The Salamander
An Italian policeman investigates a series of murders involving people in prominent positions. Left behind at each murder scene is a drawing of a salamander. The policeman begins to suspect these murders are linked to a plot to seize control of the government.
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- Cast:
- Franco Nero , Anthony Quinn , Martin Balsam , Claudia Cardinale , Sybil Danning , Christopher Lee , Cleavon Little
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Reviews
Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
What a waste of superior acting talent! Anthony Quinn Claudia Cardinale Franco Nero Christopher Lee Martin Balsam Eli Wallach How could you go wrong? The story isn't even that bad, I blame the director. Remind me not to watch anything else directed by Peter Zinner. Oh wait, it seems this is the only film he ever directed. Thank G_d!
one of films of my childhood. maybe, the most fascinating, because all was new, strange, bizarre, cruel out of words and... confuse. after decades, the perspective was different. but not profound different. because , after its end, the questions are about a bizarre,silly ,full of clichés, superficial, confuse film, guided by good intentions, with an impressive cast, a not so bad story , excellent premises but who remains only one of commercial films from the many others , predictable, with few good scenes, but nothing more. and this seems be its only sin.
This is the first movie I saw in a theater;I was 4 or 5.I liked it enormously,I found Franco Nero very cool and very handsome.The snatched nails shocked me;I was impressed with the tragic atmosphere and I found the movie extremely violent.Maybe,indeed,it was.The bearded fat man looked evil and was certainly scary.Years later,when I was now 11,I saw The Salamander on a B/W TV set.I liked it that time,too.I guess it may be considered the first straightforward thriller I ever saw; later,I maintained this taste--for Italo-crime things,for thrillers with a twist,and,on a different artistic level,for action dramas (like the Mickey Rourke masterpiece A Prayer for the Dying ,like Walter Hill's Johnny Handsome,like Craig Lahiff's Heaven's Burning,like Hana-bi ,like J. Lee Thompson's The White Buffalo ...).I see I am the only one to comment favorably on The Salamander;I also see that the director Peter Zinner did not make another film.Well,kudos for this one!When I have seen The Salamander,I did not know about Eli Wallach,John Steiner,Christopher Lee and Sybil Danning,therefore I can not tell if they were good or not in this film.
How did it go so wrong? How can a film with such an impressive cast (Franco Nero, Christopher Lee, Eli Wallach, Sybil Danning, Claudia Cardinale, Martin Balsam, Paul Smith - the torturer in "Midnight Express" - as, you guessed it, a torturer, etc.) and such colorful location filming around Italy (Rome, Milan, Venice, etc.) be such a bore? Probably because the story is slow-moving and unengaging, and has no real climax. Another obstacle for the viewer is the difficulty to buy people like Lee and Balsam as Italians. Nero is always likable, and Danning is stunning (even if she's in completely "unrevealing" mode here), but these two are barely enough to keep you focused on what was excellently described by another reviewer as "a political thriller without thrills". (*1/2)