Pretty Good

Must See Movie...

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This was my all time favorite Western. I loved at the end when John Ireland says "Sacrifice a few to save many"..And the bugler says "some on has to lead the charge" with Ireland "make it loud for the one's we left behind. So many great actors in this movie. John Ireland, Lloyd Bridges, Reed Hadley, Hugh O'Brian, Marie Windsor ( she is always great playing the other woman), Sheb Wooley (there was a one eyed one horn flying purple eater) also a regular in "Raw Hide" Jim Davis a another great western cowboy. Another western I enjoyed with John Ireland was "The return of Jessie James" with Reed Hadley as Frank James * Hugh O'Brian and Henry Hull as the Younger brothers.

I noticed that the reviews for "Little Big Horn" are all in agreement--this is a very good film. Well, after seeing the flick, I certainly am not in agreement and am the odd man out. I think the film is loaded with problems and is, at best, a mediocre western.The film is about a small band of soldiers who learn about the Indian plan to ambush General Custer at Little Big Horn. So, they set out to cut off these troops and warn them. There is a HUGE problem however--the men NEVER seem to be in any hurry at all...none! They seem to spend most of their time stopping to take breaks or to argue over the Captain's wife (as the Lieutenant has been having an affair with her) or have fist fights. It all comes off as very fake and silly--as does most of the countryside which looks more like California than Montana. In addition, when non-California scenery is used, it's from stock footage and looks it. It also has a few completely ridiculous moments---such as when the Captain (Lloyd Bridges) is shot with three arrows in the chest yet STILL is alive!! Don't mistake this film for art! It's all a bit silly and never convinced me it was anything other than a B-western.

Writing and acting! Acting and writing! Like another great little "Custer" film "Bugles in the Afternoon!" starring Ray Milland (and LBH's Sheb Wooley playing Custer!), the acting and dialog in this Cavalry classic is top notch. Everything just clicks making this film look as good as any classic Western with a much bigger budget.The soundtrack is interesting. The "On the Little Big Horn! 1876!" sung by a chorus rings out loud and clear in the opening credits and sets the mood for the story. Must have been a thrill to the Saturday matinée kid cowboy crowd. It certainly adds to "larger than life" mood of this film.The writers, by setting up this film with the well known history of the Custer defeat (or is it the Native American victory) at the Little Big Horn as a backdrop, helps make your imagination do what the well spent but inexpensive budget doesn't! (It is almost like a radio play in that way.) With the descriptions of sighting of thousands of Souix by the patrols in this film, you feel the intensity and importance of the mission. Also the suspense created by knowing there are a lot of Indians out there and the "Heart of Darkness" atmosphere as the troop advances further and further into Indian territory gives the ambushes that happen the right kind of life and death dynamic. The story line is not that improbable. Gen. Crook, who had met in the Battle of the Rosebud just some of the Souix that would engage Custer a week or so later, did think of continuing with what was left of his command or some troopers to Custer and Terry to inform them of what happened. It didn't happen however. Still, the mission of trying to deliver a message at all costs to Custer gives this film the needed dynamic it requires.Major or soon to be major actors give performances here that both their earlier and later "high budget" careers only enhance. The leads Lloyd Bridges (High Noon!, Sea Hunt, Hot Shots) and John Ireland (Red River, Spartacus, A Walk in the Sun) and supporting actors like the memorable King Donavan (Invasion of the Body Snatchers), the good spirited Wally Cassell (Sands of Iwo Jima), Jim Davis (Dallas!), newcomer Hugh O'Brien (TV's Wyatt Earp), Mr. beautiful baritone Reed Hadley, known for his narrations of Hollywood films (Guadalcanal Diary) and those Atomic Bomb documentaries by the US government plus all the rest of this ensemble do an outstanding job. Bridges and Ireland are perfect as the hard nosed commander and the sympathetic Lt. always in conflict with each other. The film moves along without any real slow spots. It has good cinematography.It has good production values and the good writing that make it seem like a bigger film than it really is. It has that "film noir" mood that never would have worked as well in color either. It is really a western that stimulates your imagination! Many Kudos for this classic!

Lippert Pictures was never, to put it mildly, known for its extravagant productions. Its budgets were minimal, the talent it used--both in front of and behind the camera--was usually second- or third-string, its product was churned out quickly and cheaply for the second- and third-run market. Every so often, though--almost in spite of itself--Lippert managed to turn out a top-notch film. Sam Fuller's "The Steel Helmet" and "The Baron of Arizona" were two, and this is a third. In fact, this looks like it could have been made by Fuller--it has the gritty edge that's typical of his films, and the issues of duty, honor and sacrifice that infused so many of Fuller's movies. Writer/director Charles Marquis Warren was a somewhat inconsistent filmmaker; he made some moody, tense, first-rate little westerns ("Hellgate," "Arrowhead") and some absolute crap ("Charro"). This is one of his best (so good, in fact, that he remade it--badly--in 1958 as "Desert Hell", changing the story from soldiers in the American west to Foreign Legionnaires in the Arabian desert). A small cavalry patrol stumbles upon a huge gathering of Indians about to ambush Custer's 7th Cavalry troopers. The only way to warn Custer's unit about the impending attack is for the patrol to ride directly through the hordes of Indians. There are no false heroics here, either; the officer in charge of the patrol knows that the action he must take will result in almost certain death for everyone in his small unit, but he also knows that if they don't warn Custer, it will result in certain death for Custer's entire command. He has no desire to die or to cause the death of his men--several of whom he doesn't even like--and he's torn between what he knows is his duty and his reluctance to order his men on what will almost certainly be a suicide mission. This is a tough little film, full of short, brutal--surprisingly so, considering the era in which it was made--action scenes where nobody dies prettily. It's a nail-biter and will have you on the edge of your seat. Tightly directed, sharply written, with a great supporting cast of veteran western actors, including Jim Davis, John Ireland, John Pickard, Reed Hadley and Wally Cassell. Do yourself a favor and don't miss this one.