Absolutely brilliant

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

At the opening credits the viewer knew that this was going to be a low-budget film as the people appearing in flick came onto the screen in large case letters as if written on a neighbors typewriter. But even with the minimal action and the hefty dialog, this movie did provide a small amount of entertainment. So what if the acting was rough and the film appeared to be aimed at the adolescent male, the story was interesting and the twist at the end made for a compelling tale.The story began with a prison break where a stripped-clothed male has escaped. The male, which we will learn was part of the Checker Gang, then kills a rancher in order to get the rancher's gun and horse. Now the brother of the rancher, Luke Random, vows to track down the convict and take his revenge.Along the way Luke runs in to a man, Stacy Doggett, that is also looking for the Checker Gang, an Indian female that has been rejected from her tribe and an older traveling elixir man that has a daughter. These characters will ride together into situation that contain danger and death. All trying, in their own way, of getting at least one of the Checker Gang members.As with this drive-in feature type movie of this generation, there are cowboys, Indians, villains and pretty girls with all having a share of some action. From a spur fight to a chick being tied up supposedly naked to a post, the teenage target group was pleased. But for the rest of us, it was a cheaply made movie that did its best to succeeded. And for the ending alone, they got all from the money spent.NOTE- This movie was supposedly film in Pathecolor (unclear of the process of that system). The film I saw was in black and white plus was somewhat rough with many splices.

"Four Skulls of Jonathan Drake" director Edward L. Cahn helmed a variety of films during his prolific 31 year career, ranging from westerns, to war pictures, to horror chillers, to juvenile delinquent epics, and science fiction sagas. Unfortunately, too much of Cahn's work is not available to enjoy. He made about five or six oater during his career. The low budget "Flesh and the Spur" qualifies as an above-average western. Western veteran John Agar, who cut his teeth on two famous John Ford sagebrushers, co-stars with future "Mannix" lead Mike 'Touch' Connors in this absorbing little trail western about a search for a killer. Although Cahn's is nowhere near as memorable as anything John Ford called the shots on, this concisely made but cheap shoot'em up is just quirky enough to pass muster. Basically, "Flesh and the Spur" concerns the efforts of a rancher to find the dastard who murdered his brother. As it turns out, the killer not only stole a horse but he also stole an unusual revolver. Our hero sets out to find the killer and crosses trails with another man who is looking for an outlaw gang that the killer has ridden with. The two men strike up an uneasy friendship and ride the revenge trail. Along the way, they encounter some interesting characters who participate in this adventure. The title alone makes this 78 minute oater interesting. Indeed, it sounded to me like a sadomasochistic porno western, but it isn't. Cahn's western is reminiscent of the trail westerns that Randolph Scott made with director Budd Boetticher during the 1950s. Two men ride the same trail but there is something between them that remains unresolved until the final quarter hour. Several things about "Flesh and the Spur" set it apart from the usual sagebrusher. First, there is an interesting saloon fracas where the combatants wield spurs as their weapons of choice since they are not allowed to tote guns on the premises. There is a sharpshooter whose aim improves with every shot of liquor that he swallows. There is an offbeat duel at the fade-out where the combatants hold their six-guns in an awkward grip—called 'the border roll'—that makes it difference. Altogether, "Flesh and the Spur" amounts to a sturdy, solid, formula western that departs from the norm just enough to distinguish it. Watching Mike Connors as the extrovert gunslinger is fun, too. The expertise with which Cahn and his director of photography lens the opening scene--a convict escaping from prison--is first-rate stuff, particularly because they endeavor to conceal the identity of the escapee.

John Agar searches for the man who gunned down his brother, with a discarded gun his only clue. Along the way he hooks up with macho Mike Conners, an exiled Indian woman, and a snake oil salesman.The characters spend way too much time talking and not enough time doing the things that make a western good! It picks up near the end but it's too late by then to salvage the picture.The best thing about Flesh And The Spur, besides the title, is the saloon brawl between a cowpoke and Conners, in which they use spurs as weapons.John Agar was a talented actor. This just comes to show how far his career had descended since being declared persona non-grata by Hollywood for his drinking and hell-raising.Co-writer Charles B. Griffith was responsible for some of the best of Roger Corman's micro-budget films (The Little Shop Of Horrors, A Bucket Of Blood, Attack Of The Crab Monsters) and one of his most successful, Deathrace 2000. It's too bad he couldn't breath much life in this script.The featured song, "My Brother And I" is by Ross Bagdasarian, who a year or so later bought a multiple speed recording device, adopted the stage name David Seville, and invented The Chipmunks!

Although highly talky and doesn't really have a lot of action, I sort of liked this movie mainly because it immediately puts you into some kind of low-budget independent cinema right from the start.. I mean, look at how the titles are set up! Although John Agar isn't my favorite actor (and hey! Neither is Touch Connors!) I sort of liked their on and off relationship with each other (admiring their guns wink wink) and there's some female candy to look at. But other than that, the plot is pretty straightforward and nothing you've seen before (eg brother tries to get revenge for his other brother's killing) and there's a lot of stretches of winded talking and talking, and it REALLY gets monotonous during the middle. So I would proceed at your own risk.