I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

By the time the dramatic fireworks start popping off, each one feels earned.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Yes, I know it is cheesy and grossly sentimental. The interplay from the widowed single mother (she is getting over her husbands death well, kind of like Scarlett O'Hara) and the put upon disabled child is really over the top. Yet for reasons I do not fully understand this is one my favorite Hallmark movies. I would recommend this one for all.

Another Hallmark Christmas movie but this one really is sub-par.Mia is a single mom of a disabled boy (Scotty ) and is also a manager in a small town Christmas hat shop, you know the ones that sell Santa hats for a $1. Do not let that small shop size fool you because behind it all is a big warehouse employing lots of staff and even a bigger management office.However selling seasonal hats has a downside, things are bad after Christmas and the lack of a web presence does not help. The company is in trouble. Nick has been called in from New York by his father who runs the ailing company to turn it around and he specialises in managing companies in trouble by cutting costs.Mia has to get Nick up to speed in the business and he takes an interest in her son Scotty helping him with a pumpkin carving contest and later a cart race.Mia is wary how genuine Nick is after all he has left a swanky lifestyle in New York where he is a business consultant and she fears the worst when she overhears plans to downsize the company and benefits.The trouble is this is just a predictable badly written schmaltzy story and the actors are just going through the motions. The film looks like it has just come off some of a conveyor belt with no love or effort put into it.

With the exciting title and the interesting previews, once again my imagination was expecting a really good Hallmark Christmas movie...but once again, I was very, very disappointed. I did not find anything likable about this movie...............Plot as I saw it: "Mia" believed that she was privy to suddenly becoming the manager of the failing business where she worked...but she quickly became disgruntled learning that the owner's competent son was going to manage it instead......."Mia" eventually became familiar with the son and changed her unfavorable attitude towards him. Why?.......... Because she saw personal, selfish gain in having a "relationship" with him.....From then on, she gave nothing more than a profound impression that she only wanted a "relationship" with the guy primarily for him to be a "big brother" and then probably be a father for her son......After all, her employment family health benefits might be discontinued!....With her repeated pouting, she practically demanded him to invest all of his free time in her son.........Every time she thought he was interested in another woman (an old friend) because he spent some time with her,..."Mia" instantly showed her disgruntled jealousy and possessiveness....as if he was not allowed to his life's choice.

Here's the good news: the acting by the two romantic leads (Haylie Duff and Antonio Cupo) is good and they are assisted by a strong acting performance by veteran actor Jay Brazeau in the role of the business owner and father of the male lead. This movie would have been a total train-wreck without these actors.Now the bad news: Hats Off to Christmas suffers from terrible writing. It goes beyond scenes that are so poorly written that they damage the 'suspension of disbelief;' the film relies on cheap and cheesy plot devices that are unrealistic but intended to manipulate the emotions of the viewer. Many Hallmark romance movies are guilty of this, but Hats Off is the Al Capone of "cheap and cheesy." This Hallmark movie has it all, doled out in the most unrealistic and clumsy scenes imaginable:a backstory involving a dead husband (and father)a young son who is wheelchair-bound. Doctors think he is medically capable of walking, but emotional issues from the trauma of his car accident are suspected to be the real issue preventing him from walking again. Anyone want to guess where this plot-line is going?a female lead character, Mia, who overhears a fragment of a conversation about plans to address her employer's business problems and misunderstands what she has heard. Mia doesn't seek to confirm anything or wait for an announcement - instead she ends her relationship with the man she is starting to love and submits a letter resigning her job. Its hard to like characters who over-react in such unrealistic ways.a short scene where the male romantic interest, Nick, organizes a football game for the boy in the wheelchair. The boy makes a pass that goes about five feet and it is declared a touchdown. Then the boy is handed the football, and Nick pushes the boy's wheelchair downfield while everyone pretends that they can't catch him. This scene was intended to be uplifting, but is so deeply insulting to "wheelchair athletes" in the real world that Hallmark should be ashamed.so many "changes of heart" that it keeps your head-spinning. Not only do the romantic leads run hot and cold on each other repeatedly, but the major adversary in the film inexplicably "changes heart" and offers up some terms that resolve a lot of difficulties.supernaturally intelligent kids that advise their parents on their relationship issues (a core Hallmark plot device.)scenes where kids say something for about 30 seconds that advances the plot and are then told "Time to go to bed now. Its past your bedtime" leading to a scene where the adults talk between themselves. If you're a kid in a Hallmark movie, it is seemingly always your bedtime.-completely unrealistic depictions of financial analysts and business operations and decision-making. Some of these plot-devices might have worked in a movie that developed these situations adequately. In Hats Off, they are briefly introduced, and amateurishly disposed of as mere devices along the road to getting the romantic leads to realize they love each other and finally, to kiss. This move has such lazy manipulative writing and is so cheap and cheesy that I took no joy in the events that it showed.