Wyoming Outlaw
Will Parker has been destroyed by a local politician and now must steal to feed his family. He steals a steer from the Three Mesquiteers.
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- Cast:
- John Wayne , Ray Corrigan , Raymond Hatton , Don Barry , Pamela Blake , LeRoy Mason , Charles Middleton
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Reviews
terrible... so disappointed.
It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Although the acting on the part of some of the supporting cast is a bit raw what I really liked it how real the outlaws looked, scraggly hair and beards, missing teeth, etc. Just wondering if that's how they look in real life??? Some of them look as though they really are outlaws or maybe homeless people they found on the street. The special affects were especially cheesy but probably and innovation at the time. Such as the snow, isn't that what our TV screens look like when the cable's out? This is one of the first John Wayne black and white's I have seen since my beginning days of watching his movies. I would rate this as my second favorite in the black and whites.
Part of this movie is available on DVD in Germany (I paid EUR4). In around 1977, the German ZDF TV channel produced a serial "Western von gestern" with episodes of around 25 minutes length, for which they also remoulded several early John Wayne movies, like this. You of course just get less than half of the images, with a completely new soundtrack (including new music) in German. I liked the "culture shock": at first, people rode around on horses like we're used to, but suddenly in the manhunt scene, radio broadcasting cars of around 1930 fill the screen. Later, the outlaw hitches a car ride and steals the car to go back to town :^)
Wyoming Outlaw is one of the most unusual entries in the Three Mesquiteers series of films. John Wayne, Ray Corrigan, and Raymond Hatton are not the center of the film. The center is Donald 'Red' Barry who plays young outlaw Will Parker who gets befriended by the Mesquiteers even though he tries to steal a steer from them.This Mesquiteer film is set in the modern west of the dustbowl and has some themes that John Wayne later used in McLintock. During the World War, the cattle country was converted to wheat and after the demand from Europe subsided after World War I a lot of farm land was left arid and abandoned. That is exactly what happened to American agriculture in the boom period of the Roaring Twenties where the farmers did not share the prosperity.Along comes the New Deal and a lot of local political bosses took advantage of government relief programs to entrench themselves in power. Such a boss is played by LeRoy Mason who was one of the shrewdest villains I've ever seen in a western. In fact during the course of the film, Mason really outsmarts our heroes at every turn as they try to bring him down legally.Anyway though the Mesquiteers are really subordinate to Red Barry who's tired of having his family exploited by Mason and his gang. Circumstances make him turn outlaw and the chase for him is reminiscent of High Sierra a year later. In fact the just as Humphrey Bogart is referred to as Mad Dog Earle, Barry is called Mad Dog Parker by the radio and print media of the time.High Sierra was an A film for Warner Brothers and this was just a quickie B western that probably didn't get too much notice. It's a pity that the production values were those of a B film because the story was very well done. This is one of the few John Wayne Three Mesquiteer films that is not available on VHS or DVD. When TCM shows it again, catch it by all means.
The 32 year old John Wayne was fortunate enough to have talented writers around him to write novels that could be adapted into vehicles for his career, as well as short stories and screenplays that would immortalise him as the American hero. This film is one such example. When you watch this film you're not watching it for the story (like you would do in 'Rio Grande' or 'The Man Who Shot Liberty Valance'), you're watching it to see John Wayne in action. He is the romantic embodiment of what it was like for the settling community to live in the post-civil war era. Despite the fact that most of these westerns distort history, what Wayne delivers gives you access to his humanity. That's what we like about him.