gene was making his own small contribution to Western movie revisionism with this picture in which the villains were white and the Indians actually come riding to the rescue at the end of the picture.After a couple of early songs, one by Gene and another by the Indian school children, I was momentarily perplexed when all of a sudden Gene's on horseback singing 'Here Comes Santa Claus' with Hank Patterson riding alongside in a Santa outfit. That's followed up by the school choir offering a respectful version of 'Silent Night'. I have to say, those kids sounded awful darn good and quite honestly I was looking for a professional choir to be listed in the credits. The picture's worth a look just to hear those youngsters sing.

A couple of comments about this film and the lack of a sidekick. Smiley Burnette, although with Columbia at this time could not be used because of still being under contract for the Charles Starrett Durango Kid series as HIS sidekick. Pat Buttram had done an introductory appearance in the Autry film "The Strawberry Roan." He did not start as Autry's sidekick until the film "Riders in the Sky" in 1950. There were several films between Roan and Riders where Autry had no sidekick. Of course, WWII was the reason Burnette signed a long contract for the Durango Kid films with Starrett, Autry having reported for duty in the war. Buttram started on Aurtry's radio show "Melody Ranch" right after the war but apparently was reluctant about appearing in films right away. I think we're all glad he did decide to do so finally and happy that Autry's last 6 films were with original sidekick Smiley Burnette in 1953.

I've seen a number of Gene Autry movies and, in my opinion, this is NOT one of the better. Maybe I'm just becoming too negative. Aha!!! I know what's missing: the sidekick. Minimal comic relief. Then there're those stereotypically-wrong characteristics of the Indians. (I know...portrayals were very different in 1949.) At least they're not the villains here. Quite the contrary: this shows how they were victimized in yet another way. At first, Gene is upset by their raids, but he later learns why, which is then still unbeknownst to the local constabulary. So, for awhile there, Gene's on the outs with the law. Interestingly, this flick contains BOTH Clayton Moore (as a bad guy) AND Jay Silverheels (as a college-educated Indian) BEFORE they were The Lone Ranger and Tonto. Also, this film must have been released near Christmas 'cause - get ready for a couple of song-standards of that season toward it's end. Some other tunes were a little TOO hokey and juvenile for my tastes, even taking into account the behavior of the era.