Red River Range
The Cattlemen's Association has called in the Mesquiteers to find cattle rustlers. They get Tex Riley to pose as Stony so Stony can arrive posing as a wanted outlaw. This gets Stony into the gang of rustlers and he alerts Tucson and Lullaby as to the next raid. But Hartley is on hand and unknown to anyone is the rustler's boss and he joins the posse with a plan that will do away with the Mesquiteers.
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- Cast:
- John Wayne , Ray Corrigan , Max Terhune , Polly Moran , Lorna Gray , Kirby Grant , Sammy McKim
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Reviews
In truth, there is barely enough story here to make a film.
Clever and entertaining enough to recommend even to members of the 1%
The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
. . . were making the Realistic Flicks that Blue Collar Americans yearned to see, such as THEY DRIVE BY NIGHT, John Wayne was catering to the crowd peopling Tod Browning's classic film, FREAKS, with such fare as THEY DRIVE BY DAY (also released as RED RIVER RANGE). Wayne's show features a dude ranch owner who gets the bright idea of embedding his elderly bridge-playing lady clients amid a gang of ACTUAL cattle rustlers, so that they can steal and drive their Bovine Cownapees IN BROAD DAYLIGHT 5 or 10 miles to a refrigerator truck, where the purloined sirloin is slaughtered and dressed, again IN BROAD DAYLIGHT! Amazingly, it also turns out that the cooling semi-trucks tooling around America's rutty two-track back roads in the 1930s could freeze meat at minus 40 degrees Fahrenheit (presumably so that it would stay fresh on ice in the event of a catastrophic Mad Cow Disease Outbreak in the 22nd Century, at which time the descendants of the rustlers--after paying 300 years of high electric bills--could fetch top dollar for their meat).
Good cast, great William Lava score, and generally high production values -- marred only slightly by an obviously fake riding scene with young Sammy McKim -- raise this Three Mesquiteers programmer from the routine.Bob Livingston had been replaced at this point in the series by a very good-looking John Wayne as Stony Brooke, but Ray Corrigan and Max Terhune continued as Tucson Smith and Lullaby Joslin.Veteran Polly Moran made a great lady dude visiting out West, and the bad guys -- a large number -- were very believable.Maybe this is just exactly what we expect from the pros at Republic (I like the sound of that word) Pictures, but George Sherman's directing was actually above the average. He used a moving camera to excellent benefit and got some superlative performances out of, perhaps especially, Crash Corrigan, who was in great shape, and looked handsome and heroic, and gave a very credible performance.Three Mesquiteers movies after the very earliest entries were programmers and probably were never expected to be considered classics, but they are. In part because of the unfailingly high quality of casts and in part because of the generally good quality of story.There was a lack of consistency in the settings, this one being set at about the time of the filming, with cars and trucks figuring as prominently as horses.But it all fits; there is no anachronistic feeling.This is good stuff, and I recommend "Red River Range," which you can find at YouTube.
One of the more enjoyable entrées in the Three Mesquiteers series is Red River Range which finds the boys working as government agents to stop some cattle rustling. Unbeknownst to John Wayne, Ray Corrigan, and Max Terhune the meatpacking industry has hired its own agent, Kirby Grant, to get a line on the rustling. That in itself was an interesting aspect of this film, the inflation of meat prices as a result of cattle rustling. One never does think of the economic hurt, those rustlers cause. Kirby's cover is blown before he can infiltrate and folks in the Red River country already know the Mesquiteers are coming. So Wayne and Grant switch places and Wayne poses as an escaped killer.The focus of the investigation is a dude ranch where some mighty strange goings on are occurring. Can't reveal what the scheme, but I assure viewers it's a lulu.A bit more comedy than usual in this film in the person of old vaudevillian Polly Moran, an amazonian tourist at the dude ranch with eyes on the Duke. Good thing the investigation was over as soon as it was because who knows what John Wayne might have had to do to keep his cover.
No matter what film John Wayne appears in he's always interesting to watch. Besides the fact that as an actor he was used by novelists and directors to reinvent the American west, as a personality he was endearing to watch, especially in this film where he is more important than the storyline.