I love this movie so much

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Anne Shirley seemed to spend a lot of the thirties in school!! There was "Finishing School" (1934), "School for Girls" (1934), "Girl's School" (1938) until she finally arrived at "Sorority House". Anne was a sensitive actress who often put more into her parts than was there in the first place. Her two big films were "Anne of Green Gables" and "Stella Dallas" but because she had been in movies since the age of four, by her teenage years she was considered a fixture and was passed over for roles she would have been ideal for, in favour of other up and coming actresses (Maureen O'Hara in the remake of "A Bill of Divorcement" and Jane Bryan in "The Old Maid"). So, once again, Anne was back in familiar territory in "Sorority House" as Alice, daughter of a small town grocer who withdraws all his savings so she can attend the prestigious Talbot University.In my opinion this was a much better movie than "Girl's School" and Anne had a chance to add more dimension to her characterization. Once at college dewy eyed Alice falls right in step with the social climbing fever that is gripping the school - although she still retains her country values. Any co-ed who is not a sorority girl is seen as a "dreep" (a combination of dreary and weep). Her two room- mates are Dottie (Barbara Read) who is philosophical about her low chances of being invited to a sorority and Merle, who is frantic to join but whose aunt with her pushy behaviour ruins her chances. Although countrified Alice would ordinarily not have a hope of getting into Gamma, the top sorority house, she makes the acquaintance of Bill (James Ellison) the college hero who takes Alice under his wing and helps her adjust to the hectic social life. To say nothing of spreading a rumor that Alice's father owns a supermarket chain - instead of his one struggling grocery store.Suddenly all the sororities are clamouring for her but with all the invitations come extra expenses, fees etc and Alice's father finds he has to sell his store to pay for all the hidden costs. When Alice's father turns up unannounced at a sorority "Meet the Parents" party, for one brief moment Alice turns into a social snob - ashamed of her own father. He saves the day with oodles of home spun philosophy - telling the story of Abraham Lincoln, preventing a suicide and giving Alice a lecture on freedom of choice when she decides to found a club where sorority members will not be welcolme!!Barbara Read started off as one of the "Three Smart Girls" that made a star out of Deanna Durbin but she really looked too much like Durbin and was replaced in the sequel "Three Smart Girls Grow Up" by Helen Parrish. Veronica Lake and Marge Champion can be glimpsed as co-eds.

Communist and later blacklisted screenwriter Dalton Trumbo gets a script assignment on sorority houses—the possibilities are intriguing and endless. After all, what better hothouse of class elitism is there than making sure your daughter or son meets just the right people and marries only within the proper social circles. Certainly, no Van der Bilt wants their offspring marrying a campus nobody, so why not manage their young lives through something like elitist clubs, otherwise known as sororities and fraternities. The topic seems perfect grist for an avowed enemy of class privilege, such as Trumbo is presumed to be.But then the movie is a programmer, and the early Trumbo is a relative unknown, so conventional values do prevail. Nonetheless, dad Fisher delivers the main message at movie's end. Grief in the world, Dad observes, is caused by "cliques" banding together, whether sororities, clubs or nations, and then coming into conflict. And though Dad doesn't say so, cliques would presumably include the bogeyman of Marxist theory, economic class. Thus, as Trumbo's mouthpiece, Dad manages to come up with a social version of a classless society, which sounds more like choosing your own friends and not letting that go to your head than anything like common ownership of the means of production. It's also in keeping with the general spirit of the times, which exalts the virtues of the common man, especially salt-of- the-earth types like dad Fisher.The movie itself is entertaining enough for a studio programmer, managing some gritty dramatics (the pushy aunt ruining Merle's pledge chances; the suicide attempt) and, of course, the expected sappy romance. But it's really Anne Shirley who shines and holds things together. Her friendliness comes across as so natural and unforced that you can't help but root for her. She's perfect as the unspoiled small town girl. Nonetheless, the movie remains very much a product of Hollywood and its time. In passing—for a more revealing look at college sororities backed by of an A-budget, catch up with TCF's Take Care of My Little Girl (1952). In my little book, it's a real sleeper, despite the gloss.

ANNE SHIRLEY and JAMES ELLISON are the romantic leads in this trifle directed by John Farrow about a nice young girl who learns her lessons at college the hard way--by attempting to fit into the sorority scene when she comes from a humble background and is not a girl of wealth as the other girls are falsely told.Shirley and Ellison make a pleasant twosome but their roles are one-dimensional after they meet in the usual Hollywood "by accident" way. He's the campus hero who helps her learn the ins and outs of campus life. Anne Shirley made this film the same year that she tested for Melanie in GWTW and her sweetness appears natural here. But, as usual, her roles seldom became more demanding than requiring a sweet presence, limiting her opportunities as an actress.Surprisingly, Dalton Trumbo wrote the script and Nicholas Musuraca was behind the camera but it's just an RKO trifle easily forgotten.

Before the college film degraded into the gross-out comedy and the slasher flick there was the little seen charmer "Sorority House". It revolves around Alice, a young woman whose main desire in life is to attend college. Her financially struggling father ensures this happens and with this we enter the world of the film, which takes place in a particularly non-descript campus somewhere in the Midwest.This uber-innocent romantic comedy flows along with a very brief running time of sixty-four minutes. It deals mainly with Alice's humble interest in seeing her hopeful roommate at the boarding house garner interest of one of the local sororities, but as fate (read a fraternity member) would have it Alice is instead selected due to a technicality. Alice starts to be overcome by all of the elitism that comes from being involved with the young woman of Gamma House, and in a key scene she chooses the clique over her real family.Given some mild female empowerment moments, it's not a surprise Dalton Trumbo wrote the screenplay, since a year later he'd write the script for "Kitty Foyle", the Ginger Rogers vehicle that can be seen as a fair attempt a work of minor pre-feminism. Here the intention seems almost to expose sororities as merely a choice for a young woman, and not the only way to pave a future, as is mentioned again and again from several characters. There does seem to be some underlying criticism of the elitism and focus on money, which makes it seem pretty edgy for its time.The best moments were spent with Barbara Read's character, Dotty, the young woman who stands on her own two feet and laughs in the face of the sorority that turned her away. It has a certain charm and wit that makes it a nice view, but the running time and underdeveloped character make it seem little more than a trifle. Oh, and the brief suicide attempt seemed way out of place here!