To me, this movie is perfection.

Simply Perfect

Best movie ever!

The film never slows down or bores, plunging from one harrowing sequence to the next.

Acclaimed TV-movie from CBS features Ron Howard as the eldest child in a gypsy-living, crop-picking family who dreams of his independence, guiltily planning for the day when he can make a life for himself in the city--far away from the long, sweaty days out in the fields. Lanford Wilson adapted the short story by Tennessee Williams, showing us the hardships behind this caravan of migrating workers who pick up and go from one crop to the next in the southeast. Still, with such attention to the milieu, one feels the character content comes up short. Wilson and director Tom Gries spend so much time telegraphing us that one of the workers is sick, we have nothing much to look forward to except his demise (and the burden this will place upon matriarch Cloris Leachman). Meanwhile, Howard's relationship with factory-line worker Cindy Williams (reunited from 1973's "American Graffiti") is sketchy--and it comes as a surprise to learn later that she's 'underage'. Emmy-nominated Leachman performs her role without affectation or vanity, and her wry way with a line of dialogue (neither saint nor sinner) ultimately makes the film worth-seeing, although it isn't an emotional or touching picture, as it was undoubtedly meant to be. Wilson and Gries haven't shaped the characters with care, introducing us to them within a flurry of activity. The effect is off-putting, and the finale--a hopeful question mark--doesn't begin to resolve the central family's issues.

Is this the movie where Sissy's character has a daughter that died and she shows the money she had been hiding to give her daughter a nice funeral instead of a "poor" one? I have been looking for that movie and this is the one that sounds the most like it but I am not sure.The movie I am talking about is a wonderful one but I do not remember the name. Only that she worked on the side as a seamstress or something close to it. But I thought Sissy's role was a larger one than this gives her credit for. Any help will be appreciated. I would love to watch it again as this has been stuck in my head for years. But for some reason THE MIGRANTS does not sound exactly like I was thinking the one I remember. But I never know with my memory.

I agree with Fred's assessment that this film should be known (and shown) more widely. I saw it when it first ran on TV many years ago and it was one of the most powerful made-for-TV movies ever. In fact, I'd rate it right up there with "Requiem For A Heavyweight" - the original, not the movie adaptation. I had a black-and-white TV at the time and if this was made in color it should not have been. After all these years one scene is so stuck in my mind that I can still hear and see the delivery. The story, of course, is about the bleak lives of migrant workers and nothing says more about their lack of a future than the moment when Cloris Leachman emerges from the tent in which her daughter (?) has just given birth to a baby. "Is it a boy or a girl?" someone asks. Cloris, face twisted in agony, wails, "Oh, God, what difference does it make?"

I saw this TV movie when it originally aired in 1974. I was thirteen. I had just seen my first Tennessee Williams play ("The Glass Menagerie") at a local repertory theatre and was smitten with his work. My memory is that I watched this and thought it was great. In the thirty-three intervening years I haven't met a single person who has seen this. I've looked for it for years. Yesterday, I noticed a videotape of it in my local library and I borrowed it. It is a very moving, realistic drama of a family of migrant farmers. I am surprised to find I am only the second customer to review this at this webpage. THE MIGRANTS is based on a story by Tennessee Williams and adapted by Lanford Wilson. The authorship alone should be a reason more people would even hear of this, but this is as obscure as can be. Maybe because it was a TV movie, distribution is problematic. But I doubt it. I see that it was nominated for multiple Emmys and didn't get any. Maybe the fact that THE GRAPES OF WRATH covers the same territory so definitively keeps people from separating THE MIGRANTS from Steinbeck's epic (or from Ford's.) I'll give a list of reasons I still find this intriguing: 1) Cloris Leachman gives a performance equal to the one she gave in THE LAST PICTURE SHOW. 2) Ron Howard gives the performance of his life. He was indeed right for a Tennessee Williams character. 3) Sissy Spacek, pre-CARRIE, packs a lot of emotion (and sympathy) into a relatively small role. 4) Tennessee Williams 5) Lanford Wilson It's not earth-shattering, but it is a very solid drama which appeals to the viewer's sense of outrage over the treatment of the people who farm the land. For fans of oddity, there is another aspect worth a mention. This is ANOTHER pairing of Ron Howard and Cindy Williams. If you don't count crossover episodes of HAPPY DAYS and LAVERNE AND SHIRLEY (but you do count the LOVE, American STYLE episode which served, essentially, as a pilot for HAPPY DAYS, or an audition for the George Lucas film I'm about to mention) Ron Howard and Cindy Williams appeared together in two pretty big vehicles: The LOVE, American STYLE episode I've mentioned and, of course, the giant hit, American Graffiti. But nobody's heard of THE MIGRANTS.