terrible... so disappointed.

Terrible acting, screenplay and direction.

just watch it!

How wonderful it is to see this fine actress carry a film and carry it so beautifully.

By turns a dark comedy, horror film, Gothic love story, and heartbreaking drama, "Cowards Bend the Knee" is a magnificent carnival of the bizarre. It carries the typical Guy Maddin style, which imitates silent, experimental cinema-normally mixing it with dark humor and surprising poetry. In this film, Maddin uses his style to the best of its ability by a forming a unique, genre bending masterwork of the avant garde. Mixing slapstick, sex, and scares Maddin creates an otherworldly and wholly surreal experience around a wacky plot that involves revenge, decapitated hands, hockey, abortion, and a fake breast. Sounds weird, right? Well, it is. It really, really is. ...and for fans of weird, surreal cinema it's a real treasure. I found myself laughing and shaking during this wild feast for the eyes. It has its moments of disorientation and confusion, but within those moments lies a deep and subtle beauty. Guy Maddin is similar to Jim Jarmusch because his films are like cinematic poems, but while Jarmusch seems to be making beat poetry, Maddin makes completely off the wall, experimental poetry!

Many people have compared Maddin to David Lynch - although there are some psycho-sexual similarities, they have it wrong. He's the Tom Waits of film. To watch his films requires not the suspension of disbelief, but an open subconscious.Throw your mind away and enjoy this film. Hockey players ensconced in sperm and a combination beauty salon, brothel, day care center and abortion clinic all make appearances here. And an interesting story mixing "Hands of Orlac" in reverse and...well, a lot of Maddin. Unlike any film experience you'll see, but you'll come away a better and more open person because of it. And Melissa Dionisio is the most stunning actress I've ever seen on screen. For people new to Maddin, I'd recommend starting with The Saddest Music in the World, which really works as a movie and a story and almost makes sense from a realistic point of view. I come away from his films glad that we have somebody who thinks like that, and glad that he put it on film.

didn't think i wanted to watch this when it came on in the wee hours on sundance 2 nights ago; i needed some sleep. after 90 seconds, i was hooked. i was so stunned by this film that all i could think was, 'clearly a work of genius,', 'the heck with sleep,' and, 'why didn't i set the VCR?!' cinema and i go way back, way even before college in Paris and the cinematheque in the 1970s, and i rated it a 9, the only time i've ever given my own highest rating to a film here. although Mr. Maddin might not appreciate the comparison, i think his body of work shows a creative mind in league with Woody Allen, in terms of switching genres and excelling most of the time. Billy Wilder is another example that comes to mind. bold risk-takers, all. i just wish i were better to articulate my thoughts on this.bravo!

Okay, I've tried and I've tried, but I STILL DON'T GET this Guy Maddin thing. Tales From the Gimli Hospital left me cold, that movie about the Austrian villagers and the one about the Ice Nymph were pretty to look but lacking in the story department...and this nudie movie about abortion and hockey is just boring. I'm glad Maddin has an appreciation for silent film, but I dislike his films for the same reason I dislike the films of Quentin Tarantino: they're empty homages to better, more imaginative films--films that advanced the art form or broke new ground--and are all style and no substance. No amount of jump cuts and odd camera angles can disguise the fact that Maddin is an unoriginal David Lynch wannabe, though he DOES have one advantage over Tarantino: he generally doesn't write embarrassing dialogue, because most of his films rely on intertitles. The bottom line is, Maddin's schtick is clever clever film-making for aspiring film majors.