Edge of Madness
1851, Manitoba's Red River Valley. As winter sets in, a young woman on the edge of madness arrives exhausted at the fort, a wilderness station, claiming she murdered her husband. She's placed in a cell; for the next several months, she sews while the local prefect, Henry Mullen, investigates.
-
- Cast:
- Caroline Dhavernas , Paul Johansson , Brendan Fehr , Corey Sevier , Jonas Chernick , Tantoo Cardinal
Similar titles
Reviews
Such a frustrating disappointment
As Good As It Gets
Although it has its amusing moments, in eneral the plot does not convince.
Exactly the movie you think it is, but not the movie you want it to be.
Two brothers. A young woman. A house far from civilization. A murder. And the verdict. Ambiguous, far from justice, fragile and behind rules. A love story. And common sacrifice. A body as frontier between past and future. And present as desert isle. The axis - Caroline Dhavernas look. Axis of story, images, questions about innocence and guilty, nuances of fear and hope and ash of a building who must be, in strange form, the home.A movie as a land in rain. The storm, the wed ground, lightning, few thunders, rainbow, fresh air ,after cried. Mixture of mystery and beauty. A flash tale in which sensitivity and hidden expectations are seeds of passing existences.
Edge of Madness is a tale about a woman in the 1800's who gets hand-picked by dirty Scotsman who can't keep his penis in his pants. He just so happens to have a younger brother who is against rape and kills him, but continuously says it was an accident. This makes his wife go crazy, she gets delusional and she takes the fall because she loves George too much.Like I said, this type of thing has been done before. This is just more "artistic" because it's Canadian and it's an indie production done on a low-budget with hardly known actors (except that one kid from Lassie, yea, he's in it). I dunno' whether this was going for Oscar bait, but it was sure as hell boring. And this is based on a 40 page short story. Half of that short story is incorporated into this flick, and I'm glad. Otherwise, I'd bore to death. Unfortunately, I had to watch it in my Media Fundamentals class, and I had an assignment on it. Read the short story and compare and contrast the flick to the story. BORING.You know, it's harder to answer movie questions when you don't like the movie. Ah well, I hope this is the last type of assignment me and my class get. For what it's worth, Annie Herron was totally hot, she had a nice, soft ass and I liked the nude parts of her in the movie.3/10 for boring, Oscar bait performance and graphic sexuality..plus nudity.
A beautiful story on the age-old themes: who is guilty on a crime? Does true innocence exist? Too bad the outcome spoils a lot by being a bit infantile. I felt it didn't do justice to the movie as a whole.The scenery of Canadian life in the 19th century is really captivating and draws you as a viewer into its raw atmosphere. You really feel the battle against the elements as the characters are faced against it. Their harsh lives make it practically unbearable to keep a steady pace in life, let alone to have a decent love life. The acting is superb, with a huge extra plus for Caroline Dhavernes as the gorgeous but natural protagonist.
The haunting landscape could well be Minnesota and the story is reminiscent of Maud Hart Lovelace's Gentlemen from England and Karl Rolvaag's Giants in the Earth, both of whom were Minnesota authors. Besides the lead actress, Caroline Dhavernas, who is wonderful, it's fun to see Peter Wingfield and Paul Johansson in something with a little more gravitas than Highlander. Okay, Peter's Scottish accent and Paul's English? Dutch? accent left a good deal to be desired, but who cares. It is beautifully shot, with exquisite production design and costuming. Ann Wheeler built this film with lots of love. It unrolls like a tone poem written by Ingmar Bergman.