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Conspiracy of Hearts
In wartime Italy nuns in a convent regularly smuggle Jewish children out of a nearby internment camp. The Italian army officer in charge suspects what may be going on but deliberately turns a blind eye. When the Germans take over the camp security the nuns' activities become far more dangerous.
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- Cast:
- Lilli Palmer , Sylvia Syms , Yvonne Mitchell , Albert Lieven , Peter Arne , Nora Swinburne , Michael Goodliffe
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Reviews
You won't be disappointed!
Good story, Not enough for a whole film
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
The film never slows down or bores, plunging from one harrowing sequence to the next.
A local chapter of nuns in Italy do their bit for good by giving refuge to Jewish children who they smuggle out of an Italian internment camp. Their actions are noted by the camp commander but he and his men turn a blind eye to it. However when Mussolini is disposed the Germans take over the area and the camp. When one of the nuns is shot dead outside the camp, it is evident that the stakes have been raised but yet Mother Katherine is determined to preserve.(Edit: another user correctly spotted that I had mistaken the work of this Thomas with that of his brother Gerald, but since it was a mistake I made, I have left it in all its glory). With "Carry On" and "Doctor" series director Ralph Thomas at the helm I wasn't exactly hoping for much from a film that otherwise looked like it could be an engaging drama about the fate of children during the war. As it is though the film is played very straight and has nothing in common with the type of films that Thomas is more famous for. Of course this is not to say that it is brilliant because, in being so straight, it is surprisingly bland. Everything is painted in black and white (no nun pun intended) and the emotions are very basic and broad. The situation itself may make it interesting for some but to me I got tired of the very obvious struggles and relationships within the story and must admit that none of it really captured my imagination or my heart.Thomas delivers it with a constant air of sincere seriousness throughout but yet this is part of the problem as he seems afraid to do anything too complex or interesting with it. The script doesn't help him as it is full of flat lines and cloying sentiment. Maybe I'm being unfair to expect more but these two things prevent it from being anything better than a basic family drama. The cast generally aren't able to step up beyond this. The officers are generally quite colourful characters but the nuns are mostly dull and lacking character. Palmer is the stern one and there are pretty ones, older ones, disapproving ones c; none of them have much to work with and the performances match the basic level of the performance. The children are the poshest and most English "Italian Jews" that I have ever seen and they simply don't convince and show a real laziness in the casting side of things.Overall then a sincere and serious drama that plays it all very straight and offers nothing complex, challenging or interesting to work with. The cast plod along with this approach and aren't able to do much to counter the safe material served up. Undemanding families will maybe enjoy it as a matinée.
I first saw this movie in 1960 when I was 10 and was taken to see it with my mother on our weekly Monday night visit to the Cinema. I didn't go out of choice, It was just for me and my mother to get out of my Fathers way so he could get on with jobs about the house. I can't remember many films that I saw at that time but this was one of the few that stuck in my mind. I suppose it was that I could identify with the Children as they were about my age and that it was about the war. Those of us born in the 40's and 50's grew up with stories about the war. It was certainly a topic for discussion I'm our household as my Father had been a radio operator in the RAF from 1939 onwards.I can remember being deeply moved and disturbed by it even at that young age especially at the climatic ending. Since then I have seen it on TV as it occasionally pops up on UK TV often in the afternoons. The last time it appeared about 18 months ago I took the opportunity to record it on Video. I watch it when I need to renew my faith in mankind as it proves that even in the darkest times, there are people who will risk all for others and their beliefs and that goodness eventually triumphs over evil.
An appropriately solemn and always very compelling Holocaust era film, it is quite competently acted, especially by the child actors and actresses, who give off realistic and believable performances. In particular, Rebecca Dignam stands out as a child who the nuns take a special liking to. The plot line sounds rather ordinary but it works well, providing a fine and interesting tale. The film is, however, a bit too melodramatic, and on top of that it ends unrealistically. But for what it is, it is very good. Based on a story by Adrian Scott, it went credited to Dale Pitt due to blacklisting, but either way Robert Presnell Jr.'s screenplay is generally fine.
I saw it when I was 8 years old, I'm almost 40 now and I always remember this movie. Catholic nuns in France, hiding Jewish children in their convent during the occupation. Lilli Palmer, I remember her face vividly. There must be a reason, but I can't find a copy of that film, not even on video. Maybe, I should keep the memory as it is, rather than jeopardizing it by seeing again, today. I couldn't sleep after I saw it. I think I lived that film. It happened to me another time, when I was around the same age. A Spanish movie, MARCELINO PAN Y VINO. Strangely enough, both films have religious roots and take place within the walls of convents and monasteries. I wonder what that means.