This movie is the proof that the world is becoming a sick and dumb place

Absolutely Fantastic

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

After an engaged couple mysteriously disappears in the Bermuda Triangle, her father organizes an expedition to get to the truth. And the truth? Extraterrestrials are carrying out studies on the human race!The best part of this movie is the opening, where a monologue starts us off, quoting from several books over UFO footage. This has nothing to do with the rest of the film, which makes it even more awesome.People get possessed by the Bermuda Triangle, ghost ships show up and the ending is a lot like Close Encounters of the Third Kind, if you also added in a giant Moai from Easter Island. Yes, it's the second best part of the film. And oh look - Mike is played by Gianni Garko, who you'd probably know better for playing the character Sartana and being in Devil Fish.Director Tonino Ricci also directed A Man Called Rage and Cave of the Sharks. Hopefully, those movies are much better than this one, which is very talky and every time it aspires to be something interesting, it runs as hard as it can away from it. But the beginning and the ending? Worth watching.

ENCOUNTERS IN THE DEEP is a poor and fumbled attempt to cash-in on two separate and popular Hollywood sub-genres of the era: the underwater exploration movie inspired by THE DEEP (and JAWS before it), and the alien encounter flick stemming from Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. Sadly, in the hands of Italian trash director Tonino Ricci, this film is a hopeless mess for fans of either genre, and that comes from somebody who's a fan of some of the director's output, like RUSH: THE ASSASSIN and its sequel. The fumbled premise has a diver hunting for extraterrestrials beneath the waves, but the story is alternatively muddled and dragged out and made little sense to me. Andres Garcia parades around in his swimwear a lot but has little acting talent while the clumsy special effects are quite pitiful. I can't imagine anyone enjoying this turgid enterprise.

Ever wanted to watch a movie about a bunch of guys in boat doing absolutely nothing for an hour and a half? Just admit it, we all have. Tonino Ricci (director of Night of the Sharks and Days of Hell) brings us what we've always yearned for in the form of Encounters in the Deep! It's kind of some sort of rip-off of Close Encounters of the Third Kind, set on the sea (Tonino is a bit obsessed with the sea), without the special effects, but with the added bonus of not having Richard whats-his-face in it. Boats and such like keep going missing in the Bermuda Triangle, and once a rich guy's daughter goes missing, it's up to our heroes to head out to the sea and find her! Well, they do a lot of swimming at least. And I suppose they do sort of find her, but not after dodging sharks and dodgy lights set to bizarre moogs outbursts. And…one of them turns a bit strange, which riles their dog…and erm…there's an old man…and…um… Look, this is THE most uneventful Italian film I've ever sat through. Apart from the various boat disappearances at the beginning of the film (a toy boat in a tub, no less), nothing of any consequence happens until the last ten minutes, and even then you'll be thinking 'is that it?'. The film does have a slight naive charm and the effects are pretty funny, but it's lacking in any elements that make for a great Italian genre movie (no action, no gore, no nudity, no style). Tonino Ricci, sadly, doesn't do anything here but waste time. If you want to see something decent (i.e hilarious) from him, watch his action movie Days of Hell.Unnervingly, this isn't the worst Italian movie I've watched – That would have to be War of the Robots, which was so bad it actually caused me physical pain.

I picked this one up in a weird charity shop as it had weird cover art featuring an exploding aeroplane above an ocean full of sharks fins, people over-board a ship and an odd large alien shaped hand. Anyway as the credits rolled for this Italian/Spanish co production, I noticed the music was by the (usually god-like genius) Stelvio Cipriani and the main star was Andrés García, the handsome muscle guy who starred in Tintorera. The film starts with a voice-over intro about U.F.O's and the Bermuda Triangle... Strange occurrences begin happening in the Bermuda area (will they ever learn?) as boats, ships and helicopters (yeah!) disappear into thin air after a high pitched screeching noise is heard, the sea water bubbles and a weird green light pulsates into red (very basic not so special effects). A rich old guy's much loved daughter and her new husband (wearing possibly the smallest white hot-pants I have ever seen) experience the same fate and the old guy wants to find out what happened to them. So he hires a bloke (money no object) with a theory about the disappearances to go and search the area they went missing. He takes with him Andrés García and an old sailor who likes the whisky, an Alsation dog and some some other bland characters (divers etc.) Anyway, as they search and search you really expect something to happen, but sadly it never really does. They search the area for what takes up nearly the entire film, dodging the occasional stock-footage shark and discovering rocks unlike any other found before. One of the divers who sports a beard gets possessed by something in the water and the dog growls at him. It really is this exciting. Eventually Andrés and the other guy discover an underground (and under sea) grotto with a huge statue like one found on Easter Island.I won't give away the ending, because I want other people to watch the entire film (like I had to) see what the climax would be. I will say though, that silver body suits and silver crash helmets do not make for good space aliens with intelligent and supreme powers!The score by Stelvio Cipriani was a lot more orchestral than I was expecting (not like the superb 'Tentacoli') and there's no suspense to speak of, but if you like the look of Andrés García, you wont be disappointed as you do get to see him in very skimpy underpants for almost the entire film.